Eine Gruppe von Überlebenden des Wutvirus lebt auf einer kleinen Insel. Nach dessen kämpferischer Initiation durch seinen Vater schleicht ein Junge mit der kranken Mutter auf das Festland, u... Alles lesenEine Gruppe von Überlebenden des Wutvirus lebt auf einer kleinen Insel. Nach dessen kämpferischer Initiation durch seinen Vater schleicht ein Junge mit der kranken Mutter auf das Festland, um einen dort lebenden Arzt aufzusuchen.Eine Gruppe von Überlebenden des Wutvirus lebt auf einer kleinen Insel. Nach dessen kämpferischer Initiation durch seinen Vater schleicht ein Junge mit der kranken Mutter auf das Festland, um einen dort lebenden Arzt aufzusuchen.
- Auszeichnungen
- 3 Gewinne & 14 Nominierungen insgesamt
- Jimmy's Sister
- (as Darcie Summer Smith)
Empfohlene Bewertungen
It looks pretty fantastic (strangely the colouring reminded me of Garland's Men) and, contrary to what a lot of reviews claim, the acting is solid, particularly from Jodie Comer and Alfie Williams. The mixing in of archive clips isn't a particularly groundbreaking move, but it's effective.
It's hard to define exactly what subgengre this film belongs to, but there are strong folk horror vibes throughout, and that plays well with the satirical edge to the film (what is it about zombie movies and satire?). As a political statement about 21st century British decline it isn't as over egged as I feared it might be- it's subtle to the point where I wonder whether it can be fully appreciated viewers who aren't familiar with our strange little island.
It's easily as tense and bloody as the other two films (although this one is rated 15 which shows you how times have changed). There are some genuinely tense moments throughout.
The ending. All I'll say is that however you imagine the last 5 minutes will go, you're wrong. If this is to be the first part of a trilogy, it's going to get batshit crazy (although again, anyone not familiar with British pop culture will not appreciate quite how bizarre the ending is).
Super boring second half where movie switches tone to comedy drama and predictable scenes were dragged too much.
Completely stupid ending, nothing like what you would expect from this movie series.
28 days later was such an amazing movie with constant tension throughout, great ending and awesome camera work showing aggressiveness of zombies that you felt through screen. This movie however is disappointing. Alphas just look like Jason Mamoa with makeup. Would have been nice if they kept rest of the movie similar to the first half with focus on horror and intense tension to keep viewers edge of their seat instead of making viewers fall asleep.
Nevertheless, fans of this genre will find some way to appreciate a different direction in which this film tries to take, but I sincerely think he should have stuck with the formula that made the prior two films cult classics.
My biggest "why" is this movie being attached to the 28 series. Completely unnecessary and misleading. It was probably done to attract a wider audience; otherwise, it would have fallen into the unpopular indie horror film category with little financial success.
As a 28 fan, I was disappointed, however, in the first 15 minutes I realised I should forget I'm watching a 28 movie to have a chance of enjoying it.
The cinematography and art direction were out of the box in a good way. The cast and acting were good.
Should have guessed from the 15 certificate that it would lack the horror and the edge of the earlier films. I don't want to spoil the plot but there are 2 or 3 plot lines that really don't make sense. The ending I felt was particularly bad.
I get that the story is a very blunt metaphor for Brexit and the theme of rebirth (literally in one case) is very clear but just didn't gel or work as a story for me.
If you are looking for a continuance of the earlier, darker, scarier films I fear you may also leave the cinema disappointed.
New and Upcoming Sequels, Prequels, and Spin-Offs
New and Upcoming Sequels, Prequels, and Spin-Offs
Wusstest du schon
- WissenswertesThe trailer features a distinctive recording of the poem "Boots" by Rudyard Kipling, read by the actor Taylor Holmes in 1915. The poem's repetitive rhythm imagines the march of British soldiers during the Boer War, and this recording of the poem is used by the U.S. military to simulate the psychological distress of being held captive.
- PatzerSpike and Isla are inside a gas station which is filled with explosive gas, a soldier tells them to get down and shoots into the gas to make it explode, and after that Isla and Spike are totally fine not even their hair was burnt. That's not how physics work, not only their hair would burn away, but they would also have had burnt skin.
- Zitate
Dr. Kelson: Spike, momento mori, what did it mean?
Spike: Remember we must die.
Dr. Kelson: And it's true. There are many kinds of death. Some are better than others. The best are peaceful where we leave each other in love. You love your mother?
Spike: I love her.
Dr. Kelson: And Isla you love Spike?
Isla: So much.
Dr. Kelson: Memento amorous. Remember you must love.
- Crazy CreditsHaunting snippets of the movie, mostly consisting of the infected, are shown throughout the end credits.
- VerbindungenFeatured in Midnight Screenings: 28 Years Later (2025)
- SoundtracksAbide with Me
Written by Henry F. Lyte (as Henry Francis Lyte)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- 28 Năm Sau: Hậu Tận Thế
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 70.367.300 $
- Eröffnungswochenende in den USA und in Kanada
- 30.002.966 $
- 22. Juni 2025
- Weltweiter Bruttoertrag
- 150.367.300 $
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.76 : 1