Angel and the Bad Man

Not only is this a bust, a grandchild of the great Duke Wayne plays the sidekick Randy in the film. By no means is this an endorsement by the Wayne family. If it was you'd be seeing an actual verbal or written endorsement by the licensing agent for John Wayne. And if you think this one is bad, wait until you see the remake of True Grit which is supposed to be in the works. It's almost like the Hollywood writers were all replaced with remake happy zombies.

All you see these days are sequels or bad remakes of past classics. As the other commenter forgot to say it is already free to watch since it was a straight to TV release, that's how bad it was. Not even worthy of the big screen. I have to say this is the worse the Hallmark Channel has ever done.

No one, and I repeat no one, can do a John Wayne movie other than John Wayne. I'll make a suggestion to anyone who thinks they can do a remake of any film done by Duke Wayne. Forget it... you'll lose your shirt. This is not even worth a $.99 download release.

This is a remake of the classic 1947 John Wayne western about an injured gunslinger who falls in with good company in the form of some Quakers. Full of comedy and broad performances, the original includes some classic bits and a grand performance by Harry Carey Sr. at the end of his career. The people at Hallmark must have been hesitant to greenlight this production, but they manage to produce a pretty good movie as a result and on its own terms.

As with all good remakes, it takes the same material and spins it in a different direction. and the more serious tone of this version does work for the first half, when the contrast between Quirt's life and character is spoken about -- it's handled humorously in the original. Instead, the humor in this version is reserved for the section where Lou Phillips, as Quirt Evans, tries going back to his old life. The attempt to play comedy as Phillips grows more dissatisfied and disgusted with his fellow associates does not, alas, quite work.

It does remain a good character study, and among the supporting cast, a special note should be taken of Winston Rekert who plays the Harry Carey role -- a sheriff who had hoped to hang Quirt with a new rope. His is the toughest act to follow, and he manages it very nicely.

Anyone who is expecting a word for word remake of the John Wayne classic Angel And The Badman will not be disappointed. With one glaring exception this Hallmark Channel remake sticks very close to the original story of a gunfighter reformed by a Quaker woman's love.

The exception is that instead of an innocent young unmarried girl as Gail Russell played in the original, Deborah Kara Unger is a widow with a young boy to raise which she is doing with her parents. She's a good woman, but even good women have their needs and when Lou Diamond Phillips as Quirt Evans literally lands on her doorstep, wounded after a gun battle, he gets her mojo going good and proper.

Wisely Lou did not opt for an imitation of John Wayne in his interpretation of the gunfighter. If he had he would have been laughed off the small screen. He's still one deadly individual and this screenplay make it clear just why Quirt Evans and Laredo Stevens as played by Luke Perry are fated to tangle.

The role of the marshal that Harry Carey played in the original is cut down somewhat, though Winston Rekert is effective in the scenes he does have. I liked the Carey character though, wish there had been more of the marshal in this one. The Wayne family put their imprimatur on this remake with the casting of the Duke's grandson Brendan Wayne as Randy McCall the sidekick to Phillips and played in the original film by Lee Dixon.

Probably important the Wayne family did that because the Duke's The Angel And The Badman was the very first film in which he not only worked on the production end, but also directed himself. Of the films John Wayne directed, that was far and away his best effort. So you can imagine the family had a big personal interest at stake.

I think even the hardest and most loyal of the Duke's legion of fans will not be disappointed with this version of The Angel And The Badman.

Naturally, those who have practically deified John Wayne will not look with favor on any remake of his films, but this handsome color version has much more authentic period flavor than the original one of simple Hollywood hokum. Since I was never a great fan of Wayne's and was only favorably impressed by one performance of his (as the outright racist and sadistic bastard in "The Searchers") I can judge this film on its own merits without referring to Wayne's earlier version.

Phillips is convincing in the role of the hard-bitten gunny who unwillingly reforms when his head is turned by the esteem of a good woman. It gradually develops that his heart is eventually turned, too. Now that he has matured he actually achieves more gravitas than in some of his better known younger roles. The supporting roles are well-drawn, especially (Sam) Winston Reckert and the nasty one-eyed piece of work (Laredo) aptly played by an almost unrecognizable Luke Perry.

Finally, a western in which they admit the indoor spaces were small and cold! I have often thought to myself that westerns invariably fail to depict what living in the "old west" may have been like without central heating. Also, other than Lou Diamond Phillips himself, they have never seen a barber. Although the clothes ad persons are far too clean.

Production values are sufficient as is the acting and script to make watching the whole movie possible.