Nachdem sie einen traumatisierten jungen Anhalter abgeholt haben, werden fünf Freunde von einem deformierten, mit einer Motorsäge schwingenden Löwen und seiner Familie von ebenso psychopathi... Alles lesenNachdem sie einen traumatisierten jungen Anhalter abgeholt haben, werden fünf Freunde von einem deformierten, mit einer Motorsäge schwingenden Löwen und seiner Familie von ebenso psychopathischen Mördern verfolgt und gejagt.Nachdem sie einen traumatisierten jungen Anhalter abgeholt haben, werden fünf Freunde von einem deformierten, mit einer Motorsäge schwingenden Löwen und seiner Familie von ebenso psychopathischen Mördern verfolgt und gejagt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Gewinne & 17 Nominierungen insgesamt
- Narrator
- (Synchronisation)
- Leatherface
- (Synchronisation)
- (Nicht genannt)
- Victim On a Silver Platter
- (Nicht genannt)
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However this is a terrifying, shocking, emotional thrill of a movie. It may not be up to the standards of the 1970s version, but to be fair, nothing is. The acting is quite well done. The film takes advantage of the time its being made in and the budget, with this version having much better production values, its much more gory but not at the cost of story telling.
The realism is superb and the movie is, at times, as sad as it is scary due to the emotional torture of the characters, i'm sure many people will say its not as good as the original but it could have been a lot worse
In my view, the original Texas Chainsaw Massacre (1974) is the most successful exponent of the genre. As it often is in the American variations of this genre, the TCM takes the so-called blue state/red state dichotomy to a grotesque extreme: the backroads of the Deep South is another country and its inhabitants exhibit uncontained contempt for every unsuspecting wayfarer. Its use of tension, which is meticulously established in the movie's first 45 minutes, and release -- the last 45 minutes -- is almost elegant in its simplicity. Throughout, violence is used in sparing and sudden bursts until the adrenaline-fueled final act, during which it is mercilessly sustained.
With some minor qualifications, this description also fits Marcus Nispel's 2003 remake. Here the enlarged budget and technical expertise have worked both for and against the film. On the one hand, a variety of new elements have been added to the story. Some, like the mysterious little boy or the ending, are so-so, while others, like Leatherface's skin mask or the "extended family," are effective. On the other hand, the professionalism and attention to detail demonstrated by Nispel and Daniel Pearl (whose cinematography here is magnificent) on down to those responsible for filming locations and set detail, is consistently impressive.
So the basic "tension-release" framework has been lifted from the original but instead of improving on it the filmmakers have saddled it with characters, situations, drama, and violence. (We learn from the DVD extras, happily, that some "tender moments" were left on the cutting room floor.) I give it a 7 because ultimately I think it works as a horror movie on its own terms -- in fact, I don't think a better American horror movie has been made since 2000 -- and Nispel/Kosar deserve credit attempting to revise the concept in minor ways for fans of the franchise. On the balance, however, the original's low-budget guerilla-like realism as well as some of its visceral power has been compromised.
Of note, finally, is the performance of Jessica Biel. Having earned her acting chops on the Christian TV show/cheesefest, Seventh Heaven, Biel has as of late found a niche playing physically tough, but likable and intelligent characters. She's quite excellent here; as it was for the original TCM's Marilyn Burns, Biel's performance is exhilarating and intense -- a kind of endurance test. But one easily believes she has the acuity and toughness to survive the ordeal.
I was quite reluctant to see this remake. The original "The Texas Chainsaw Massacre" is a classic, and as I have already written in other reviews, I do not see any reason to release remakes of movies, mainly classics. However, and although unnecessary, this remake is very good. The cast, leaded by the delicious Jessica Biel, have good and convincing performances. The cinematography is great, being very nasty in the property of Leatherface. In the end, I liked this version and I even dare to recommend it. I believe the fans, like me, of the original "The Texas Chainsaw Massacre" will not be disappointed. My vote is seven.
Title (Brazil): "O Massacre da Serra Elétrica" ("The Chainsaw Massacre")
Ok enough of that, let me get on to the review of the REAL Texas Chainsaw Massacre. I will not say anything about the story because I want everyone to see it for themselves while knowing very little about the story. It takes a lot for a movie to impress me when the anticipation level is hitting the sky because I expect so much and usually always get disappointed, this happened with Terminator 3. With the "new" TCM, it stays true to the roots that made the first one a hit, but this one BLEW me away.
