IMDb-BEWERTUNG
6,8/10
26.376
IHRE BEWERTUNG
Ein falscher Hellseher/Betrüger und ihr Freund, der Taxifahrer/Privatermittler ist, begegnen einem Paar Serienentführer, während sie einem vermissten Erben in Kalifornien folgen.Ein falscher Hellseher/Betrüger und ihr Freund, der Taxifahrer/Privatermittler ist, begegnen einem Paar Serienentführer, während sie einem vermissten Erben in Kalifornien folgen.Ein falscher Hellseher/Betrüger und ihr Freund, der Taxifahrer/Privatermittler ist, begegnen einem Paar Serienentführer, während sie einem vermissten Erben in Kalifornien folgen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 6 Nominierungen insgesamt
Elisabeth Brooks
- Woman in Cafe with Priest
- (Nicht genannt)
Carl Byrd
- Lieutenant Peterson
- (Nicht genannt)
Empfohlene Bewertungen
FILM: 7/10.
I recently took a trip back to 1976 with Alfred Hitchcock's swan song, Family Plot. Hitchcock, in the twilight of his legendary career, weaves a tale with a conspicuous preoccupation with death, perhaps mirroring the maestro's contemplation of his own mortality as he approached the final chapters of life.
What struck me is Hitchcock's secret weapon that he deployed throughout his career: humour. Here, it's out in full force. The film dances on the edge of darkness with a cheeky grin, reminding us that even in the face of death, Hitchcock could still crack a wry smile.
The cast brings their A-game. Barbara Harris is a delightful force as the psychic, giving the film an eccentric charm. Bruce Dern's sly performance adds a layer of intrigue, keeping me hooked even when the plot seemed to waver.
Family Plot is a fine film, no doubt, but it's not quite rubbing shoulders with the likes of Psycho or Rear Window. It feels a bit like Hitchcock-light, lacking the weight of his most iconic works. While there's suspense and Hitchcock's signature twists, the overall impact is somewhat subdued.
Considering Hitchcock worked right up until his health tapped him on the shoulder and said, "hey, it's time to take a break," you can't help but appreciate the dedication. Family Plot might not be a grand finale, but it's a reminder of Hitchcock's ability to entertain, even in the face of the unknown. A solid and worthy final bow from the master of suspense.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 8/10.
Native 4K presentation, Detail level: Excellent, Colour reproduction: Excellent, Level accuracy: Good, Encode: Good, Master condition: Good
AUDIO: 8/10.
DTS HD-MA 2.0 mono audio, Dialogue reproduction: Excellent, Soundtrack & effects clarity: Excellent, Dynamics: Excellent, Surround sound presentation: N/A, LFE content: N/A
MOOFIEMETER: 7/10.
I recently took a trip back to 1976 with Alfred Hitchcock's swan song, Family Plot. Hitchcock, in the twilight of his legendary career, weaves a tale with a conspicuous preoccupation with death, perhaps mirroring the maestro's contemplation of his own mortality as he approached the final chapters of life.
What struck me is Hitchcock's secret weapon that he deployed throughout his career: humour. Here, it's out in full force. The film dances on the edge of darkness with a cheeky grin, reminding us that even in the face of death, Hitchcock could still crack a wry smile.
The cast brings their A-game. Barbara Harris is a delightful force as the psychic, giving the film an eccentric charm. Bruce Dern's sly performance adds a layer of intrigue, keeping me hooked even when the plot seemed to waver.
Family Plot is a fine film, no doubt, but it's not quite rubbing shoulders with the likes of Psycho or Rear Window. It feels a bit like Hitchcock-light, lacking the weight of his most iconic works. While there's suspense and Hitchcock's signature twists, the overall impact is somewhat subdued.
Considering Hitchcock worked right up until his health tapped him on the shoulder and said, "hey, it's time to take a break," you can't help but appreciate the dedication. Family Plot might not be a grand finale, but it's a reminder of Hitchcock's ability to entertain, even in the face of the unknown. A solid and worthy final bow from the master of suspense.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 8/10.
