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Der Hobbit - Smaugs Einöde

Originaltitel: The Hobbit: The Desolation of Smaug
  • 2013
  • 12
  • 2 Std. 41 Min.
IMDb-BEWERTUNG
7,8/10
735.682
IHRE BEWERTUNG
BELIEBTHEIT
1.276
59
Ian McKellen, Richard Armitage, Orlando Bloom, Martin Freeman, Lee Pace, Benedict Cumberbatch, Evangeline Lilly, and Luke Evans in Der Hobbit - Smaugs Einöde (2013)
The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug. Bilbo Baggins is in possession of a mysterious and magical ring.
trailer wiedergeben2:32
28 Videos
99+ Fotos
Abenteuer EpischFantasy-EpischQuestSchwert und ZaubereiAbenteuerFantasie

Die Zwerge, zusammen mit Bilbo Beutlin und Gandalf dem Grauen, setzen ihre Suche fort, Erebor, ihre Heimat, von Smaug zurückzugewinnen. Bilbo Beutlin besitzt einen geheimnisvollen und magisc... Alles lesenDie Zwerge, zusammen mit Bilbo Beutlin und Gandalf dem Grauen, setzen ihre Suche fort, Erebor, ihre Heimat, von Smaug zurückzugewinnen. Bilbo Beutlin besitzt einen geheimnisvollen und magischen Ring.Die Zwerge, zusammen mit Bilbo Beutlin und Gandalf dem Grauen, setzen ihre Suche fort, Erebor, ihre Heimat, von Smaug zurückzugewinnen. Bilbo Beutlin besitzt einen geheimnisvollen und magischen Ring.

  • Regie
    • Peter Jackson
  • Drehbuch
    • Fran Walsh
    • Philippa Boyens
    • Peter Jackson
  • Hauptbesetzung
    • Ian McKellen
    • Martin Freeman
    • Richard Armitage
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    735.682
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.276
    59
    • Regie
      • Peter Jackson
    • Drehbuch
      • Fran Walsh
      • Philippa Boyens
      • Peter Jackson
    • Hauptbesetzung
      • Ian McKellen
      • Martin Freeman
      • Richard Armitage
    • 1KBenutzerrezensionen
    • 538Kritische Rezensionen
    • 66Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 3 Oscars nominiert
      • 19 Gewinne & 90 Nominierungen insgesamt

    Videos28

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    Main Trailer
    Trailer 2:28
    Main Trailer
    Trailer #1
    Trailer 2:10
    Trailer #1
    A Guide to the Films of Peter Jackson
    Clip 1:33
    A Guide to the Films of Peter Jackson
    Extended Scene
    Clip 2:42
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    Topbesetzung99+

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    Ian McKellen
    Ian McKellen
    • Gandalf
    Martin Freeman
    Martin Freeman
    • Bilbo
    Richard Armitage
    Richard Armitage
    • Thorin
    Ken Stott
    Ken Stott
    • Balin
    Graham McTavish
    Graham McTavish
    • Dwalin
    William Kircher
    William Kircher
    • Bifur
    James Nesbitt
    James Nesbitt
    • Bofur
    Stephen Hunter
    Stephen Hunter
    • Bombur
    Dean O'Gorman
    Dean O'Gorman
    • Fili
    Aidan Turner
    Aidan Turner
    • Kili
    John Callen
    John Callen
    • Oin
    Peter Hambleton
    Peter Hambleton
    • Gloin
    Jed Brophy
    Jed Brophy
    • Nori
    Mark Hadlow
    Mark Hadlow
    • Dori
    Adam Brown
    Adam Brown
    • Ori
    Orlando Bloom
    Orlando Bloom
    • Legolas
    Evangeline Lilly
    Evangeline Lilly
    • Tauriel
    Lee Pace
    Lee Pace
    • Thranduil
    • Regie
      • Peter Jackson
    • Drehbuch
      • Fran Walsh
      • Philippa Boyens
      • Peter Jackson
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen1K

    7,8735.6K
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    Empfohlene Bewertungen

    8neil-476

    Great fun, but forget the book

    Bilbo Baggins and assorted dwarfs continue their journey to Erebor, overcoming various obstacles on the way (including hostile elves) before Bilbo has to try to fulfil his engagement as burglar under the fiery snout of antisocial dragon Smaug.

