Ein brillanter, aber egoistischer Wissenschaftler erweckt in einem monströsen Experiment eine Kreatur zum Leben, das schließlich sowohl den Schöpfer als auch sein tragisches Geschöpf zugrund... Alles lesenEin brillanter, aber egoistischer Wissenschaftler erweckt in einem monströsen Experiment eine Kreatur zum Leben, das schließlich sowohl den Schöpfer als auch sein tragisches Geschöpf zugrunde richtet.Ein brillanter, aber egoistischer Wissenschaftler erweckt in einem monströsen Experiment eine Kreatur zum Leben, das schließlich sowohl den Schöpfer als auch sein tragisches Geschöpf zugrunde richtet.
- Regisseur/-in
- Autoren
- Stars
- Auszeichnungen
- 29 Gewinne & 149 Nominierungen insgesamt
Zusammenfassung
Empfohlene Bewertungen
Now compared to some other reviewer's my score may seem pretty low, and let me start by saying it's going to be loved by critics and loved by award shows, and deserves the accolades it will receive, but for me personally, I respect it more than I love it.
Del Toro is a incredible director, and that's more than evident in this picture, I enjoyed the story, and his rendition of it, visually it's stunning. But, sorry to say, I'm just not a huge fan of Gothic horror, I never have been. I've tried over the years, and this movie I surprisingly enjoyed more than most, but it's something that's just not always going to be my cup of tea.
There were large portions of the movie I enjoyed, there did come a part in the movie where it headlined the title 'Part 2' which I dreaded, not because I wasn't enjoying it, but I had already felt like I watched a feature movie, yet I was only half way. It was a bit long for me. Which only felt longer because of the pacing.
On the positives, it looks great visually, set pieces are gothic but brilliant, and I loved the cast performances, especially Jacob Elordi as the The Creature. I was not familiar with this actor, but I give credit where it's due, that was a brilliant performance.
Look. If gothic horror is not your thing, still give it a chance, it can be long winded but it's a great rendition of a classic story, I'd be surprised if you hated it even if it's not your favorite genre. If you rated it higher, I'm not going to argue with you, it probably deserves it.
Del Toro doesn't fail, but I think he misses the mark at those moments where he changes the story, revising the characters' awareness and motivations. Walz's Harlander is invented and unnecessary, Isaac's Frankenstein is frenzied rather than haunted. It is Jacob Elordi's monster / creature that redeems the film, in addition to its beautiful gothic style and fine pacing (the runtime is long, but suitable). Overall, a great addition to the lore and worth seeing on the big screen.
I've loved Guillermo Del Toro since I was a teenager and I watched Pan's Labyrinth for the first time, and then I made it my goal to see everything he's ever directed. But I've loved Mary Shelley's Frankenstein since I was in elementary school. After I read it the first time, I kept rereading it over and over again.
My issue with this is that this is not Frankenstein. At least, not Mary Shelley's Frankenstein. The story is completely changed, and I'm not sure that it is for the better. I was seeing all these reviewers rage how this is the Frankenstein we deserve and that this is as close as it gets to the actual book. The former is up for debate, but the latter is a straight up lie from someone who's obviously never read or understood the source material.
If this would've been an original story, I would've liked it way more. But seeing as it is supposed to be an adaptation of a childhood favorite of mine, it simply doesn't hold up. Definitely the biggest disappointment of the year for me, and I've been looking forward to this since last year. I was disappointed when I heard that it wasn't playing in theaters near me, but I guess it was for the best.
If you're going to watch this, I would suggest you drop all expectations of it being Mary Shelley's Frankenstein and watch it as it's own original thing.
The visuals are phenomenal, the acting is outstanding all around (although Isaac and Elordi are the standouts), Guillermo's writing and direction are steadfast and intimately visceral, the music is haunting, and the cinematography is some of the best of the year. I will be seeing this again in theaters, but I hope Netflix sits down and let's this epic go to IMAX. That would be one hell of an experience.
Most Popular Movies of 2025: #7 Frankenstein
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- WissenswertesVictor Frankenstein's laboratory and Captain Anderson's ship were fully constructed sets. "I want real sets", director Guillermo del Toro explains. "I don't want digital, I don't want AI, I don't want simulation. I want old-fashioned craftsmanship: people painting, building, hammering, plastering."
- PatzerIn 1857, Victor Frankenstein buys dynamite to blow up the Creature. Alfred Nobel did not invent dynamite until 1866, 9 years after the movie was set.
- Zitate
The Creature: An idea, a feeling became clear to me. The hunter did not hate the wolf. The wolf did not hate the sheep. But violence felt inevitable between them. Perhaps, I thought, this was the way of the world. It would hunt you and kill you just for being who you are.
- Crazy CreditsThe Netflix logo is formed by two batteries running an electric charge in Victor Frankenstein's laboratory.
- VerbindungenFeatured in Horror's Greatest: Film Scores (2025)
- SoundtracksRondeau (Abedelazer)
Written by Henry Purcell
Arranged by Jonathan Scott
Performed by Jonathan Scott
courtesy of: Scott Brothers Duo
Top-Auswahl
2025 TIFF Festival Guide
2025 TIFF Festival Guide
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Dr. Frankenstein
- Drehorte
- North Bay, Nipissing, Ontario, Kanada(Location / exteriors - Arctic)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 120.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 144.496 $
- Laufzeit
- 2 Std. 29 Min.(149 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1