Native 4K presentation, Detail level: Excellent, Colour reproduction: Excellent, Level accuracy: Good, Encode: Good, Master condition: Good
AUDIO: 8/10.
DTS HD-MA 2.0 mono audio, Dialogue reproduction: Excellent, Soundtrack & effects clarity: Excellent, Dynamics: Excellent, Surround sound presentation: N/A, LFE content: N/A
MOOFIEMETER: 7/10.
Get ready for the tricks and suspense you've seen in other films, but be sure to get the commentary on DVD. Barbara Harris looks just like Hitchcock's daughter, as you'll see from the interview, just a younger version. A extra lesson: You will never get a facelift once you see the interviews with Karen Black. If she had allowed herself to age naturally, she would have been so much more attractive than the gargoyle you'll wince at seeing.
Here's a treat: the winding mountain road and no brakes scenario as never you've seen it. I loved the comic touches and the risqué language. It is indeed a unique film. If you happen to love the mountain of California and San Francisco, you'll also love the cinematography. The stills are mostly of Hitchcock in the graveyard, which makes you wonder if he wasn't a little clairvoyant himself. The whole movie centers around a phony psychic and her attempt to cheat an old woman out of her money.
In our cynical world of today, you'll expect them just to dress Dern up as the missing heir, but nope, they play it straight. Having read of Hitchcock's misogyny, you'll appreciate the cuts and slices between the lovers. Both pairs of grifters have their own love thing going. Rather touching to see the fidelity among the crooks. Inspired writing, indeed.
Hitchcock did have a pacemaker installed while this movie was being made, so you have to wonder if his own thoughts of his impending death might have caused as much concentration on the graveyard scenes. Buy the DVD; the added features will make the movies itself 3 times more interesting.
Here's a treat: the winding mountain road and no brakes scenario as never you've seen it. I loved the comic touches and the risqué language. It is indeed a unique film. If you happen to love the mountain of California and San Francisco, you'll also love the cinematography. The stills are mostly of Hitchcock in the graveyard, which makes you wonder if he wasn't a little clairvoyant himself. The whole movie centers around a phony psychic and her attempt to cheat an old woman out of her money.
In our cynical world of today, you'll expect them just to dress Dern up as the missing heir, but nope, they play it straight. Having read of Hitchcock's misogyny, you'll appreciate the cuts and slices between the lovers. Both pairs of grifters have their own love thing going. Rather touching to see the fidelity among the crooks. Inspired writing, indeed.
Hitchcock did have a pacemaker installed while this movie was being made, so you have to wonder if his own thoughts of his impending death might have caused as much concentration on the graveyard scenes. Buy the DVD; the added features will make the movies itself 3 times more interesting.
Having seen "Torn Curtain" about a year ago, I wasn't all that enthusiastic about seeing another of Hitchcock's "late" works (indeed, his final film). "TC" was absolutely abysmal, as reflected in my comments there, so I had no great expectations for "Family Plot." I was pleasantly surprised, however. Although true Hitchcock buffs may not rank "FP" alongside the "classics" like "Psycho" and "NxNW," "FP" is an evenly-paced film with strong central characters, an interesting supporting cast, good acting, humor, innuendo, mystery and, of course, suspense. A good all-around film by the master in his final effort. It won't leave your palms sweating and your blood running cold, and there are a couple of flaws that a younger Hitch might have caught (I, for one, wonder how Blanche's car got fixed so quickly -- hard to believe it wasn't totaled in the first place).
Nonetheless, Family Plot will hold your attention and keep you guessing until the very end. I'm glad I took the time to seek it out and watch it.
Nonetheless, Family Plot will hold your attention and keep you guessing until the very end. I'm glad I took the time to seek it out and watch it.
Alfred Hitchcock's final film Family Plot is a story of two male and female criminal partnerships. The first pair is Bruce Dern and Barbara Harris who are a pair of small time grifters and we meet them in the process of fleecing a rich old spinster Cathleen Nesbitt with a phony psychic act.
