Der Herr der Ringe: Die Ringe der Macht
Originaltitel: The Lord of the Rings: The Rings of Power
Ringe der Macht, inspiriert von Tolkien ist eine TV-Serie, die während der 3.441 Jahre spielt, bekannt als das Zeitalter von Númenor, oder das zweite Zeitalter.Ringe der Macht, inspiriert von Tolkien ist eine TV-Serie, die während der 3.441 Jahre spielt, bekannt als das Zeitalter von Númenor, oder das zweite Zeitalter.Ringe der Macht, inspiriert von Tolkien ist eine TV-Serie, die während der 3.441 Jahre spielt, bekannt als das Zeitalter von Númenor, oder das zweite Zeitalter.
- Für 7 Primetime Emmys nominiert
- 20 Gewinne & 62 Nominierungen insgesamt
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Zusammenfassung
Reviewers say 'The Rings of Power' receives mixed reactions for its stunning visuals, intricate world-building, and ambitious storytelling. Critics point to deviations from Tolkien's lore, weak writing, and inconsistent pacing. Fans express disappointment in character portrayals and plot changes. Some viewers appreciate the fresh take and potential to expand Middle-earth. The show's production quality, special effects, and cinematography are often praised, while the script and character development draw less favorable remarks. Overall, it is seen as visually impressive but narratively uneven.
Empfohlene Bewertungen
As a Lord of the Rings fan, I was eagerly awaiting the origin stories of Middle-earth. Of course, I have high expectations after Lord of the Rings, which is close to perfection in terms of time and fiction. Because they have a considerable budget and opportunities, that's why I gave my points by watching the first episode right away. Although it is the beginning part, I can say that I liked the first part very much. The character of Galadriel could have been more strong, but she is still successful. We will warm up to the characters better over time.
Characters: 8 Story: 10 Decor and venue: 10 Costume: 10 Music: 10.
Characters: 8 Story: 10 Decor and venue: 10 Costume: 10 Music: 10.
A pleasant surprise, the cinematography is impeccable, the characters quite well done, the plot looks like a link between the stories of the First Age, the Silmarillion and the stories of the Lord of the Rings of the Third Age, the rhythm of narration is pleasant albeit a bit slow. If the outcome of the series will be to narrate how Sauron forged the Rings of Power, it will definitely be something to watch. Until this moment, I think that in general terms, at least the first chapter delivers. I think enough to be cautiously optimistic about what the next 7 episodes might turn out to be. I must add, again that I am pleasantly surprised.
We all know liberties were taken with this series so my review is not based on faithfulness to the source material.
A lot of the marketing for this show led people to fear it would be woke. I didn't see anything like that. I wasn't rolling my eyes or cringing at any virtue signalling.
The pace is a little rough in parts but since it's the beginning of the series I almost expect a little dawdling. There's a lot going on, things to be set up and introduced etc...
The characters and the story is engaging though, the cinematography was well done, and the score seemed to fit... so I'm honestly excited to see where this series goes.
Definitely give this a shot and decide for yourself.
A lot of the marketing for this show led people to fear it would be woke. I didn't see anything like that. I wasn't rolling my eyes or cringing at any virtue signalling.
The pace is a little rough in parts but since it's the beginning of the series I almost expect a little dawdling. There's a lot going on, things to be set up and introduced etc...
The characters and the story is engaging though, the cinematography was well done, and the score seemed to fit... so I'm honestly excited to see where this series goes.
Definitely give this a shot and decide for yourself.
As a LOTR fan and, honestly as any other human being that has watched and enjoyed the Peter Jackson trilogy, the Amazon series is an obvious dissapointment, by comparison (and yes, any sensible person can expect a comparison to be drawn).
Apart from that, however, I was surprised on how bad the quality of acting/ storyline/ dialogue is. To me it seems like a festival of second hand actors and screenwriters. It is really surprising that with such a big budget they ended up with such fade characters and cheaply written scenario. They must have spent all the money on the visuals and CGI and there was nothing left for the actors (or music for that matter).
Bottom line, this series looks like someone took a cheap Chevy with a 1.5 litre, 70hp engine and threw a Lamborghini body on it, just to show off.
P. S. - seriously, that was the best you could come up with for Elrond? Jeez.
Apart from that, however, I was surprised on how bad the quality of acting/ storyline/ dialogue is. To me it seems like a festival of second hand actors and screenwriters. It is really surprising that with such a big budget they ended up with such fade characters and cheaply written scenario. They must have spent all the money on the visuals and CGI and there was nothing left for the actors (or music for that matter).
Bottom line, this series looks like someone took a cheap Chevy with a 1.5 litre, 70hp engine and threw a Lamborghini body on it, just to show off.
P. S. - seriously, that was the best you could come up with for Elrond? Jeez.
Supposedly there was a bidding war between HBO and Amazon that the latter won. Just imagine the excellent series we'd have been treated to had the former won the rights.
This was just so wrong on many levels. Tolkien's books were in many ways a reflection of the times he lived in and some of the dreadful experiences he had suffered during war times. For instance the Dead Marshes were a reimagining of dead soldiers under water at the Somme. The series, in some of its characters, bore no resemblance to that long-ago England. Nor did the themes of industrialisation and its ruinous effects appear.
A billion was spent on this. Why could they not have commissioned armour that looked the real thing rather than cheap plastic? The headguards for the Numenorian horses were particularly ridiculous.
