Ein Teenager zieht von der Groß- in eine Kleinstadt, wo Rockmusik und Tanzen verboten sind und sein rebellischer Geist die Bevölkerung aufrüttelt.Ein Teenager zieht von der Groß- in eine Kleinstadt, wo Rockmusik und Tanzen verboten sind und sein rebellischer Geist die Bevölkerung aufrüttelt.Ein Teenager zieht von der Groß- in eine Kleinstadt, wo Rockmusik und Tanzen verboten sind und sein rebellischer Geist die Bevölkerung aufrüttelt.
- Für 2 Oscars nominiert
- 2 Gewinne & 7 Nominierungen insgesamt
- Willard
- (as Christopher Penn)
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The style is reminiscent of a whole host of other '80's teen flicks, but only a handful are better. Most of the cast do great things with their roles. Kevin Bacon actually manages to make the clichéd concept seem kinda cool, here showcasing an easy charm that was to become the hallmark of much of his later work. Crucially, the music is actually pretty good too! (Even if I am torn between wanting to cringe and dance when I hear the theme!)
On reflection it's no cheesier than something like "All the Right Moves" (which has a great cast doing their best but suffers from a plodding story) In fact, it's miles better! At least the music in "Footloose" gave the makers a viable way to pep things up whenever the story begins to flag. This film is much, MUCH better than I had been led to believe, so give it a chance if you ain't seen it yet but thought you knew the score. Chances are, you don't...
Kevin Bacon is the new kid in town who wants the ban lifted. Indeed, this boy seems to live to dance and he's immensely likable. He uses his killer smile to great effect. In this movie the dancing is integral to the plot and it evolves from it naturally and, for once, the director Herbert Ross takes things easy. As well as Bacon, the film has Lori Singer, (the obligatory love interest), and John Lithgow and Dianne Wiest as her parents. He's the bible-thumper who thinks that dancing is sinful and Wiest, with her wan, other-worldly smile, is the wife who doesn't as well as a very young Chris Penn as the over-weight farm boy Bacon teaches to dance in a wonderful sequence choreographed to Denise Williams' 'Let's hear it for the boy'
-Most good movies have a great opening and Footloose is no exception. A bunch of feet dancing showcasing the great footwear of the 80's to the soundtrack song "Footloose". Immediately gets you in -Kevin Bacon's character has one of the all-time great movie names: "Ren McCormack" -Funny how this is probably Kevin Bacon's greatest role, maybe only challenged by "Flatliners". It's amazing how so many actors never repeat their efforts of their first breakthrough movie (See Lou Diamond Phillips, Chris Rock and Madonna for starters) -Also starring in this movie is one of Hollywood's greatest lesser known brothers, Sean Penn's brother Christopher. He's way better than Dan Swayze or Charlie Murphy. -Kenny Loggins will go down as one of the greatest contributors to movie hit songs ever. Footloose's "Footloose" and Top Gun's "Danger Zone". -This is another one of those movies built around a town's overzealous pastor's. Reverand Shaw (John Lithgow) is even more intense than that guy in "Chocolat" -Great action scene at the start with Lori Singer car surfing (watch the slightly impossible way she gets back in the car) -Also look for the great David Hasselhoff 2 second cameo -Great scene where the Rev turns off Lor Singer's ghetto-blaster. Everyone stops talking, eating and dancing. Possibly slightly dramatic -Will (Christopher Penn) tells us several other towns have also banned dancing. How wasn't that fact used as the premise for heaps more sequels with Ren going from town to town and reviving dance? Each time he'd face a new obstacle. -Ren mentions his love for "Men at Work" and "The Police", yet he only listens in his car to bad 80's electric rock. Strange. -Weird town. Here a face off equals a tractor fight. -One of the funniest moments is when Chuck gets onto his tractor and puts "I need a hero" on on his ghetto-blaster. That would be awesome to do at a basketball game when you sub in. -Another great Dianne Weist performance. That girl can just capture the whole audience when she wants. Underrated actress. -"Moment I regret now"- Christopher Penn's dance sequence to "Let's Hear It For The Boy" (although it's a great sequence in the movie) -Kevin Bacon's speech to the council was possibly the greatest speech up until that time in cinema history. That is until Sly Stallone raised the bar with his "If I Can Change...." in Rocky 4. Which was then overtaken by Matthew McConaghuey's "Can you see her..." speech in "A Time To Kill"
Kevin Bacon is the tough city kid stuck in some podunk Midwest town where dancing has been outlawed. John Lithgow is the preacher who serves as Bacon's arch nemesis; Lori Singer is the preacher's daughter who has a hankering for the new dangerous kid. Dianne Wiest is the reasonable mom who acts as referee between dad and daughter. The whole thing is sillier than an episode of "Laugh-In," but many of the actors (particularly Lithgow, Wiest and Bacon) are good enough to actually sell the material. And come on, admit it, you know you like the music.
Grade: B+
OK--we're not dealing with reality here at ALL! A town banning rock music entirely is ridiculous and the town only has ONE church? And the game of chicken using tractors was just silly. And don't get me started on how Bacon, Singer, Chris Penn and Sarah Jessica Parker look WAY too old to be high school students--Singer was THIRTY when she did this! And how the heck did all the kids from the town learn how to dance so quickly? But, as a no brain musical, this does work.
The opening sequence alone is great (it shows various feet dancing to the title tune). Also the acting helps a lot. Bacon is just great--he doesn't take the movie too seriously and gives out a very good performance. He also has a big dance number (to a song called "Never") which is him and THREE different stuntman doing the more unrealistic moves. Singer is too old for her role but she tries. Penn is pretty good as Bacon's best friend--his learning how to dance sequence is a highlight. Parker did this before she was known and she's not bad. Lithgow and Wiest are just great as the Reverend and his wife--Wiest has a great scene where she calmly tells him off and Lithgow (wisely) does not play the Reverend as a one-note character. You see him trying to understand his daughter and slowly realizing that music isn't bad.
So--this is no "Singin in the Rain" but for a 1980s teen musical it's lots of fun. Great songs too. Just turn off your brain and enjoy!
Wusstest du schon
- WissenswertesThe scenes where Chris Penn's character had to learn how to dance were added to the script because Penn really could not dance.
- PatzerWhen Ren is dancing in the factory and is swinging on the high bar-type pole, he is wearing gloves. During the rest of the sequence he is bare-handed.
- Zitate
Ren: You like Men at Work?
Willard: Which man?
Ren: Men at Work.
Willard: Well, where do they work?
Ren: No, they don't, they're a music group.
Willard: Well, what do they call themselves?
Ren: Oh no! What about the Police?
Willard: What about 'em?
Ren: You ever heard them?
Willard: No, but I seen them.
Ren: Where, in concert?
Willard: No, behind you.
- Alternative VersionenCBS edited 10 minutes from this film for its 1987 network television premiere.
- VerbindungenEdited into Kenny Loggins: Footloose (Version 2) (1984)
- SoundtracksFootloose
Performed by Kenny Loggins
Written by Kenny Loggins and Dean Pitchford
Produced by Kenny Loggins with Lee De Carlo (as Lee DeCarlo)
Top-Auswahl
Details
Box Office
- Budget
- 8.200.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 80.035.402 $
- Eröffnungswochenende in den USA und in Kanada
- 8.556.935 $
- 20. Feb. 1984
- Weltweiter Bruttoertrag
- 80.048.492 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1