Texas Chainsaw Massacre

I was honestly quite impressed with the cinematography, production, and pacing of the first half, despite the silliness of the plot that was clearly a way of setting up a smorgasbord of fodder for Leatherface. And boy does he take advantage. Though the humanization of the character was palpable and refreshing, that all disintegrates in the second half, where the movie follows every horror trope and then one-ups it with the stupidest decisions, most obvious plot holes and a laughable absence of realism. In the first half however we have your typical local hick who's expected to be one of the antagonists but lo and behold he's actually a great guy. Many of the shots, especially the scene in the sunflower field, were just shy of beautiful in a grisly way. The whole bus scene was both funny in a satirical way, disturbingly gruesome, and yet what preceded it made absolutely zero sense. If only the flick stuck to its guns with the deviations from horror norms, it could've been a solid installment in this cesspool of a series.

The writer shouldn't write ever again. The writer shouldn't write ever again. The writer shouldn't write ever again. The writer shouldn't write ever again.

Having been sheltered for half a century, Leatherface is back to cause more mayhem.

What can you say, I waited ages to see this film, I had really high expectations, kind of like those I had for Halloween 2018, only that was good, this certainly wasn't.

I'll start off with the positives, visually it's superb, beautifully shot, with some great location work, and some impressive scenes, I liked the music also, it wasn't overly done.

Sadly the positives are few and far between, if you watch the original, and followed it up with this, you'll see what a pale imitation this is.

On the downside, firstly, some of the acting isn't up to scratch, at times it had the made for TV feel about it, it perhaps doesn't feel deserving of the title.

The characters are just awful, Leatherface just seems so out of sorts, and as for the crows of youngsters seeking a better life, they're all just loathsome, none of them have any redeeming features. That scene where they all pull out their phones.... I know what I thought.

Fortunately it's not a long film, at just over ninety minutes.

Had the potential to be a good watch, it wasn't, 4/10.

A group of four friends Melody (Sarah Yarkin), Melody's sister Lila (Elsie Fisher), Dante (Jacob Latimore), and Dante's girlfriend Ruth (Nell Hudson) travel to the deserted city of Harlow, Texas with Melody seeking a fresh start for her sister Lila after her surviving a school shooting and also seeking to re-invent the town as a resort destination after having acquired it for cheap from the bank. The town has two residents a woman (Alice Krige) and her son (Mark Burnham) at the local orphanage who refuse to vacate claiming to be the rightful owners of the property. Calling the sheriff to remove the alleged squatters the woman begins to exhibit deteriorating health and the sheriff, Ruth, and the woman's son head off to the nearest hospital to find help. When the woman dies, her son goes into a vengeful rage killing the sheriff, Ruth, and his deputy and he takes the skin from his mother's face revealing him to be the killer from the unsolved Texas Chainsaw Massacre 50 years ago and who now seeks vengeance on Melody and her friends blaming them for his mother's death. Sally Hardesty (Olwen Fouere) receives word of Leatherface's re-emergence and heads to Harlow to end him once and for all.

Texas Chainsaw Massacre marks the latest attempt to revive the Texas Chainsaw IP following the lapse in Millennium Media's rights after the troubled development and release of 2017's Leatherface prevented any further sequels produced by Millennium. Legendary Pictures purchased the IP in 2018 with Fede Alverez of the Evil Dead remake and Don't Breathe signing on as a producer. The movie was a troubled production with original directors, Andy and Ryan Tohill being fired following disagreements with the producers leading to replacement David Blue Garcia. Further bad press was generated when rumors circulated regarding poor test screening s which Alverez flat out denied and then the reveal that the film would be skipping a theatrical release and sold to Netflix. Netflix did surprising little to promote the film with no trailer released until January 31 for the film and the trailing receiving a rather mixed response, particularly for the "Bus scene" prominently featured in the trailer that is clearly intended as the film's big money moments with a rather stupid joke about the social media age. After viewing the film, Texas Chainsaw Massacre '22 isn't a trainwreck, but I almost wish it was because as bad as Texas Chainsaw 3D and Texas Chainsaw Massacre: The Next Generation were, they were at least fascinatingly bad. TCM '22 falls in line with entries like Leatherface: Texas Chainsaw Massacre III, the Platinum Dunes remake, or Leatherface (2017) in that their competent, but they're just "there" and nothing more.

In terms of the filmmaking it looks and feels like a Texas Chainsaw movie and even falls in line with the cinematography of the original 1974 film. The work on the older Leatherface for his mask and costume looks nicely filthy, wet, and disgusting, and the dilapidated town of Harlow in theory is a decent setting for this type of movie. I also thought Elsie Fisher was good as Lila and thought she was the most resonant character who fit well in the role.

In terms of the rest of the movie, it's pretty underwhelming. The other three characters in the group aside from Lila are just bland and forgettable and the bus full of prospective investors are basically just walking blood bags waiting for Leatherface to cut through them. Even the return of an older Sally Hardesty played by Olwen Fouere is underwhelming because despite Fourere's best efforts and doing her best to succeed Marilyn Burns the character is basically a less fun version of Dennis Hopper's Lefty Enright from Texas Chainsaw Massacre 2 and she makes some pretty stupid decisions in the movie (like having Leatherface at gunpoint and NOT pulling the trigger because she's shocked he doesn't remember her) and you probably could've easily written that character out with little effort and merged her role with the established character of Richter who's given much more prominence. It's clear the take on the character is inspired by Blumhouse's Halloween series, but it lacks the polish of them (the first anyway). And once again, the movie makes the mistake of trying to play Leatherface as "sympathetic". Granted the movie never goes as far as Texas Chainsaw 3D did when he became an anti-hero victim of mob justice, but the movie frames Leatherface's rampage motivated by the death of his mother with a certain level of "righteousness" and that's not how you create a monster you should be scared of. The movie has some pretty on the nose satire about gentrification (such as "the Bus scene") and it's pretty toothless when you're trying to play both sides as equally valid when one side has a man in hiding who ate people and turned their remains into furniture and wind chimes. I will say that I'm glad they didn't do yet another rehash of the Dinner Table scene, with the exception of Texas Chainsaw 3D that Dinner Table scene has been referenced in every single TCM film, so at least the filmmakers had the knowledge that another take would've been beating a dead horse.

Texas Chainsaw Massacre 2022 is just more of the same. The best Texas Chainsaw follow-up remains Tobe Hooper's over the top comedy sequel Texas Chainsaw Massacre 2 and I think that speaks to how little meat there is to this franchise that the only way Hooper thought it could continue was by turning it into a bloodspattered take on The Three Stooges. The movie's not scary, it's mildly atmospheric, and Elsie Fisher is okay as Lila, but the movie has the same problems as other attempts to revive a series that keeps getting revived only to die a few minutes afterwards.

Everything you want in a Texas Chainsaw Massacre movie: School shootings, cancel culture, racism, white guilt, social media, Jamie Lee Curtis V. 2.0, Gentrification.

Imagine the worst type of writers, working with the worst kind of producers, hiring the worst possible actors for the worst possible type of film. That's what this is.