One Week - Das Abenteuer seines Lebens

In my opinion, One Week is one of the best Canadian films to date. I enjoyed it even more than Men with Brooms (which is saying a lot).

I loved taking the journey with Ben. The narrator adds a bit more depth to the plot, as we find how Ben touches various lives along the way. The beautiful scenery (which as a Canadian I take for granted) is visually stunning.

Ben's story in itself is both sad and heart-warming. For those weary of a sad ending, don't be - You will leave the theatre happy and inspired.

I will gladly recommend this movie to all my fellow Canucks and anyone else in the world.

I just arrived home from seeing this film and I am very glad I went. If you get a chance go see it, or rent it when it comes out on DVD, I highly recommend it. I feel that One Week manages to be a thoughtful yet crowd-pleasing examination of a somewhat cliché expression without being overbearing or preachy... there are also some very very funny moments. The film uses celebrations of Canada, ranging from quirky to touching, to help weave around and through the big question/quest. Is it uniquely Canadian? Well I think in many ways "Canadian" is a moving target, and the elements of Canadiana used in One Week are strongly tied into the traditional ideas of Canadiana - the defining role that the natural environment has played in the personal and collective development of the nation. The vastness, beauty and wildness, and the beckoning of the unknown. Scenery aside, no matter who you are the story is one of an emotional journey one that some may recognize more than others and that all can understand and appreciate. Having said that I think the internal reflections and questions the film poses will make it resonates especially well with those who have experienced solo travel.

I think that director Michael McGowan really loves his main character, Ben. Ben is beautifully played by Joshua Jackson, a part which requires him to react to a lot of things. Ben seems quiet about most things, but not necessarily content. When told that he has cancer and only a short time to live, he's suddenly a man on the cusp of something. It takes only a silly message under the rim of a Tim Horton's coffee cup - "Go west" - to set him in motion. For the first time in his life, he doesn't just fall back into something familiar and comfortable - he takes action. He rejects, at least for the time being, the virtual death of invasive cancer treatment, and goes on a quest for the life he's never really experienced. And when he runs out of "west", as he's afraid he'll do, he goes even further. The road trip in this movie is the road trip, ever further west, to a destination of the spirit. To others, it seems as if he's running away. But he's not. He's running toward something. When his girlfriend and family try to reel him in to safety, to "us", he resists. In a moment I silently cheered he cries out, in frustration, to his girlfriend: "It's not about us! It's about ME!" That may sound selfish, but it's not. It simply means that there are places where other people cannot go. One thing I liked about this film is its adult take on its subject matter. Although frequently funny, it is also contemplative and suggests that, without being ostentatiously heroic, our actions can inspire others. While I was watching the film I was thinking that if it was about only this and nothing else I would have been satisfied. But a film about a man who doesn't stop while it's still safe - but who goes all the way. That appeals to me on a personal level.

I had the privilege of being in the audience for the premiere screening of One Week last night in Toronto. As with many Canadian films, the lack of an appreciative audience was evident by many empty seats in Roy Thompson Hall. However, for those of us who were in attendance, we were treated to an incredibly funny (in a tragic way typical of many Canadian films) and touching film. Joshua Jackson (notably absent from the premiere), showed a great range and presented a complex, well-developed character. The scenery was beautiful and there were many Canadian touches to the film - the audience in particular seemed to enjoy the references to Tim Horton's and Canadian Tire. However, the story has a universal theme and will hopefully go on to be enjoyed by a wider audience from around the world.

This is a very Canadian movie, not only in the use of the gorgeous cross-country scenery that provides both a backdrop and a reflective commentary on the main character's personal search but also because of it is patently outside the realm of the "regular" Hollywood (i.e. American) fare. This is not to suggest that only Canucks can enjoy or appreciate this wonderful, warm-hearted, evocative, simple story because the plot line and embedded themes are universal and timeless.

There is a leisurely quality to this narrative and a kind of inevitability to the whole story that makes it poignant yet full of strength at the same time. The voice-over done by a sonorously voiced Campbell Scott works so well that far from being intrusive as most add-ons are, it (he) becomes a character in his (its) own right.

This is one of those "festival sleepers" that will never have wide distribution but which will delight and uplift any who see it.