Oye Lucky! Lucky Oye!

I think this is one of the most entertaining movies come out of ' uninspiring ' repetitive crap very refreshing, down to earth, Witty and above all shows some real 'people' not everyone's cup of tea.

Looks like the script writer and the director himself has done some groundwork in terms of characters and the persona they bring on the table.

why can't we get more of these kind of movies out of Mumbai. I think there is a refershing change on the way, otherwise watching 3 hour marathons.

Lucky's character seem to resonate with the big divide, where Well done to the entire team.

Oye Lucky Lucky Oye ! Lucky to get such a wonderful movie. when bollywood is producing only crap on name of Big flicks, OLLO, comparatively very low budget flick, brings a Breeze of freshness. The movie is a true masterpiece and extremely original because of its sheer brilliant direction. Hats off to Mr.Dibakar Banerjee for this great, aesthetic and tasteful movie in all the aspects. Dibakar earns full points for being that courageous to experiment is all the parts of movie, whether it is characterization, or multiple roles by Paresh Bhai, or folk, traditional music. Creativity inside him seems to be boiling in full temperature and that really raises our expectation bar for the next time. Abhay Deol could be the only adequate choice for that Ultra cool "Superchor" and he proves it. Abhay, having a special crowd of fans, again gifts them a terrific movie. His acing is awesome and fits very nicely to the character. His chuckling face, innocent smile drives you crazy and evokes a sense of pristine happiness inside you. Paresh Rawal is one of the most talented character artist of Hindi film industry and this movie consolidates the fact.

One thing, I am sure about the movie, those who will like it, wont be able to control himself watching it again and again. Very solid performance by young lucky and his cute, innocent greeting card girl. That sequence of movie is super cute and makes you hold your heart and breath. Music adds flavor in the movie and very nicely transplanted in background, that makes movie very speedy. Also for those who does not know, the singers were selected by folk songs competitions in haryana and Punjab's villages. Brilliant idea!! Truly wonderful and natural music, superb acting and innovative direction ! Kudos to all !!

Dibakar Banerjee, director of the cult film(if i may say so) Khosla ka Ghosla, is back with another comedy. Unusually titled Oye Lucky! Lucky Oye!, it is indeed quite different from the regular bollywood fare.

True, this film isn't as good as Khosla, but it definitely has a lot of things going for it. This film is a splash of colour, and is set in Delhi, just like its predecessor. Dibakar once again succeeds in capturing the essence of this decadent city, and the old-world charm it carries.

The film has its special moments, like the scene where lucky meets the card-seller girl. The innocence and the humanism is not lost, and one can almost feel oneself in the midst of the action.

Paresh Rawal plays three characters, analogous to Peter Sellers in Dr. Strangelove, and does a fine job. Although his character of Dr. Handa was a little too absolute-evil types, the others showed shades of gray, and were executed well by Rawal.

The dialogue is witty and funny, and resembles elements of the same in Pulp Fiction, one is inclined to think.

The film does lose its way in the second half (the entire vacation episode), the story becomes a bit of a drag, and the ending carries no surprises, but as a whole, the film does well to keep its spectators glued to the screen.

However, i must say, that most of the shortcomings of the film come to light only when it is compared to global standards. If one is talking about bollywood, and the trash it churns out regularly( Dostana, Yuvvraaj), then this film is truly light years ahead in every possible department.

Its a sad truth in Bollywood, that talent dies a poor man. The ones with absolute power in the industry (Amitabh Bacchan, SRK, KJo) are mortified of experimentation, of serving up anything that hasn't been dumbed down to the average IQ of an American, to the Indian audiences.I yearn for the day when independent and original thought is given credence and respect in Bollywood. Agreed, that this film isn't stuff of legend, but its a start, and a symbol of defiance. And that is why it should be given even more credit than it deserves.

Stylish, Witty, and Entertaining, this film is a must watch for all the people out there who have been suffering brain damage at the hands of Karan Johar, RGV, Yash Chopra and co. I give it an 8/10, mostly due to the brilliant first half of the movie. On the whole,well done Dibakar moshai!