    The second Lord Of The Rings movie suffered from Middle Film Syndrome: Hobbit 2, despite occupying the same position in a trilogy, does not suffer to the same extent, and perhaps this is because it is exciting all the way through, yet follows on from a film which was pretty slow throughout its first half.

    It also contains large chunks which do not come from the novel - I'm pretty sure Legolas wasn't in the book. He is great fun here, as a much angrier soldier in the Elf Army. And new creation Tauriel is hugely enjoyable, resembling nothing so much as Uma Thurman's character from Kill Bill, albeit attractively played with the hint of a smile by Evangeline Lilly.

    Apart from being a more engaging movie than part 1, pretty much everything I thought about that movie still holds. I still have reservations about the dwarfs - their faces and hair feel obviously prosthetic and wigged, and it's still pretty difficult to tell them apart from each other except for the old one, the one wounded by the orc arrow, Thorin, and James Nesbitt's Irish one. I still have reservations about CGI orc faces - the prosthetic orc faces work noticeably better. I still have reservations about some of the action sequences, where more is not necessarily better (one sequence, in particular had the audience laughing because of the extent to which the Elvish derring-do was over-derring-done). And there are times when Bilbo looks cut out and pasted into a scene. And, once again, the 3D is indifferent.

    Otherwise, this was great fun. Loads of action, some nice character work, an excellent and nasty spider fight, a well-voiced and visually realised Smaug, and not the slightest yen to look at my watch.

    And a cliff-hanger. You swine, Jackson.
    bob the moo

    Improves upon the first one just about enough to cover the weaknesses it shares with it

    After seeing the first Hobbit film I must admit that I could have cared less about seeing the second and indeed it took me a minute to get back into it and I was grateful for the film giving me a "12 months earlier" scene to sum up what I am supposed to be following. It wasn't that the first film was bad (it is too expensive to be bad) but more than constant action and movement with no consequences or realism to engage me, really left me looking at a video game that I had no investment in (and I say this as a gamer). I didn't hope for much better when I went to see this sequel and, as Theo Robertson has said, perhaps this helped me enjoy the Desolation of Smaug more.

    The plot has more to it than one encounter after another and connecting it to the later films was a good move that made me feel there was more content here – although I think that was artificial, I will not deny that it worked. The action sequences retain the same problems as the first film, which is that nobody ever feels like they are in real danger no matter how long the fall, how low the odds or what is happening. The good thing is that because the film isn't one escape sequence after another, I didn't feel this so often – although it is undeniably still a problem in these films. The characters were a little better than before although perhaps I was just more interested in them. Smaug in particular is a great creation – visually and stylishly; just like the first film where my favorite parts were the still and tense sequences with Gollum, so too here the high point of the whole film is where Smaug is toying with his potential victims and it is such a shame that this was not done longer.

    Visually the film remains a feast – although, befitting the time of year, it is a Christmas feast where everything is good but it is endless and eventually just feels indulgent and gluttonous. This remains the case because the film almost never feels like it was shot wholly on a location. I remember the LotR films impressing me with their natural beauty but here even a shot of people walking across a field seems to have been digitally enhanced and, as good as it looks, it does remove me from the film somewhat. Visual effects are impressive but it does really hurt to see Jackson leaning towards the George Lucas "if we can do it then we should do it" school of effects management. The cast do solid jobs – I liked Freeman and McKellan when they were allowed to be more than just special effects The dwarfs made more of an impression on me this time but the elves not so much – Bloom remains stiff while Lilly sports the only unconvincing effect in the film in the shape of her ears. Cumberbatch was strong as the voice of Smaug and I enjoyed Fry and McCoy in supporting roles (shame the latter missed out on more time due to his Doctor Who efforts during the 50th anniversary year!).

