Eine Arbeitsplatzkomödie, die in der Welt der Monster aus Big Mouth spielt.Eine Arbeitsplatzkomödie, die in der Welt der Monster aus Big Mouth spielt.Eine Arbeitsplatzkomödie, die in der Welt der Monster aus Big Mouth spielt.
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Damn those kids got on my damn nerves. The monsters were the best part of the original show and are the best part of this show. I don't know where they're gonna go from here but it's very entertaining on the first episode alone so I'm very hopeful of it being renewed 5 times like the original. The cast is absolutely amazing and refreshing as is the writing. Thank you Nick Kroll and Andrew Goldberg!!
I was not convinced at first, expecting the confused pubescent children to show up since they were the ones to supply the laughs. But once you get into the nitty-gritty of it and understand the roles of the hormonal and emotional monsters, you realize that this animated series deals with serious adult issues, from motherhood to dementia, all in good humor (without receiving a slap in the face for it)...
Just finished bingeing the show with my family and I'm happy to say that Human Resources lives up to the hype and expectations set in place by its direct predecessor! Shifting the focus away from the school-aged shenanigans of Big Mouth, Human Resources instead takes us behind the scenes of some new adult characters and into the daily professional and personal lives of the monsters that make their lives possible. If you're up to date on Big Mouth, you'll quickly recognize some of this series'returning and regular characters, like Maury, Connie, Mona, Gavin, Tyler, and yes, Rick (the hormone monsters), Walter, Sonya, and Rochelle the love bugs, the Shame Wizard, Depression Kitty, and Tito the anxiety mosquito...and you'll be just as pleased to meet some of the new creatures like Emmy the love bug, Petra the ambition gremlin, Dante the addiction angel (flipping a common phrase on its head to humorous effect and voiced by the always-up-for-something-fun, Hugh Jackman), and Pete the logic rock, among many others including 2 new shame wizards voiced by the formidable academy award winners, Dame Helen Mirren and Lupita Nyongo. We are introduced to all of their quirks and responsibilities over the course of the freshman 10 episode season, with each episode following the familiar format of Big Mouth and showcasing the new roles, problems, and solutions that adult humans (as well as those of a few familiar returning teens) face with the aid of their individual teams of helpers.
Right away, we are faced with a crash and burn and a lingering mystery that isn't resolved until the back half of the season is coming into full view. It also sets the stage for some truly heartwarming and emotionally devastating, but satisfying, payoffs towards the end of the season and beyond. Episode 9 in particular, which follows the relationship between Walter and his elderly Lebanese client and the impact of her advanced age and deteriorating condition (as well as the effects of Alzheimer's on the afflicted and their family), was particularly poignant, smart, and incredibly moving. The show uses music to great effect for both serious and comedic moments and the song choice at the end of the aforementioned episode 9 is a perfect example. Human Resources really shines with the use of its celebrity cast, giving them lines you'd never hear them say in a live action film, and I have to imagine that *many* actors would jump at the chance to record such sex-positive and absolutely hilarious lines, especially the women who would likely never get a chance to be so filthy were this not an animated show. As always, the performances are brilliant and it's easy to forget that you're listening to certain actors because they become so engrossed in the characters that they're portraying.
At its conclusion, Human Resources has set the stage not just for more intriguing and heartfelt stories to come during its sophomore outing but for the next season of Big Mouth, as well. It will be very interesting to see how Kroll and Goldberg manage to weave together consistent and wide-ranging character arcs between 2 different shows within a constant universe but given that they've already done so with this season, and the fact that they've knocked each and every season of Big Mouth out of the park thus far, it would be foolish to bet against them doing so. These shows have a writing team that clearly has its finger on the pulse of what is funny, what needs to be said, and what can be left unsaid.
This was a great first season, that hit the ground running and never faltered in its sprint to the finish line. There are clearly LOADS (*pun intended) of new and interesting stories the writers have in mind for the series and as long as they maintain the same great mix of humor, brutal honesty, unflinching looks at the more depressing and sad aspects of life, and the brilliant representation of people from different genders, sexual orientations, and cultures, those of us who count ourselves as fans will have many, many more seasons, characters, and storylines to love.
Right away, we are faced with a crash and burn and a lingering mystery that isn't resolved until the back half of the season is coming into full view. It also sets the stage for some truly heartwarming and emotionally devastating, but satisfying, payoffs towards the end of the season and beyond. Episode 9 in particular, which follows the relationship between Walter and his elderly Lebanese client and the impact of her advanced age and deteriorating condition (as well as the effects of Alzheimer's on the afflicted and their family), was particularly poignant, smart, and incredibly moving. The show uses music to great effect for both serious and comedic moments and the song choice at the end of the aforementioned episode 9 is a perfect example. Human Resources really shines with the use of its celebrity cast, giving them lines you'd never hear them say in a live action film, and I have to imagine that *many* actors would jump at the chance to record such sex-positive and absolutely hilarious lines, especially the women who would likely never get a chance to be so filthy were this not an animated show. As always, the performances are brilliant and it's easy to forget that you're listening to certain actors because they become so engrossed in the characters that they're portraying.
At its conclusion, Human Resources has set the stage not just for more intriguing and heartfelt stories to come during its sophomore outing but for the next season of Big Mouth, as well. It will be very interesting to see how Kroll and Goldberg manage to weave together consistent and wide-ranging character arcs between 2 different shows within a constant universe but given that they've already done so with this season, and the fact that they've knocked each and every season of Big Mouth out of the park thus far, it would be foolish to bet against them doing so. These shows have a writing team that clearly has its finger on the pulse of what is funny, what needs to be said, and what can be left unsaid.
This was a great first season, that hit the ground running and never faltered in its sprint to the finish line. There are clearly LOADS (*pun intended) of new and interesting stories the writers have in mind for the series and as long as they maintain the same great mix of humor, brutal honesty, unflinching looks at the more depressing and sad aspects of life, and the brilliant representation of people from different genders, sexual orientations, and cultures, those of us who count ourselves as fans will have many, many more seasons, characters, and storylines to love.
I have always loved Big Mouth, but Human Resources is truly an excellent follow-up. Despite a somewhat rough start, the show really finds it's footing by the end, and makes for quite an unexpectedly emotional ride. I cried so hard watching episodes 8 and 9, both of which were absolutely fantastic episodes. I enjoyed the callbacks to the original show as well, especially with Natalie (the trans character from season 4) who I was dying to see more of, and of course John Mulaney as Andrew. The show is also just really funny at times too, and yes crude, but that'd to be expected of course. In the end, it may not satisfy everyone, but I really enjoyed Human Resources and am looking forward to see more in the future.
The low scores from people who only watched 1-2 episodes are understandable but man, once you let the world building finish, it gets really good. Tackles some really intense and emotional content. Season 2 really hit some serious issues and handled them with charm and humor. The episodes dealing with grief and autism in particular were really wonderful. The sex stuff does come up often, but they do say humans think about sex every 8 seconds or so, soooo...... The show really finds it's footing in episode 4 season 1 and just gets better and better as it moves on. The voice cast was kind of spectacular too. I didn't realize they got so many big names as well.
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- WissenswertesJanelle Monáe who voices Claudia (S1.E8 The Light), sings the title's main theme song "Make Me Feel".
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- Laufzeit30 Minuten
- Farbe
- Sound-Mix
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- 16:9 HD
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