I am quite appalled at the critic's response to OLLO in India. The film has been given at best a rating of average to a complete dud. I can only imagine that the reason behind this response is the fact that there is no 'out and out' superstar in the film and hence the critics do not have to show any loyalty to the 'you can't do wrong' Khans, Kapoors or Kumars of Bollywood.

I must admit I went to watch OLLO with quite low expectations given the lack of critical acclaim the film had received, despite the fact the film was directed by the very competent Dibakar Banerjee of 'Khosla ka Gholsa' fame and had an interesting ensemble cast. I can tell you that I was pleasantly surprised that the film definitely met my expectations and it proves that you can't trust the film critics in India – who practically live in the pockets of certain Bollywood stars.

The problem in India now is that you have parallel cinema with your mainstream run of the mill films for the masses and artistic films for the more sophisticated pallet. Therefore the tendency for critics is now to first categorise the film in to either one of these categories and then review it on that basis. For me OLLO doesn't fall in to either one of these categories – it is just a simple tale told in a competent way – much like 'Khosla ka Ghosla'. OLLO captures the atmosphere of Delhi perfectly and the adolescent years of the main character Lucky are amazing. From thereon in OLLO becomes a simple tale of a thief who steals out of force of habit – that is the storyline in a nutshell.

How the main characters interact with each other helps develop the story further and the storyline follows a natural progression of events (with some mirch masala) towards its climax. As for the performances – Abhay Deol is a natural. By far he stands head and shoulders above the rest of the star cast despite the fact that Paresh Rawal is given three clear opportunities to steal his thunder. Whilst I must admit that Abhay Deol is not blessed with typical Bollywood star looks and his screen presence isn't up there with the best of them (in saying that Shah Rukh Khan looks like a caricature with his big nose and lips) , but his honest portrayal of the characters he plays is always near perfect. The rest of the star cast is also very competent and compliment each other. Once again Dibakar Banerjee has proved that he can put together an amazingly entertaining film from a very simple storyline. He reminds me of the great Hrishikesh Mukerjee.

Finally, I would like to recommend that true cinema-goers firstly ignore the trained critics of India and follow their instincts – OLLO is well and truly worth a watch.

Simply one of the best characterization and caricature of Delhi-ites on big screen. The only other contender comes to my mind is Khosla ka Ghosla by the same director - that tells me the director is very familiar with Delhi and its lingo, culture, Punjabi-Hariyani laced Hindi! If you have ever lived in Delhi, you can relate to all the characters. Period! And that in itself will make the movie a fun-watch.

Abhay Deol - I consider him the most capable of Deols. I am neither a big fan of the 'action hero' Sunny or Bobby (what's his genre btw?). But this Deol knows his strength and plays by that, and experiments with new characters each time. His acting makes up for all the muscles Sunny has or all lack of dancing skills of Sunny or lack of any skills of Bobby.

The young Lucky played by Manjot is an absolute delight. Paresh Rawal is adequate, somehow I feel a Boman Irani could have been a better fit. I missed Ranvir Shorey or a Deepak Dobriyal in the movie, these guys are so Delhi-ish that you can create a character for them in such a movie.

A word about music:... I think Dibakar Banerjee has a good ear for the Funjabi music. Like 'Chak de phatte' from KKG, this movie has few tracks, which are just fun Punjabi-Hiphop-Techno tracks! Sorry, I haven't checked the music credits yet, but the SuperChor is a cool gangsta-rap style track, while Jugni and Oye Lucky have nice raw Punjabi touch with some modern instrumentation. I would hate to call them Bhangraa, because they are a bit different. Although none of the songs are of 'Chak De Phatte' caliber, but are more than adequate.

Overall, a fun movie to watch - as long as you can follow the Delhi-sense-of-humor!

I still give it 8/10 because the script loses pace somewhat towards 3/4th of the movie. It should have been an out and out comedy like the way it started and ended.