Manorama: Six Feet Under

Before watching Manorama, i considered Johnny Gaddar as best scripted suspense movie of modern times, but Manorama is far above from Johnny. The best thing is that the storyline looks real and on the level of a common person. It is not like a typical Hindi Cinema (bollywood) suspense movie with the protagonist playing a hero. I gave 9 because i felt detached in middle of the movie but approaching to the end, it captures attention and the climax is well written. I'll curse myself for not watching it for so long even after i heard its praise from my friends. Abhay Deol looks good as a Middle class Rajasthani and so as Gul Panag. Vinay Pathak is exceptional as usual.

First I would like to tell who would surely like this movie, so if you are one of them then go and grab the movie right now - 1. People who have lived major part of their lives in a small town of India and know the slow and uneventful life. 2. People who have had great ambitions in life but some how could not achieve success in the magnitude of expectations. 3. People who are mystery aficionado not just in movies but in life also. 4. People who form their own opinion about the movies rather than just following the herd mentality.

If you fall into any 2 categories out of the 4 mentioned above then its a movie for you.

Review -

This is one movie created by a very intelligent director who is absolutely comfortable with his intelligence and skill of movie making and does not go over board to show the intelligence. The plot of the movie is defined in a sleepy small town of Rajasthan. The beauty about the plot is that it shows a lot about a small town of Rajasthan without spending too much time in creating the backdrop. This is not just true for Plot but for characters also. The characters of this movie unfold with the course of movie and no extra effort is done by director to over simplify or over explain it. By the end of the movie you would be absolutely ready to answer any question asked about the character. Not because director told you all about the characters but because you would know these character so well. In terms of story its little slow in the first hour but if you fall into any of the above categories you would not mind waiting for next eventful hour. Once the story picks up the pace then you have to sit tight to assimilate all the details or you would get into the trap of post processing. Its not like a conventional suspense movie where you get to know the bad man at the end. Some where during the movie you would realize who is the bad man but why and how are the questions which will be answered later. In the initial part of the movie you would question why the protagonist of the movie is so confident and sure about his ability but you would get the proof of that by the end of the movie. At the end protagonist does not get fame or revenge or pleasure of killing the villain of the movie but you would have a subtle smile when at the end protagonist gives all the answer and takes sweet unconventional revenge. Acting wise it 10/10. Abhay Deol is a class actor, who knows his character in and out. Gul Panag has done full justice to her role. Vinay Pathak is as usual his best. But I think the credit goes to director who has carved out his characters so well that even you would feel that "I can also do this role, I know this person so well." At the end, its a must watch movie. Its a disappointment that this movie could not get commercial success but I guess that the fate of all great movies made in India.

First things First, if I need to describe Path Breaking Cinema, I will use Manorma Six Feet Under as an example. And this film is not a Direct lift of Roman Polanski's famous hit Chinatown, Manorma hold on its own. The first word that comes to my mind while I intend to describe this movie is Efficiency.

There have been few thrillers that so effortlessly thrill you, keep you right on the edge of your seat, get you acquainted with such rich characters yet manage to knock you with killer twists and pull a fast one on you. Endlessly inventive, this is not one of those films that are just that. It explores the psychology of being a wannabe spy like no other film.

Abhay Deol is in a role thats tailor made for him, he's such a natural actor, he brings life to Satyaveer Singh and you feel that Satyaveer is a small town Rajasthani and you never feel that the character actually is played by a Punjabi Jat living in Bombay.

This is Navdeep Singh's first film as a director, and it is apparent he has the heart and soul of a storyteller. He never imposes himself upon the film; he just lets the narration flow effortlessly. He seems to be an actor's director, and the finesse with which he handles them, in close ups, dealing with each other reminds me of Steven Soderbergh.

Gul Panag is one of the Finest Actresses in India today (Lot more talented than a Rani, Priety & Aishwaria). She already proved it with Dor and now in Manorma in a not so significant role, she still proves why she's the most underrated actress in the Hindi Film Industry.

Vinay Pathak, Kulbushan Kharbanda & Sarika are competent too.

Only Raima Sen hams here.

Anyways a 9.7 out of 10 from me for this Masterpiece.

Too bad for most of my friends who had to settle tor Over The top Nonsense movies like Partner, Hey Baby & Welcome while I loved every bit of Manorama.

After 'Johnny Gaddaar' here's another amazing thriller. 'Manorama 6 Feet Under' is clearly an inspiration of 'Chinatown'. Note inspiration, not ripoff nor remake. In one scene you even see Chinatown playing on TV. The writing is clever, the visuals are impressive and the performances are very good. Director Navdeep Singh stays with his sub-heading 'In the desert nothing is as it seems'. So in 'Manorama 6 Feet Under' nothing is indeed as it seems. Singh smartly unfolds the mystery and springs a lot of surprises. The film is set in sandy Rajasthan which is portrayed as mysterious, dry, isolated, illusive and frightening. Thus, it's a perfect set-up for the film.

Coming to the performances, Abhay Deol scores again in yet another different role, not just different from what he's done but also from what other actors of today are doing. The actor is certainly here to stay and hope he continues the good work. Gul Panag has a simple role but she does her part very well. Raima Sen shows tremendous versatility. Sarika is stunning in the title role and Kulbushan Kharbanda and Vinay Pathak are very good.

The songs are minimal. But the few that we have are pleasant and adequate for the screenplay.

'Manorama 6 Feet Under' is one exciting puzzle and a treat to watch. It's bizarre. It's dark. It's funny. It's thrilling.

This movie is as real as it gets on the screen. The movie makers have done a great job to maintain the real feel and not dramatize anything. Every scene, every place, every character feels so real. For example, SV's bandage on his fingers is dirty and beat up just like the rest of his disheveled look. The table in Dr. Poddar's office has a transparent plastic cover over the table cloth just as you would find in many Indian households.

The story is excellent too. Keeps you captured till the last scene. It is also funny at times. My only complaint with the movie is that I didn't like Raima Sen as the choice to play Sheetal's character. She has a heavy Bengali accent not suitable for her character. Also Nimmi(Gul Panag) delivers her "Hinglish" dialogues with an upper class English accent.

Overall this is an excellent movie to watch.