Lets start with the cast. Everyone was amazing and fit in perfectly. I had doubts about Jessica Biels at first but now I see her in a brand new light. I could see no ounce of weakness in any of the characters. The moods expressed throughout the movie were flawless and very convincing. The acting plays a huge role because the better the acting, the more real the feel is, thats when you step into the shoes of the people in the movie and live it out with them. This is what makes and breaks movies and I'm proud to say the cast delivered.
The story line has been totally changed. This story is 100 times better than the original, I was very impressed. There are far more twists and turns and because the storyline has such a high thrill value, it keeps you glued to your seat. Our theater was packed and only 2 people that I know of left for bathroom breaks. I have never seen this happen before with a movie. Anyway, the storyline could not have gotten any better. One reviewer said some of the stuff in the movie was predictable, that is total BS, this movie has so many turns that you have no idea whats going to happen next.
Now onto the star of the movie, LEATHERFACE. I thought nobody could top Gunnar Hansen from the first TCM but Leatherface in the new one is the best one I have ever seen. He is bigger, scarier, meaner, and crazier than ever. He is the main focus as far as enemies go and I think its great, this pretty much paid tribute to him and it shows everyone that he is the guy to be reckoned with. The moment he did the first kill I knew this movie was ON and had a feeling it would top any slasher movie ever made.
In closing let me say that when this movie ended, A LOT of people started clapping and cheering. I saw no disappointed faces leaving that theater and this was the first movie ever in which my high anticipation was exceeded, let alone met. I don't care what ANYONE says, the original, while still a classic and will always be in our hearts, can't even come close to this one. Storyline, imagery, jump scenes, kills, twists etc.., this movie has it ALL and leaves a lasting impression strong enough to make you want to go pay $7.50 all over again and again and again until you get sick of it. Michael Bay, a lot of people doubted you when you signed on to this but I always defended you and let me say, I know you have shut all those people up. Job well done!
The REAL notable part of this film is Jessica Biel who, in this role, might be the sexiest person ever to appear in a film. I mean wowwwww. Looking at her on the screen, you'll never be bored. That's for sure.
Wusstest du schon
- WissenswertesA then-unknown John Larroquette provided the narration in the original Blutgericht in Texas (1974). Despite becoming a distinguished actor in the years since, he happily agreed to reprise his role for the remake.
- PatzerThe young group is listening to "Sweet Home Alabama" by Lynyrd Skynyrd in the van at the beginning of the film. The film takes place between 18 and 20 August 1973. The song was not released until 1974, featured on the band's album, "Second Helping".
- Zitate
[first lines]
Narrator: The film which you are about to see is an account of the tragedy which befell a group of 5 youths. It is all the more tragic in that they were young. But had they lived very, very long lives, they could not have expected, nor would they have wished to see as much of the mad and macabre as they were to see that day. For them, an idyllic summer afternoon became a nightmare. For 30 years, the files collected dust in the cold-cases divison of the Travis County Police Department. Over 1,300 pieces of evidence were collected from the crime scene at the Hewitt residence. Yet none of the evidence was more compelling than the classified police footage of the crime-scene walk-through.
Adams (officer in walkthrough): Test test test... OK, uh, this is, uh, August 20th, 1973. The time is, uh, 3:47 P.M. Our location is the Hewitt residence on Route 17; it's where victim one was found. We're gonna do a walk-through, and we're now descending the stairs into the furnace room... uh... There's - over here - there's scratch marks along the wall. There's some more over here, right over here. And, oh, there's something over here. Seems... Looks like a clot of hair and an embedded fingernail. All right, we're gonna go move into the actual furnace room.
Narrator: The events of that day were to lead to one of the most bizarre crimes in the annals of American history - the Texas Chainsaw Massacre.
- Alternative VersionenOriginally was slapped with an 'NC-17' rating by the MPAA, cuts were made for an 'R'.
- Hitchhiker's gunshot suicide reduced blood and brain guts, and a severed ear landing on Pepper's lap.
- Morgan's death reduced a wide shot of chainsaw cutting him from below, blood splattering on the floor and his insides falling between his legs.
- VerbindungenFeatured in Motograter: Suffocate (2003)
- SoundtracksSweet Home Alabama
Written by Edward King (as Edward C. King), Ronnie Van Zant and Gary Rossington
Performed by Lynyrd Skynyrd
Courtesy of MCA Records
Under license from Universal Music Enterprises
Top-Auswahl
Details
Box Office
- Budget
- 9.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 80.571.655 $
- Eröffnungswochenende in den USA und in Kanada
- 29.100.000 $
- 19. Okt. 2003
- Weltweiter Bruttoertrag
- 107.377.071 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1