IMDb-BEWERTUNG
5,9/10
1407
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhile backpacking in Spain, Chris, a recent college graduate, meets a group of people whose lives prompt him to struggle with an age-old question: should he follow the beaten path or risk it... Alles lesenWhile backpacking in Spain, Chris, a recent college graduate, meets a group of people whose lives prompt him to struggle with an age-old question: should he follow the beaten path or risk it all on the road less traveled?While backpacking in Spain, Chris, a recent college graduate, meets a group of people whose lives prompt him to struggle with an age-old question: should he follow the beaten path or risk it all on the road less traveled?
Empfohlene Bewertungen
first things first. this is a movie, not a documentary. if you don't know the difference, you shouldn't be involved with a website like this. i have read a lot of comments about how much this movie sucked. i have only this to say. it obviously stuck with people long enough to get online and write a "review" about it. it's always easy to tear a movie apart for what you didn't like about it. i feel sorry for the people who do that though. watching movies is much more enjoyable if you look for things you do like about them. this movie has more than a few redeeming qualities that have been blatantly overlooked in some pretty hateful rants. just to let you in on a few... 1 - the accents aren't perfect. get over it. once you move on you'll listen to what they are saying and not how they sound when they're saying it. there is some pretty clever and realistic dialogue in this movie. 2 - leonor varela is wonderful in this movie. i saw that some were accusing her of overacting the role. i just want to clarify that she is portraying an actress from a small village in spain. and actress playing an actress would seem like overacting to the people who didn't catch that. 3 - the overall message, while maybe elementary in tone, is a good one.
americano deserves at least one watch before it is attacked. it was very enjoyable. not great, but certainly not bad.
americano deserves at least one watch before it is attacked. it was very enjoyable. not great, but certainly not bad.
This movie is about three friends, a couple and their writer friend Chris who travel around the world to find themselves and the truth. When they reach Spain their adventure heats up when they meet Adella. Adella and Chris are instantly attracted to each other, she decides to give him a taste of Spain.
From food, beautiful places, music (the soundtrack is absolutely amazing!), and even the famous San Fermin (Pamplona Bull Run). But my favorite scene must be the scene when Adella played by Leonor Varela seduces Chris played by Joshua Jackson. Such a beautiful scene and the song is super hot.
From food, beautiful places, music (the soundtrack is absolutely amazing!), and even the famous San Fermin (Pamplona Bull Run). But my favorite scene must be the scene when Adella played by Leonor Varela seduces Chris played by Joshua Jackson. Such a beautiful scene and the song is super hot.
Writer/Director Kevin Noland's debut feature, Americano, starts out large and loud, with a birds-eye view of a Spanish crowd packed into a plaza like conquistadors on a gold-bound ship. It is the annual Pamplona running of the bulls festival, and the anticipation and jubilation rise on the air in a celebration of the very Spanish tradition that culminates in a series of duels between matadors and their bull partners. Americano is rife with metaphor, utilizing both Spanish festival traditions and the surrounding land and cityscapes to hammer home the theme of finding oneself at the crux of a life changing moment.
Joshua Jackson plays Chris, a twenty-something whose days at the festival are the last before returning to the States for a career in a possibly lucrative, but soul-deadening office. With his two friends Ryan (Timm Sharp) and Michelle (Ruthanna Hopper) in tow, the three are in high festival mood when Chris' backpack is stolen. Suddenly, the future looks even closer, and Chris begins having doubts about going back to the States. Here, I feel alive he writes in his journal, as he participates in the mad dash running of the bulls, escaping into the stadium where the bright sunshine overwhelms Chris in his ecstasy (no matter that the film was overexposed for that particular scene...the sentiment is there).
At a curious ex-pat bar owned and operated by an eccentric (Dennis Hopper) who shouts bizarre and cryptic sayings like "Be very wary of the con...the Ameri-con...Americano!", Chris meets the vivacious Adela (Leonor Varela), a beautiful actress who takes to his plight and invites them all to her villa, set in the wide sweeping vista of an Iberian paradise. Here Chris really takes to heart his impending future and begins to question what he wants out of life. His friends too, begin to see cracks in their own self-built wall of security, and suddenly their lives have become a bit more complicated.
If the plot sounds hazy and indistinct, that's because it is, but not to its detriment. While a bit more structure might be helpful to create a sense of the whole, Americano dwells not on the outward events, but on the inward spirit and thought of its characters. Using Hemmingway's The Sun Also Rises as Chris' guidebook and the film's thematic conceit, Kevin Noland displays no urgency in presenting his vision of the anxieties and enthusiasm of young adulthood, its trials, its secrets, and its ambivalence. We aren't given easy answers, but the questions posed are introspective, to be taken in softly and quietly, with a sincerity of expectation for seeking out what's right and real and true.
In the end, Americano is a finely tuned, though technically flawed in some respects, film with fine performances from Joshua Jackson and Dennis Hopper, though the revelation is Leonor Varela, who injects her character with a sense of the sublime, an earthy angel with a taste for the dangerous and exotic, but not without a sense of home. Timm Sharp supplies some good comedic moments, and though understated and slightly old for the part, Ruthanna Hopper shows she's a capable actress. Noland's direction is subtle. The film suffers from a few technical problems, including poor ADR sync and a few scenes where footage appears overexposed. However, these should not be cause to miss a wonderful debut from an ambitious and talented writer and director.