    The Desolation of Smaug is a solid blockbuster; lots of action, a decent story and strong special effects – this is not the same as saying it is a great film though, but it does still entertain. The story remain distant due to the invincible characters and consequence free (but very seriously presented) action, which does prevent one being drawn into it. Of course I'll be there for the final film, but I really do hope than they focus on danger rather than spectacle and build the tension instead of just increasing the noise.
    8Hitchcoc

    A Mile a Minute

    After reading some of the previous reviews, I wonder what it takes to engage the modern viewer. It seems we have become so jaded that we see the necessity of giving a one star review to something as phenomenal as this film is. It is filled with action, sets of remarkable creativity, amazing characters, in a complex plot that made me long for the conclusion. I know it doesn't follow the book religiously. Get over that. Even a fifteen hour miniseries based on a novel fails miserably. Of course, every English teacher on the planet knows that we are working in two entirely different mediums. Books and movies are different! What Peter Jackson has done is taken the primary plot and allowed his script writers to take what is given and supplement it with their own creativity. The first film, though imperfect, does set the stage for this superior second effort. What we get is nonstop action, moving the characters toward the object of their quest. Tolkien's rules are followed if not the letter of the plot. The first film was criticized for being too talky. Now this one is being criticized for not being talky enough. For me, the scene where the gang must escape an elven prison and face the orcs is one of the most delightful fifteen minutes I've ever spent in a movie theater. I don't expect an action film based on a book with voluminous characters to have character development like "Driving Miss Daisy." See the film for what it is and count yourselves lucky to have the luxury of being able to see the amazing accomplishments of the Peter Jackson's of the world.
    8trygve_93

    Peter Jackson goes all in!

    This movie takes a big step up from the first movie. The movie is intense from the start to the end, in a very good way! The story is following the book very well. The dragon may have more lives than in the book, but the scenes are fantastic anyway. . The film gets a big lift by more characters to follow. Peter jackson does the sequel superb by telling the story with a lot of exiting action throughout the movie. Martin freeman plays the role as Bilbo Baggins extremely well yet again. I can't wait to for the final chapter in the hobbit masterpiece by Peter Jackson who blows you in to middle earth yet again! The hobbit and the lord of the rings will be the greatest master piece of all time! In a 100 years these films will be the Mona Lisa of films! I would recommend you go see this movie over and over again!
    8cadillac20

    A Fantastic, Exciting Adventure

    While I enjoyed the first Hobbit film, it did feel like it left a bit to be desired. This was no surprise, as everything that I loved about the book was in the second half. I knew that I would be waiting for all the good stuff with the second and third films. And sure enough, the second film delivers where the first film didn't quite excite as much as I had wanted. While it isn't perfect and does unnecessarily deviate a bit, this is easily better than the first film, giving us a bigger, bolder adventure and a more interesting Bilbo Baggins this time around.

    Before I get to the good stuff, let me get my complaints out of the way. My biggest complaint are the unnecessary plot threads. There seems to be a big need for this series of films to tie into LotR, and I really don't understand why. A great deal of time is taken in this film to introduce us to things we already know the outcome of. We're, at points, taken away from the dwarfs and Bilbo to follow Gandalf as he goes off on his own adventure to uncover the growing evil of Sauron and his armies. Like the first film, it's completely unnecessary, but unlike that film, it's jarring. We're ripped from a fantastic adventure to a story that we don't really need to know and has no real relation to the dwarfs and their adventure. In fact, any time we're taken out of the company of the dwarfs, it almost feels cheap. The almost romance between Evangeline Lily's elf and the dwarf Kili feels something of the same, the whole lot of these stories coming off as filler in an effort to make time for three movies instead of just two. It feels like a stretch and brings a screeching halt to the momentum of the main story.

