Ein Bruder und eine Schwester entdecken im abgelegenen Haus ihrer neuen Pflegemutter ein verstörendes Ritual.Ein Bruder und eine Schwester entdecken im abgelegenen Haus ihrer neuen Pflegemutter ein verstörendes Ritual.Ein Bruder und eine Schwester entdecken im abgelegenen Haus ihrer neuen Pflegemutter ein verstörendes Ritual.
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I'm not one to usually write reviews, but after catching an advanced screening of the Philippou brothers new entry into the horror genre, I just had to praise what I witnessed.
First off, this film is definitely not for the faint hearted, nor is it a horror film to particularly get enjoyment out of. It's bleak, extremely visceral, unrelenting and really emotionally devastating ... but in the best ways horror can be!
As soon as the movie starts revealing its evil side, it takes hold of you and doesn't let go.
All the actors portrayed their characters with emotional and realistic excellence, but Sally Hawkins was just unmatched. It's hard to really describe her performance without getting into spoiler territory, but she couldn't have done a better job at being so unnerving & emotionally powerful, both at the same time.
The cinematography was incredible, with heaps of little foreshadowing details sprinkled throughout the film. So many of the shots were precisely made to convey & ooze that feeling of uneasiness/dread, which just adds that extra layer to the film's atmosphere.
Speaking of the atmosphere, the Philippou brothers sure know how to pack a punch with their direction. While there is still a deeply emotional and brutal story at play here, the brothers don't mind having loose ends here and there & instead, they are more after that gut-wrenching, stomach-churning horror experience as a whole.
That brings me to the practical effects... Somehow, this film got a classification of only MA15+ in Australia, and that just baffles me in the best way possible.
After 'Talk To Me', I was expecting some pretty skin-crawling gore & practical effects, but boy oh boy, I wasn't expecting this.
This film just ramps up the violence on every level and is done so in a way that will have even the hardcore horror fans wincing, incredible stuff!
In all, this movie makes their debut film 'Talk To Me' come across as a fun horror movie to watch after 'Bring Her Back', just to wind down.
It's a slow burn descent into hell & by the end of the film, actually ends up being one of the more depressingly sad/emotional horror films I've seen in some time.
It will make you feel sick, sad & terrified, all at the same time.
Well done RackaRacka !
First off, this film is definitely not for the faint hearted, nor is it a horror film to particularly get enjoyment out of. It's bleak, extremely visceral, unrelenting and really emotionally devastating ... but in the best ways horror can be!
As soon as the movie starts revealing its evil side, it takes hold of you and doesn't let go.
All the actors portrayed their characters with emotional and realistic excellence, but Sally Hawkins was just unmatched. It's hard to really describe her performance without getting into spoiler territory, but she couldn't have done a better job at being so unnerving & emotionally powerful, both at the same time.
The cinematography was incredible, with heaps of little foreshadowing details sprinkled throughout the film. So many of the shots were precisely made to convey & ooze that feeling of uneasiness/dread, which just adds that extra layer to the film's atmosphere.
Speaking of the atmosphere, the Philippou brothers sure know how to pack a punch with their direction. While there is still a deeply emotional and brutal story at play here, the brothers don't mind having loose ends here and there & instead, they are more after that gut-wrenching, stomach-churning horror experience as a whole.
That brings me to the practical effects... Somehow, this film got a classification of only MA15+ in Australia, and that just baffles me in the best way possible.
After 'Talk To Me', I was expecting some pretty skin-crawling gore & practical effects, but boy oh boy, I wasn't expecting this.
This film just ramps up the violence on every level and is done so in a way that will have even the hardcore horror fans wincing, incredible stuff!
In all, this movie makes their debut film 'Talk To Me' come across as a fun horror movie to watch after 'Bring Her Back', just to wind down.
It's a slow burn descent into hell & by the end of the film, actually ends up being one of the more depressingly sad/emotional horror films I've seen in some time.
It will make you feel sick, sad & terrified, all at the same time.
Well done RackaRacka !
I'm a fan of the Philippou brothers' work on "Talk to Me". While that film had plenty of creepy imagery, it still felt more like a fun, popcorn-style horror experience. That's why I was genuinely excited to hear about "Bring Her Back"-these are the kinds of follow-ups where you really see what directors are made of.
"Bring Her Back" takes a more serious and artistic approach to horror than Talk to Me. The first 30 minutes are dedicated to character development, which felt a bit slow and could have been tighter in editing. However, once the story gains momentum, it really takes off.
Rather than relying on cheap jump scares, this film builds tension through atmosphere and unsettling imagery. It's beautifully shot, often disturbing, and the acting performances are excellent. Definitely worth seeing in theaters.