Joshua Jackson plays Chris, a twenty-something whose days at the festival are the last before returning to the States for a career in a possibly lucrative, but soul-deadening office. With his two friends Ryan (Timm Sharp) and Michelle (Ruthanna Hopper) in tow, the three are in high festival mood when Chris' backpack is stolen. Suddenly, the future looks even closer, and Chris begins having doubts about going back to the States. Here, I feel alive he writes in his journal, as he participates in the mad dash running of the bulls, escaping into the stadium where the bright sunshine overwhelms Chris in his ecstasy (no matter that the film was overexposed for that particular scene...the sentiment is there).
At a curious ex-pat bar owned and operated by an eccentric (Dennis Hopper) who shouts bizarre and cryptic sayings like "Be very wary of the con...the Ameri-con...Americano!", Chris meets the vivacious Adela (Leonor Varela), a beautiful actress who takes to his plight and invites them all to her villa, set in the wide sweeping vista of an Iberian paradise. Here Chris really takes to heart his impending future and begins to question what he wants out of life. His friends too, begin to see cracks in their own self-built wall of security, and suddenly their lives have become a bit more complicated.
If the plot sounds hazy and indistinct, that's because it is, but not to its detriment. While a bit more structure might be helpful to create a sense of the whole, Americano dwells not on the outward events, but on the inward spirit and thought of its characters. Using Hemmingway's The Sun Also Rises as Chris' guidebook and the film's thematic conceit, Kevin Noland displays no urgency in presenting his vision of the anxieties and enthusiasm of young adulthood, its trials, its secrets, and its ambivalence. We aren't given easy answers, but the questions posed are introspective, to be taken in softly and quietly, with a sincerity of expectation for seeking out what's right and real and true.
In the end, Americano is a finely tuned, though technically flawed in some respects, film with fine performances from Joshua Jackson and Dennis Hopper, though the revelation is Leonor Varela, who injects her character with a sense of the sublime, an earthy angel with a taste for the dangerous and exotic, but not without a sense of home. Timm Sharp supplies some good comedic moments, and though understated and slightly old for the part, Ruthanna Hopper shows she's a capable actress. Noland's direction is subtle. The film suffers from a few technical problems, including poor ADR sync and a few scenes where footage appears overexposed. However, these should not be cause to miss a wonderful debut from an ambitious and talented writer and director.
This is an awful failure of a film, one of the worst I have seen in a while. The acting is absolutely abysmal, the story-line a bore, the characters self-absorbed zeros I would never want to meet anywhere, not even at a garage sale. Don't waste your time or money. Let's face it: films about ugly, ego-maniacal young Americans in Pamplona are a wasted effort. The story, told eons ago, doesn't bear repeating. Hemingway did it already, and he did it in a masterful way that the script writer for this film can never hope to match. This film might have been passably interesting had the story been about a critical juncture, occurring somewhere other than a stereotypically red and white bedecked Pamplona, in which the protagonist has to face real dilemmas far more profound than the tawdry "finding one's self" bromide tendered here. A DVD worth labeling and tossing as GARBAGE.
For many watching this movie, it will be deja vu. Two strangers meet while on vacation and a romance blooms but the vacation is too short for the romance to blossom into anything more than a brief romance. That often happens to men in military service who all too often must cut short the romance as their leaves expire. But that is not the case in this movie. In the end the man has a choice. He has a job waiting for him back in the US and he is faced with a choice - either chuck the job and stay with the woman that he is becoming infatuated with - or return to the US and leave the romance.
Every viewer will make their own choice. Leonaro Varelo plays a vivacious charming and sophisticated young woman apparently of some affluence who many men would give their right arm to have as a wife. To meet her on vacation is like having one's wildest dream come true. But it is unlikely that she will leave Spain if she marries the man and what is the man to do who cannot speak Spanish The movie is in a nice setting, reminiscent of Hemingway, in Pampona, Spain, just at the time of the big festival and the running of the bulls. We witness a bull fight which is presented in a way that gives most viewers unfamiliar with bull fights, the essence of bull fighting, if not any expertise in it. And there are some beautiful scenes of the country side.
Dennis Hopper plays an ugly role in this movie and the movie would have been a better movie without him. It was his role and excessive vulgarity and sex that kept me from giving it more than a 5. however, the background and the story make it interesting enough that I recommend it.
Every viewer will make their own choice. Leonaro Varelo plays a vivacious charming and sophisticated young woman apparently of some affluence who many men would give their right arm to have as a wife. To meet her on vacation is like having one's wildest dream come true. But it is unlikely that she will leave Spain if she marries the man and what is the man to do who cannot speak Spanish The movie is in a nice setting, reminiscent of Hemingway, in Pampona, Spain, just at the time of the big festival and the running of the bulls. We witness a bull fight which is presented in a way that gives most viewers unfamiliar with bull fights, the essence of bull fighting, if not any expertise in it. And there are some beautiful scenes of the country side.
Dennis Hopper plays an ugly role in this movie and the movie would have been a better movie without him. It was his role and excessive vulgarity and sex that kept me from giving it more than a 5. however, the background and the story make it interesting enough that I recommend it.
Wusstest du schon
- SoundtracksSi, Si, No, No
Performed by Maria Conchita Alonso
Produced by Sebastian Arocha Morton and Miguel Angel Govea (as Rocasound)
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