    That said, the rest of the film is an excellent and expertly crafted adaptation. There is a definite sense of character growth, especially from Bilbo, who seems to struggle with the power of the ring and it's greed. We already know where this goes, but it is none the less fascinating considering who he was when we first met him. The dwarfs seem to almost take a back seat here. They are less prominent, with the exception of Thorin and Balin, who take front and center. That isn't to say they aren't entertaining, as they usually are every time they are on screen. Thorin is the real standout though, as he goes through similar changes as Bilbo, which lends them an interesting comparison in their mutual struggles. The actors are all excellent once again in their respective roles, with Freeman once again being the standout. Evangeline Lily is also a pleasant surprise in an original role as an elf created for the film. She adds a much needed feminine touch to an otherwise predominantly male cast. She proves herself to be a fine silver screen presence and hopefully this will net her some further film roles.

    While the film does an excellent job of not simply being the middle film, something The Two Towers struggled with in the LotR trilogy, it is the action, set pieces, and effects which are the true stars. This may not be a LotR movie, but it's close. We almost immediately start out with a bang and it rarely lets up. Of course, much of what happens early on, as exciting as it may be, pales in comparison to it's explosive and lengthy climax. Smaug is quite possibly the best creation of any of the film, Hobbit or LotR. He is as awesome as you could have hoped for and Benedict Cumberbatch is excellent in the role. While effects have been applied to his voice to give it more boom, he does a fantastic job as the sneering, wise, and boastful dragon. Watching and listening to him face off against Bilbo is a delightful treat, and that is before we get to any fire breathing and chasing. What follows is a lengthy conclusion to the film that will excite and delight all. I have no qualms in saying that Smaug makes the entire film worth the admission of price. But don't go in expecting a solid conclusion. This is, after all, the second of a trilogy, so you can surely expect the film to leave you salivating for the next one.

    While this new Hobbit film still doesn't reach LotR heights, it is superior to the previous film, especially when it comes to being an enjoyable adventure. It feels like it matters to the trilogy and delivers on being an epic. And I simply can't rave enough about Smaug. If you didn't enjoy the first film, you may find yourself feeling about the same here. But at least this one has a cool dragon.

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    Handlung

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    • Wissenswertes
      While the cast was shooting the barrel escape scenes in the specially-constructed indoor "rapids" tank, several of them stated that they had to relieve themselves in the water, since they had to stay in the tank for so long without so much as a lunch break. When Martin Freeman found out he was furious, since Bilbo spends all of his time during that scene directly in the water, and had been swallowing a great deal of it.
    • Patzer
      The movies previously retained the idea from the books that sunlight renders Orcs non-functional. Gandalf remarked in Der Herr der Ringe: Die Gefährten (2001) on how alarming it is that Saruman's breeding program has produced sun-resistant Orc soldiers. Yet in the barrel escape scene from Thranduil's caverns, the orcs are chasing the dwarfs down the River Running, and doing hard battle, in broad daylight without suffering any ill effects.
    • Zitate

      Balin: [sees a chamber full of dead dwarves, with their only means of escape blocked] The last of our kin. They must have come here hoping beyond hope. We could make for the mines. Might last a few days.

      Thorin Oakenshield: No. I will not die like this, cowering, clawing for breath. We make for the forges.

      Dwalin: He'll see us! Sure as death.

      Thorin Oakenshield: Not if we split up.

      Balin: Thorin, we'll never make it.

      Thorin Oakenshield: Some of us might. Lead him to the forges. We kill the dragon. If this is to end in fire, then we will all burn together!

