The Crooked Lines of God

I watched this with little expectations other than a mix of negative reviews and one about 'a movie for intellectuals.' If you enjoyed Shutter Island, I highly recommend as this is of the same genre, well made, characters develop at a comfortable pace and the crooked lines in the plot are well played, done with thought and til the end.

I look forward to watching this again as I know I will pick up something new with each watch. I didn't recognize any of these actors, but was very impressed by all. Any movie set made to be in an insane asylum can go one of many ways. The characters here were intriguing, make you laugh, cry, and want to be their friends.

Very well done! The question throughout the movie is whether she is absolutely sane and telling the whole truth, or whether she is suffering from a mental disorder, and sucking everyone in.

Synopsis: The film is centered around Alice Gould de Almenara, a ravishingly beautiful and extremely intelligent woman who enters a mental asylum situated in Spain to uncover the mysterious death of an inmate. She is a private investigator and was contacted by the deceased's father to examine the case.

The film is centered around Alice Gould de Almenara, a ravishingly beautiful and extremely intelligent woman who enters a mental asylum situated in Spain to uncover the mysterious death of an inmate. She is a private investigator and was contacted by the deceased's father to examine the case.

Oriol Paulo has important means for his film about a psychiatric hospital. With a beautiful work on the sets, costumes and, very important, the impressive decor of the psychiatric hospital where a good part of the film takes place. The film is sumptuous.

A film where the intrigue is to know if Barbara Lennie, patient of the psychiatric hospital, is well in her place, or not, that is to say is she reached of a mental disease or not. According to the points of view, according to the editing of the film, according to the flashbacks or the flashforwards, the answer differs. And it is the whole purpose of Oriol Paulo to succeed in making a film that holds the spectator in suspense until the end, until the last shot. The multiple subplots that the scenario agrees require an important work to the spectator to put back together the pieces and to make the links, and this permanently. This makes the film not seem long despite its 2h30 duration.

The film is also plastically a success: in terms of photography, sets and costumes. With a special mention to Barbara Lennie, who is in all the shots of the film, with a big work to carry all the components of her character.

Loved it - Up until the last second. Unnecessary. Incredible protagonist with a compelling story and mysteries. I really hope they pull off the sequel or sequels. I want it.

I gave it a 10 out of 10 and then the last second happened. I had to bring it down.

I don't understand the need, but am willing to let the writers tell the rest of the story as it comes.

I'm disappointed because now it brings the story back to where we were instead of taking us into the next chapter... I suppose we will see.

Wonderful characters, wonderful weave, incredible production design, incredible acting and directing. Overall a great production. Hollywood, take notes. This is how you create a strong protagonist, one with flaws - flaws we all have.

Answer: You want to watch how it ends, and it catches you just after the first seconds, right until the last.

This movie is a performance in overall consistency, pace and quality. Certainly some of the best in 2022. Using a difficult subject (mental health), in a difficult place (a sanitarium with crazy people), with a difficult duration (2 and 1/2 hours), it manages to create an atmosphere, tensions, twists, attachment and beauty at all times, with charismatic actors handling all characters that you do not want to leave. These a signs of a very well crafted movie, giving a lot of care to details and to the audience, but without any easy writing or gratuitous eye candy.

Watch it, you won't be disappointed (except if you are looking for stereotypical and empty movies).