Zelle 211 - Der Knastaufstand

Greetings from Lithuania.

So so. It's been a long time, when i last time saw a film about prisons. Maybe it was "The Shawshank Redemption", i truly can't remember. I think, there isn't much films these days about "true" prison life (i still didn't saw "Un prophète"). Now, the thing i want to say is that i can't remember any other "prison" movie, except "The Shawshank Redemption" and "Midnight Express",but now, i'll always remember "Celda 211" (Cell 211-international title). This film goes "straight to the bone". Really great cinematography, excellent job by director (two thumbs up to Daniel Monzón), unbelievable acting - still can't believe that these guys aren't real prisoners. This film has it all. The only reason i saw this film, is that i watched "Agora", another great film from Spain, and was really surprised, when i heard, that "Agora" was overwhelmed at Goya Awards by some "prison drama". Now i can say, that "Celda 211" is the best film from Europe in long time - and i don't say this very often.

Go and watch this film, You won't be regretting.

Gran película and bravo to Spain!

This is a great movie mainly for two reasons:

1. The script is not a typical Hollywood storyline. It's very realistic and powerful.

2. The performances of all actors are superb. In contrast to Hollywood movies, the actors in this movie are not models who decided to move to the film business but real actors.

Fortunately, there are still cinema people who do not see movies as commercial products for sale with the purpose of bringing enormous profit to the producers but rather works of art. There is still hope for cinema.

This movie likens that of a gemstone- raw, real, unique, crafty and incomparable. I watched this movie, my first Spanish movie in cinema, with English subtitles and frankly, i was impressed. Though now the only regret i have is not mastering the language before the show. If only i could pay more attention to the movie instead of the translated words running at the bottom.

This is a story of a prison guard, Juan Oliver (played by Alberto A) who decided to go to work one day before he actually begins to 'make an impression'. What awaits him later is a riot, which forced him to be locked in Cell 211 after suffering an injury to his head. He knows the only way to live is to be one of them, and so he acted as an inmate. But until when can he keep it to himself? He has to make peace with the rest of the inmates and gain the trust of their 'leader' Malamadre (played by Luis Tosar) as they take hostage of high profile, terrorist-prisoners. He later learns an ugly news of his pregnant wife outside prison and his life is never the same again.

This movie plays around the humanity of man and how corruption and distrust can affect a man's freedom and ultimately, his life. There were moments in the show. Obviously, the prison riot. The police riot scene later was well delivered straight to its core, which led to the falling domino pieces in the movie. The turning point of Juan's character was when he received the news about his wife. Fine acting by all the cast with amazing characterization, awesome cinematography and directing at every scene!

The development of the plot is great, at points where it creates suspense left me on the edge of my seat. The blossoming relationship between Juan and Malamadre is well crafted, and believable- that i don't see in many other movies these days. It felt like Caesar in Rise of the Planet of the Apes.

Walking out the cinema, i was left to ponder at many questions with respect to the show. Why was Juan left in Cell 211 at the first place? As if a curse is cast to the cell. It will be interesting to watch the Hollywood remake of the movie in two years time and i hope it does remain to its authenticity. Definitely award-worthy, it accentuates prison drama at its best- pulling heartstrings despite its violence and vulgar language.

My cinematic experience has truly broadened. And i am sure yours will too after watching this movie.

Cell 211 is an interesting prison drama with some strong performances and plenty of tense moments. The story centers around Jaun, a prison guard visiting his new place of employment who is unfortunate enough to find himself caught in the middle of a prison riot. An unfortunate turn of events leads to Juan being locked inside the jail with the inmates. He quickly realises it's adapt or die, and assumes the identity of a prisoner to ensure his own survival. The film has some very good performances and like many gritty prison dramas, come excessive violence that'll have you wincing away. The early themes of the film revolve around loyalty and earning respect, bit deeper into the film it becomes more about survival. Juan is put into situations where it appears no-one is on his side and taking matters into his own hands seems to be the only way out. There were times during the film when i thought i could predict exactly how Cell 211 was going to play out. Having seen my share of prison themed dramas over the years, it's all to easy to see where a film might lead in the final third. I'm happy to say that Cell 211 set itself up in what i thought was a predictable way, but that in the end, and to it's credit, i was surprised by how it played out. A strong film with commanding performances. 8/10

Tense and intriguing Spanish thriller mostly located into a prison with exception some flashbacks about private life of protagonist (Alberto Ammann) along with his wife (Marta Etura) . Good film that shows realism and truth without falling into the clichés of the genre . This powerful and very well directed prison movie contains thought-provoking drama , thrills , chills , suspenseful and lots of violence . With an excellent cast , including sensational acting from the magnificent starring Alberto Ammann as a prisoner in a desperate attempt to survive the ordeal , suffering an emotional brutalization who causes an explosion of violence and of course a perfect Luis Tosar who steals the show as tough and violent Malamadre . The tale of two men on different sides of a prison riot , the prisoner nicknamed Malamadre (Luis Tosar) leading the rebellion and the young warden caught in the revolt named Juan Oliver (Ammann), who poses as an inmate in a desperate attempt to survive the violent events . The first day when Juan begins working on his new job as a prison warden , is caught in a prison riot . He then decides to impersonate another prisoner to save his life and to end the revolt . Later on , terrible deeds happen and fury and revenge emerge . As Juan trapped in a world that does not belong and forgotten his fateful fate , erupts into an explosion of self-defensive violence showed on some breathtaking scenes .

This exciting picture results to be an intense thriller that packs tension , straightforward intrigue , sober drama, and lots of violence . The film contains thrills and chills and is quite entertaining because being a laborious and intriguing suspense tale full of twists and turns . In the picture there are violence , drama , tension and a little bit of action in the final confrontation . The story contains a statement about inmate's mistreating , despair , betrayal and a strong criticism of the ruling class, unable to control a dangerous situation . Most part of the movie takes place into four walls of the jail involving and executing the preparatives of strict conditions demanded by the inmates . Highlighting the newcomer actor Alberto Ammann , giving a lesson in how he is able to withstand the weight of the flick and stand up to a great actor like Luis Tosar , making a memorable work as dreaded Malamadre , without falling into the prison movie clichés . Furthermore , an excellent support cast as the nasty informer Carlos Bardem (Juan Bardem's brother) and Antonio Resines as sadist and corrupt warden who uses unthinkable brutality . This is a perfectly realized and superbly crafted film .

Interesting and thrilling screenplay by Jorge Guerricaechevarria (Eloy De Iglesia's usual screenwriter) though full of offensive stereotypes and not faithful to deeds . Appropriate cinematography by Carlos Gusi (Torrente, Box 507) who photographs splendidly the cold interiors from Zamora prison . Adequate and atmospheric musical score by Roque Baños (Fragiles, Machinist, Sexy beast, 800 bullets). The motion picture was stunningly directed by Daniel Monzon , a former cinema reviewer , he undertakes a skill and fascinating filmmaking with some sensationalist touch though is also intensely manipulative against prison guards ; this is his main big success . He previously directed fantasy (Heart of warrior) , comedy (Biggest robbery never told) and suspense (The Kovak box). Rating : Good , better than average. The film will appeal to prison genre buffs and Luis Tosar fans.