    • Alternative Versionen
      The Extended Edition that was made for the home theater market adds 25 minutes of additional footage. These include the following new or extended scenes:
      • At the Prancing Pony, Gandalf asks Thorin about his business in Bree. Thorin tells him that he is searching for Thrain, his father who was presumed dead after the Battle of Moria; Thrain has supposedly been seen again. Thorin also mentions that Thrain was wearing one of the seven Dwarf Lord rings when he disappeared.
      • After having spent the night in Beorn's house, the Dwarves are discussing how they can get past Beorn unseen; however, Gandalf assures them they will need Beorn's help. Gandalf goes with Bilbo to carefully introduce the group to Beorn, and instructs the Dwarves come out of the house two at a time (except for Bombur who is instructed to come out alone) much to Beorn's unpleasant surprise.
      • Upon leaving with Beorn's ponies, Beorn makes the group swear to free the horses before entering the forest. He then has a talk with Gandalf about Azog, the Necromancer at Dol Guldur, the tombs in the mountains (featuring a flashback with a voiceover by Galadriel) and a possible return of Sauron.
      • Gandalf warns the Dwarves not to disturb the water in Mirkwood, use only bridges and be wary of illusions.
      • The Dwarves find the bridge in Mirkwood destroyed, so they cross the river with the use of vines hanging above the water. Bombur falls in the water and is asleep, so the other Dwarves need to carry him. They see a white stag, which Thorin tries to shoot unsuccessfully. Bilbo states this will bring bad luck.
      • The Master of Laketown and his aid Alfrid talk about Bard and their desire to get rid of his influence on the people of the town. As Alfrid serves the Master a plate of goat and ram's testicles to eat, they discuss a possibility to silence Bard.
      • While being smuggled into Laketown, the Dwarves are discovered. They fight off the guards with the help of the townsfolk. Braga, the captain of the guards, enters, and Bard bribes him into leaving by offering him a fancy piece of underwear for his wife.
      • The Master of Laketown and Alfrid are discussing an old prophecy that when the king of the mountain returns, the streets will run with gold.
      • Alfrid asks whether Thorin can be trusted to keep his word, prompting Bilbo to vouch for him.
      • The remaining Dwarves ask Alfrid to help the wounded Kili, but he coldly dismisses them.
      • Balin describes how the desolation of Smaug was once a lush woodland.
      • While at Dol Guldur, Gandalf is suddenly attacked by a Dwarf. After a brief scuffle, Gandalf recognizes his assailant as Thrain, and uses an enchantment to give him his memory back. Thrain mentions how he lost his finger and the Dwarf Lord ring during the Battle of Moria. He also warns Gandalf that no one should enter Erebor.
      • Gandalf and Thrain are attacked by Azog at Dol Guldur. Azog's subtitle, "Run him down!" is changed to "Run them down!" in the Extended Edition. Gandalf fights him off and they run away, only to be caught by the Necromancer, who uses black smoke tendrils to grab and kill Thrain.
    • Verbindungen
      Edited into The Hobbit: The Desolation of Smaug - Extended Edition Scenes (2014)
    • Soundtracks
      Trumpet Fanfare
      Composed by David Donaldson, David Long, Steve Roche & Janet Roddick

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    FAQ

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    • Why does a dragon need gold? It's not like he's spending it.
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    Details

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    • Erscheinungsdatum
      • 12. Dezember 2013 (Deutschland)
    • Herkunftsländer
      • Neuseeland
      • Vereinigte Staaten
    • Offizielle Standorte
      • arabuloku.com
      • Official Site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Der Hobbit: Smaugs Einöde
    • Drehorte
      • Paradise, Glenorchy, Otago, Neuseeland
    • Produktionsfirmen
      • Metro-Goldwyn-Mayer (MGM)
      • New Line Cinema
      • WingNut Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 225.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 258.387.334 $
    • Eröffnungswochenende in den USA und in Kanada
      • 73.645.197 $
      • 15. Dez. 2013
    • Weltweiter Bruttoertrag
      • 959.079.095 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 41 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Atmos
      • Datasat
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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    Ian McKellen, Richard Armitage, Orlando Bloom, Martin Freeman, Lee Pace, Benedict Cumberbatch, Evangeline Lilly, and Luke Evans in Der Hobbit - Smaugs Einöde (2013)
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