Der Teenager Ren MacCormack zieht in eine kleine Stadt, in der Rockmusik und Tanz verboten sind, und sein rebellischer Geist die Bevölkerung erschüttert .Der Teenager Ren MacCormack zieht in eine kleine Stadt, in der Rockmusik und Tanz verboten sind, und sein rebellischer Geist die Bevölkerung erschüttert .Der Teenager Ren MacCormack zieht in eine kleine Stadt, in der Rockmusik und Tanz verboten sind, und sein rebellischer Geist die Bevölkerung erschüttert .
- Auszeichnungen
- 3 Nominierungen insgesamt
- Amy Warnicker
- (as Maggie Jones)
- Russell
- (as Corey Flaspoler)
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You know that feeling where you see an actor/actress in a certain role and then you see them in another movie and it's like they were told to keep the same character but the film's setting is so completely different and all you can think is 'no, this is wrong, this just doesn't work'. It's exactly what I thought while watching this film but instead of the character(s) being wrong it felt like the whole movie was wrong.
I would have even accepted it if the only thing they kept was the basic concept and redesigned the rest from scratch. But they played it too safe and ended up with a copy instead of a fresh film.
That said if you've never seen the original Footloose it's alright.
I don't think it's a wise move to show the accident. It makes the ban more reasonable and harder to oppose. The Reverend is supposed to be overreaching and becoming unreasonable over the years. However the bigger problem has to be Kenny Wormald. He's more of a dancer than an actor. He doesn't have the charisma or the likability to lead. Julianne Hough comes off better. Although I would have prefer she has better separation between her two lives. She needs to dress down more as the preacher's daughter. This is a functional dance movie but not much else. It's also sad to see that the filmmaker can't think of ways to change up the story. This is obviously a Julianne Hough star vehicle. So it would be so much better to make her the newcomer to town and the lead of the movie.
After watching it with my wife who had never seen the original, I was able to say, "Not so bad, but pointless as a remake." Most of the original music (which I still love) was recycled into something recognizable but not lovable. The scenes played out nearly identical to the original but with different actors. The whole way through it, I had the feeling that the director was watching the original on a hand-held device, then turned to the actors and said, "I have an idea for this next scene." If I recall correctly, even the dialog where it wasn't modernized with MP3 players (instead of cassette players) and cell phones (instead of...what the heck did we have?) was word for word.
Usually remakes are for big block busters where today's technology and special effects can outshine the feeble attempts of the past and make a great story better by sucking the audience in. This movie had none of that, and in summary, became another pointless Hollywood rehash for quick cash. The only improvement I could acknowledge was a sub-plot that explained Ren's actions a little better, but it was still not an excuse to remake a classic.
My advice: watch the original. It's much better.
Wusstest du schon
- WissenswertesJustin Timberlake recommended Kenny Wormald to be in the film as he was a back up dancer for him.
- PatzerWhen Ren is pulled over and his license is being examined by the police, his license is an Over-21 Massachusetts license. The difference between Under-21 and Over-21 is that Under-21 licenses are vertical and Over-21 licenses are horizontal.
- Zitate
Ren MacCormack: [addressing the town council] I wasn't here three years ago, when tragedy struck this town. And I know it's not my place to mourn the lives that were lost because I didn't know them. But it doesn't mean that I don't think about them every day. Like a lot of students at Bomont, I see those pictures every day at school. And each time I see their faces, I think of how precious life is and how quickly it can be taken from us. I know this firsthand... in my own way. And three years ago, nearly a dozen laws were introduced to this council in order to protect the children of Bomont. And most of these laws, I can see, as a parent, how they make sense to you. But my right to dance... when I want, where I want, and how I want is a right that you cannot take away! It is mine. See, we don't have that much time left. All us teenagers, pretty soon we're gonna be just like you. We're gonna have jobs, and bills, and families. And we're gonna have to worry about our own children, because that is the job of a parent. To worry. I get that. But ours, as teenagers, is to live! To play our music way too loud and to act like idiots! And to make mistakes. Aren't we told in Psalm 149: "Praise the Lord. Sing unto the Lord a new song. And let them praise His name in the dance." Now if anybody else brought their Bible, like I did, will you please turn it into the Book of Samuel, 6:14. "David... David danced before the Lord with all his might, leaping and dancing before the Lord." Celebrating his love of God and celebrating his love of life. With what? With dancing! That's all we're doing here. Ecclesiastes assures us, "There is a time for each purpose under heaven. There's a time to weep. There's a time to mourn. And there is a time to dance." And this is our time! There was once a time for that law, but not anymore. Thank you.
- Crazy CreditsThe opening credits are in the same font/typeface as those for the original Footloose (1984), albeit a different color.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #20.12 (2011)
- SoundtracksFootloose
Written by Dean Pitchford and Kenny Loggins
Performed by Kenny Loggins
Produced by Kenny Loggins with Lee DeCarlo (as Lee DeCarlo)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Bước Nhảy Vui Nhộn
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 24.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 51.802.742 $
- Eröffnungswochenende in den USA und in Kanada
- 15.556.113 $
- 16. Okt. 2011
- Weltweiter Bruttoertrag
- 63.546.519 $
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1