The second pair are William Devane and Karen Black who have a lovely line in ransom kidnappings. They've really got it worked out to a science, including a soundproof hidden room in Devane's basement where the victims can be stashed until the ransom is paid.
Nesbitt confesses that she had her late sister give up an out of wedlock child during a séance and now she'd like to make amends by finding him and making him her heir. So with a finder's fee in mind Dern and Harris start digging.
Their paths cross Devane and Black as the police are hunting them so it becomes quite an interesting set of circumstances as Devane and Black suspect the others of being police operatives.
Hitchcock cleverly interweaves the stories of the two couples into a very cohesive plot. The players all hit the mark with their roles,] especially Devane, a smooth talking killer in the Hitchcock tradition of Otto Kruger in Saboteur, Tom Helmore in Vertigo, and James Mason in North By Northwest.
The ending is a bit of a surprise though, it comes rather abruptly. I have to confess I didn't like it at first, but it does kind of grow on you with repeated viewings.
Family Plot is a good for the master of suspense to go out on.
The second pair are William Devane and Karen Black who have a lovely line in ransom kidnappings. They've really got it worked out to a science, including a soundproof hidden room in Devane's basement where the victims can be stashed until the ransom is paid.
Nesbitt confesses that she had her late sister give up an out of wedlock child during a séance and now she'd like to make amends by finding him and making him her heir. So with a finder's fee in mind Dern and Harris start digging.
Their paths cross Devane and Black as the police are hunting them so it becomes quite an interesting set of circumstances as Devane and Black suspect the others of being police operatives.
Hitchcock cleverly interweaves the stories of the two couples into a very cohesive plot. The players all hit the mark with their roles,] especially Devane, a smooth talking killer in the Hitchcock tradition of Otto Kruger in Saboteur, Tom Helmore in Vertigo, and James Mason in North By Northwest.
The ending is a bit of a surprise though, it comes rather abruptly. I have to confess I didn't like it at first, but it does kind of grow on you with repeated viewings.
Family Plot is a good for the master of suspense to go out on.
I was with low expectations before watching this because I read a lot of negative reviews that said this was a not a good movie. I only bought it because this was the only missing film in "The Hitchcock Collection". Well, I saw it and I think it is great!It is a light movie, that mixes comedy with suspense and it's an enjoyable surprise. All of the comedy/light movies that Hitchcock made are underrated (see the example of "The trouble with Harry"(1955)) and I can't understand why.This has some scenes that demonstrate the mastery of Alfred Hitchcock, notably the car scene where one couple is inside a moving car with the brakes sabotaged.That scene is so well constructed that you actually can feel like you are in the car... Amazing!I watched in the "Making of" this picture someone saying that, at that time, people knew this would be the last Hitchcock movie it would have been received way better by the audience. I give it 8 of 10 because it's a joyful and great movie.
Wusstest du schon
- WissenswertesAt one point during filming, Bruce Dern questioned Sir Alfred Hitchcock about why he was cast. Hitchcock replied, "Because Mr. Packinow wanted a million dollars, and Hitch doesn't pay a million dollars." It took Dern a while to realize that "Mr. Packinow" was Al Pacino.
- PatzerWhen the runaway car is careening down the mountain, George is almost strangled by Blanche as she hangs on to his tie while flailing around in the back of the car. George's tie is clearly loose around his neck in several shots. When he crashes and climbs out of the car, the tie knot is perfect.
- Crazy CreditsThe Universal logo does not appear anywhere on this film.
- VerbindungenFeatured in Marlene (1984)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Trama macabra
- Drehorte
- Angeles Crest Highway, Angeles National Forest, Kalifornien, USA(runaway car downhill sequence)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.490.375 $ (geschätzt)
- Weltweiter Bruttoertrag
- 111 $
- Laufzeit
- 2 Std.(120 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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