"Bring Her Back" takes a more serious and artistic approach to horror than Talk to Me. The first 30 minutes are dedicated to character development, which felt a bit slow and could have been tighter in editing. However, once the story gains momentum, it really takes off.
Rather than relying on cheap jump scares, this film builds tension through atmosphere and unsettling imagery. It's beautifully shot, often disturbing, and the acting performances are excellent. Definitely worth seeing in theaters.
I've just stepped out of 'Bring Her Back' preview, and I'm still trying to steady my heart rate. For me, it felt like watching early Ari Aster or the original 'Speak No Evil' - that same creeping dread, that slow-burn descent into absolute horror. So tense, so relentless, I genuinely forgot to breathe at points.
The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.
The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.
And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.
The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.
Definitely not disappointed.
The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.
The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.
And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.
The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.
Definitely not disappointed.
83/100
Bring Her Back is one of those rare horror films that hit both emotionally and technically. The story is intimate and unsettling, but it's the execution that makes it stand out.
First, Sally Hawkins delivers a phenomenal performance - raw, layered, and painfully real. She holds the entire film on her shoulders with such precision and emotion that it's honestly Oscar-worthy. I couldn't help but think of Hereditary (2018), where Toni Collette also gave a mind-blowing performance but was completely snubbed by the Academy. Let's hope history doesn't repeat itself.
Atmosphere is tense from the very first scene. The film masterfully builds dread without relying on cheap jump scares. The cinematography is elegant and intimate, often using close shots and cold tones to create a feeling of claustrophobia and grief. Sound design and music are subtle but deeply effective - at times you don't even notice them, but they're working in the background, crawling under your skin.
This is not just another horror flick. It's thoughtful, beautifully acted, and full of emotional weight. Highly recommended if you appreciate horror that respects your intelligence.
Bring Her Back is one of those rare horror films that hit both emotionally and technically. The story is intimate and unsettling, but it's the execution that makes it stand out.
First, Sally Hawkins delivers a phenomenal performance - raw, layered, and painfully real. She holds the entire film on her shoulders with such precision and emotion that it's honestly Oscar-worthy. I couldn't help but think of Hereditary (2018), where Toni Collette also gave a mind-blowing performance but was completely snubbed by the Academy. Let's hope history doesn't repeat itself.
Atmosphere is tense from the very first scene. The film masterfully builds dread without relying on cheap jump scares. The cinematography is elegant and intimate, often using close shots and cold tones to create a feeling of claustrophobia and grief. Sound design and music are subtle but deeply effective - at times you don't even notice them, but they're working in the background, crawling under your skin.
This is not just another horror flick. It's thoughtful, beautifully acted, and full of emotional weight. Highly recommended if you appreciate horror that respects your intelligence.
From the very first scenes, the film sets a heavy unsettling tone. From the beginning, the story doesn't really try to hide much I think you kind of understand where it's going early on. It's not particularly scary in the traditional sense, but it really messes with your nerves, and that's where the movie puts all its power.
It never really lands anywhere specific though...By the time the credits roll, you're left thinking, "All that... for nothing?". Not because it was a bad film, but because it left you with an emotional emptiness. It lingers in a sad, slightly disappointing way not from poor storytelling, but from how little it seemed to leave behind.
It never really lands anywhere specific though...By the time the credits roll, you're left thinking, "All that... for nothing?". Not because it was a bad film, but because it left you with an emotional emptiness. It lingers in a sad, slightly disappointing way not from poor storytelling, but from how little it seemed to leave behind.
Wusstest du schon
- WissenswertesSora Wong had "zero experience" acting professionally before she was cast in the film. Her mother came across a casting call on Facebook looking for a visually impaired girl. Wong was born with coloboma and microphthalmia, which left her blind in her left eye, with very weak vision in the right.
- PatzerWhen Wendy reads the news article about the missing Connor/Ollie, the URL in the browser's address bar reveals it is a local HTML file (file:///), not a real news website.
- SoundtracksSummer with You
Written by Billy Barratt, Cody Molko, Myla Tailor, Bruno Bentovim and Carolyn Stenwall
Performed by The Hunger
Published by Control (PRS)
Licensed courtesy of Empire Artist Management/+44 MGMT
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Details
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- Haz Que Regrese
- Drehorte
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Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 19.323.752 $
- Eröffnungswochenende in den USA und in Kanada
- 7.194.666 $
- 1. Juni 2025
- Weltweiter Bruttoertrag
- 39.123.752 $
- Laufzeit
- 1 Std. 44 Min.(104 min)
- Farbe
- Sound-Mix
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