More of this largesse should have been spent on plot development and scriptwriting as well as characterisation.
The various races - Elves, Men, Dwarves, Harfoots, Orcs - were assigned their own accents and a pig's ear they made of it too. The elves, attempting Received Pronunciation, made glaring errors that the voice coaches and checkers didn't pick up on. "Proh-ject" instead of "project" was one that sticks in the mind. But as for the cod-Irish accents of the leprechauns, sorry Harfoots, and the embarrassing Scottish accents of the dwarves, these were laughable. The Orcs were not speaking Cockney, as some have asserted, but a strangled south London accent that was obviously put on as badly as the Oirish and Scotch travesties.
Then there are the utter impossibilities that happened. The same character attempts to swim a thousand miles as well as later surviving a pyroclastic flow without a single blemish. Elves are immortal, not indestructible. One character suffers a mortal wound and needs Elvish medicine but somehow manages a six-day horse ride to get it.
Despite red herrings, I knew 100% who Sauron was very early on. I shan't say when or how as I don't want to leave clues but how Galadriel didn't guess is beyond me.
And then the Harfoots. What were they for? We could have had better plot development and more time for what was so sorely lacking in other departments without their aimless presence.
OK, I watched it all so it gets a three. I just don't agree that it got better in the final three episodes. To me, it became more absurd and superficial. I'm not sure that I'll particularly rush to get the second season.
This was just so wrong on many levels. Tolkien's books were in many ways a reflection of the times he lived in and some of the dreadful experiences he had suffered during war times. For instance the Dead Marshes were a reimagining of dead soldiers under water at the Somme. The series, in some of its characters, bore no resemblance to that long-ago England. Nor did the themes of industrialisation and its ruinous effects appear.
A billion was spent on this. Why could they not have commissioned armour that looked the real thing rather than cheap plastic? The headguards for the Numenorian horses were particularly ridiculous.
More of this largesse should have been spent on plot development and scriptwriting as well as characterisation.
The various races - Elves, Men, Dwarves, Harfoots, Orcs - were assigned their own accents and a pig's ear they made of it too. The elves, attempting Received Pronunciation, made glaring errors that the voice coaches and checkers didn't pick up on. "Proh-ject" instead of "project" was one that sticks in the mind. But as for the cod-Irish accents of the leprechauns, sorry Harfoots, and the embarrassing Scottish accents of the dwarves, these were laughable. The Orcs were not speaking Cockney, as some have asserted, but a strangled south London accent that was obviously put on as badly as the Oirish and Scotch travesties.
Then there are the utter impossibilities that happened. The same character attempts to swim a thousand miles as well as later surviving a pyroclastic flow without a single blemish. Elves are immortal, not indestructible. One character suffers a mortal wound and needs Elvish medicine but somehow manages a six-day horse ride to get it.
Despite red herrings, I knew 100% who Sauron was very early on. I shan't say when or how as I don't want to leave clues but how Galadriel didn't guess is beyond me.
And then the Harfoots. What were they for? We could have had better plot development and more time for what was so sorely lacking in other departments without their aimless presence.
OK, I watched it all so it gets a three. I just don't agree that it got better in the final three episodes. To me, it became more absurd and superficial. I'm not sure that I'll particularly rush to get the second season.
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- WissenswertesAmazon's original pitch for the television rights to J.R.R. Tolkien's 'The Hobbit' and 'The Lord of the Rings' novels was to make the series a new adaptation of the latter (effectively a retelling of Der Herr der Ringe: Die Gefährten (2001), Der Herr der Ringe: Die zwei Türme (2002) and Der Herr der Ringe: Die Rückkehr des Königs (2003)), but the Tolkien estate rejected this proposal. Amazon finally obtained the rights under the conditions that the series be distinct from Peter Jackson's earlier adaptations, and that they couldn't contradict anything that Tolkien had previously written. Early ideas that were proposed included prequel stories featuring characters such as Aragorn, Gimli and Gandalf, but the showrunners preferred to focus on important untold events from the novels' lore rather than simple side stories, so they settled with the studio that the series would take place during the books' Second Age. Since they didn't have the rights to Tolkien's 'The Silmarillion', 'Unfinished Tales' and 'The History of Middle-earth' (which explore the First and Second Ages), they checked the Lord of the Rings novels and appendices for passages about any references to the Second Age in which they could set their story. They consulted with the estate and several Tolkien lore experts (including grandson and novelist Simon Tolkien) about the inclusion of new characters and plot elements.
- PatzerThe dubbing credits for several languages mistakenly list King Durin III as "Durin II".
- Crazy CreditsThe opening titles is a musical sequence of matter forming various shapes, based on the "Music of the Ainur" creation myth from J.R.R. Tolkien's "The Silmarillion".
- VerbindungenFeatured in The Critical Drinker: The Rings of Power - War For A Fandom (2022)
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"The Rings of Power" Cast Through the Years
"The Rings of Power" Cast Through the Years
See the cast of "The Lord of the Rings: The Rings of Power" in all their most iconic roles from Morfydd Clark in Saint Maud to Benjamin Walker in Abraham Lincoln: Vampire Hunter, and more.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El señor de los anillos: Los anillos de poder
- Drehorte
- Auckland, Neuseeland(series 1)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std.(60 min)
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- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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