Oye Lucky! Lucky Oye!

All I want to say is critic's bashed this movie and said this was a average flick, but don't go by critics and just enjoy this movie which is set up in a really nice pace.

It traces the story of "Lucky" a boy from who his teenage learns to become a master in stealing.Abhay does a damn good job as "Lucky" and kudos to "Paresh" who brings a new sense of freshness to every characters he plays. The voice modulation in each of the characters is great by paresh.The story is damn good right from the scripting to editing.Every character in this one are the kind of people we see in day to day life like "Lucky" who thinks or must say does what he likes doing best. If u want to watch a good movie without our so called stars, Just watch this flick.It will be etched in your mind for sometime. Must rate it 9/10 and kudos to the director for making such a movie which has a really fresh feel.I am more for this kind of stuff .Enjoy "LUCKY"...

For ages in India the films were over the top unrealistic affairs. This film was one of the first films in mainstream cinema to incorporate realistic dialogue, acting and characters. One of the first dark comedies and one of the best.

It's a story of a common thief and his merry ways. The performances are superb. The editing and direction is great. Music is good too. A film which will achieve cult status.

Oye Lucky Lucky Oye ! Lucky to get such a wonderful movie. when bollywood is producing only crap on name of Big flicks, OLLO, comparatively very low budget flick, brings a Breeze of freshness. The movie is a true masterpiece and extremely original because of its sheer brilliant direction. Hats off to Mr.Dibakar Banerjee for this great, aesthetic and tasteful movie in all the aspects. Dibakar earns full points for being that courageous to experiment is all the parts of movie, whether it is characterization, or multiple roles by Paresh Bhai, or folk, traditional music. Creativity inside him seems to be boiling in full temperature and that really raises our expectation bar for the next time. Abhay Deol could be the only adequate choice for that Ultra cool "Superchor" and he proves it. Abhay, having a special crowd of fans, again gifts them a terrific movie. His acing is awesome and fits very nicely to the character. His chuckling face, innocent smile drives you crazy and evokes a sense of pristine happiness inside you. Paresh Rawal is one of the most talented character artist of Hindi film industry and this movie consolidates the fact.

One thing, I am sure about the movie, those who will like it, wont be able to control himself watching it again and again. Very solid performance by young lucky and his cute, innocent greeting card girl. That sequence of movie is super cute and makes you hold your heart and breath. Music adds flavor in the movie and very nicely transplanted in background, that makes movie very speedy. Also for those who does not know, the singers were selected by folk songs competitions in haryana and Punjab's villages. Brilliant idea!! Truly wonderful and natural music, superb acting and innovative direction ! Kudos to all !!

Dibakar Banerjee's 'Oye Lucky! Lucky Oye!' is one of my favourite Hindi films of recent years. A dark satirical comedy revolving around a young thief, it is amazingly enjoyable and fresh and can provide a spectacular watch for the entire family. For all the smart-alecks, Banerjee does not try to glorify theft or anything of this sort but instead makes sure the viewer does not take it seriously and just enjoys this energetic and engaging, though a somewhat slow paced film. This is the comic, albeit a bit sad, story of a thief named Lucky which follows his experiences while looking for different people to rob and his subsequent attempts to quit the 'profession'.

'Lucky' is extremely Indian in its depiction, humour and heart. Banerjee skillfully captures the unique atmosphere of Delhi and its simple yet colourful lifestyle. The film is reminiscent of those classic comedies made by Hrishikesh Mukherjee and his style. It is totally realistic, and is aided by an excellent script, brilliant and witty dialogues, hilarious situations and many uplifting moments. One must note that the first portions of the film, revolving around Lucky's adolescence, are superbly portrayed. The romantic story between Lucky and Sonal, the lovely girl he falls in love with, is also extremely alluring.

The film is not your run-of-the-mill masala comedy. The comedy lies in the writing and the script. It does not even have song numbers for the actors to lip-sync, and you can only hear one song playing over certain montage sequences from time to time. And which song? A famous Kishore Kumar number which was taken right from an old Hindi picture of the late 1970s (Mahesh Bhatt's Lahu Ke Do Rang, to be specific). This, along with other such aspects as the great cinematography, the editing and the settings, perfectly contributes to the film's nostalgic and simple feel which will certainly be identified with Banerjee's style of film-making in coming days.

With Lucky, Abhay Deol ultimately became my favourite actor of the current generation. He is outstanding from start to finish and injects charm and energy into his character, which make it interesting and memorable. Manjot Singh is also fantastic as the young Lucky. Neetu Chandra is also likable as his love interest. Paresh Rawal plays three different characters in the movie. As funny as it sounds, the three characters have absolutely no connection in the story, and Rawal plays every role excellently, though I liked the character of the doctor the most. Richa Chadda, Archana Puran Singh and Kalpana stand out in smaller comic parts.

What else can I say? Lucky is an intelligent and humorous movie. It is stylish in its own way, it is feel-good, romantic and effervescent, and for me, it is also addictive! I can watch it again and again and still be totally entertained. This is a film that really can make you feel good. Way to go, Mr. Banerjee and Mr. Deol.

I am quite appalled at the critic's response to OLLO in India. The film has been given at best a rating of average to a complete dud. I can only imagine that the reason behind this response is the fact that there is no 'out and out' superstar in the film and hence the critics do not have to show any loyalty to the 'you can't do wrong' Khans, Kapoors or Kumars of Bollywood.

I must admit I went to watch OLLO with quite low expectations given the lack of critical acclaim the film had received, despite the fact the film was directed by the very competent Dibakar Banerjee of 'Khosla ka Gholsa' fame and had an interesting ensemble cast. I can tell you that I was pleasantly surprised that the film definitely met my expectations and it proves that you can't trust the film critics in India – who practically live in the pockets of certain Bollywood stars.

The problem in India now is that you have parallel cinema with your mainstream run of the mill films for the masses and artistic films for the more sophisticated pallet. Therefore the tendency for critics is now to first categorise the film in to either one of these categories and then review it on that basis. For me OLLO doesn't fall in to either one of these categories – it is just a simple tale told in a competent way – much like 'Khosla ka Ghosla'. OLLO captures the atmosphere of Delhi perfectly and the adolescent years of the main character Lucky are amazing. From thereon in OLLO becomes a simple tale of a thief who steals out of force of habit – that is the storyline in a nutshell.

How the main characters interact with each other helps develop the story further and the storyline follows a natural progression of events (with some mirch masala) towards its climax. As for the performances – Abhay Deol is a natural. By far he stands head and shoulders above the rest of the star cast despite the fact that Paresh Rawal is given three clear opportunities to steal his thunder. Whilst I must admit that Abhay Deol is not blessed with typical Bollywood star looks and his screen presence isn't up there with the best of them (in saying that Shah Rukh Khan looks like a caricature with his big nose and lips) , but his honest portrayal of the characters he plays is always near perfect. The rest of the star cast is also very competent and compliment each other. Once again Dibakar Banerjee has proved that he can put together an amazingly entertaining film from a very simple storyline. He reminds me of the great Hrishikesh Mukerjee.

Finally, I would like to recommend that true cinema-goers firstly ignore the trained critics of India and follow their instincts – OLLO is well and truly worth a watch.