Füge eine Handlung in deiner Sprache hinzuCecilia and her son Martín have a car accident. On the third day after the crash, she wanders by herself on a lonely route and there is no clue of her son. She can't remember what happened d... Alles lesenCecilia and her son Martín have a car accident. On the third day after the crash, she wanders by herself on a lonely route and there is no clue of her son. She can't remember what happened during this time and she is desperately looking for her son. On her quest she finds coincid... Alles lesenCecilia and her son Martín have a car accident. On the third day after the crash, she wanders by herself on a lonely route and there is no clue of her son. She can't remember what happened during this time and she is desperately looking for her son. On her quest she finds coincidences with her case and other police files, which seem to be acts of a brutal hunting. The... Alles lesen
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The narrative is disjointed and jumbled, and the movie is edited with no sense of cointinuity, the story (nothing new or surprising to begin with) feels like a succession of unrelated scenes.
There are plenty of random oniric-like sequences peppered with fx that look like something from a 60's B horror movie, but not in a good way.
Furthermore, there's little to no explanation for anything that the protagonists do, they just wander from one scene to the next doing things because the script demands it (minor spoiler: ten minutes into the movie and just after a quick exchange between them, the doctor decides to take his patient to... a psychic? Why was he so eager to help her, in the first place?. De-rigueur hypnotism session ensues and we have a glimpse into what the big reveal is going to be, and boy, is so cliche and trite, and done with the subtlety and technical prowess of an elementary school play).
Acting, maybe with the exception of Gerardo Romano and the two cameo-length appearances by Arturo Bonín and Rodolfo Ranni, is mediocre.
It could have been a little scary B horror movie with a 60's feel to it, but it ended up being almost like a satire.
Very unique low budget film
On the 3rd Day is a great lesson in building suspense. Almost at the beginning of the film, we know something horrific has happened, but we don't know what. The filmmakers take a non-linear method of storytelling, relying primarily on flashbacks, in order to gradually reveal clues leading up to the final shocking moments. There is also a lot of unique mythos created for the film around some familiar concepts to horror fans, making things a bit more interesting. The pacing is perfect and the storytelling method perfectly keeps the audience on the edge of their seats. Anghileri gives an especially powerful performance as Cecilia, making sure the audience truly cares about what happened to her and her son. On top of that, On the 3rd Day has a beautiful musical score to add to the tension as well as delightfully disturbing practical effects. I will say, the practical effects for the final big reveal and an end-credit scene are not my favorite, but a majority of the film is near-perfect.
When I saw Del Toro films in the intro I was very hopeful, because Guillermo Del Toro is indeed one of my VERY favourite living directors. BUT... sadly, for some odd reason the story just did not want to gel in an effective way. The elements by themselves and especially the VERY effective mystery created from the beginning certainly seemed to promise a strong, Gothic film. But, and I'm not really sure why, it simply just did not come together in an effective way.
The visuals were very good, I really liked the lighting, the soundtrack, and even the acting was pretty decent across the board (with the one exception of the dopey policeman - I don't know WHERE the hell they dug him up) But, this is just one of those rather mysterious cases where you can't quite tell exactly what went wrong or precisely what the filmmakers did badly, since I feel taken in segments, the story seemed like it SHOULD have been very good. It's not like you can say, 'Oh, the acting is really bad', or 'The writing was poorly done', or 'The direction could have been done better' The reason is kind of uncertain as to why this didn't exactly work. The overall mood and atmosphere was created well. There was a palpable sense of Mystery right from the beginning which effectively draws the audience in, making them wonder what is going on. Even the ending was indeed surprising and not predictable at all. It SOUNDS like it should have worked, but somehow it really didn't...
The only thing I can come up with is a GUESS that perhaps just the way the story was plotted, or the pacing, or maybe the way the events were ordered. I honestly couldn't say.
I mean, the look and mood of the film was most definitely Del Toro, absolutely. But, ultimately the story just didn't work. So, I can't honestly recommend this movie despite its nice look and atmosphere. Perhaps there may be some people who are able to appreciate it more so at some level. But, like I've mentioned, to me personally, for some mysterious reason it just was not that effective.
Wusstest du schon
- WissenswertesThe film title presumably is a nod to the Resurrection Of Christ. It may also be a reference to certain Vampire Lores in that it usually roughly takes three days for someone infected with Vampireism to be reborn a Nosferatu.
- Zitate
Martin Garro: [on said vampire] Is It Now Gone?
- Crazy CreditsAfter the credits Martin comes back to life as a vampire in front of Inspector Ventura moments before he is slain by vampires
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Details
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1