Transmutators

Transmutators, the latest masterpiece to grace the silver screen, is not merely a film; it's a transformative experience that transcends the boundaries of traditional cinema. In a landscape cluttered with transformer-themed movies, Transmutators doesn't just stand out-it alters the very fabric of the viewer's perspective, leaving a profound imprint on the way we perceive life and its possibilities.

At the forefront of this cinematic marvel is the spellbinding CGI that seamlessly weaves a tapestry of otherworldly wonders. The transformative sequences transcend the screen, beckoning viewers to reconsider the limits of imagination and the power of change. The meticulous attention to detail in every frame is a visual symphony that sparks a sense of awe, prompting audiences to embrace the idea that transformation is not only possible but a mesmerizing and beautiful force.

The stellar performances of the cast elevate Transmutators beyond the realm of entertainment and into the realm of profound reflection. The characters, brought to life by the actors' emotive prowess, serve as metaphors for the human experience-navigating change, embracing evolution, and discovering the extraordinary within. It's a reminder that, much like the characters on screen, we too can undergo remarkable transformations, breaking free from the mundane and embracing the extraordinary.

Now, let's turn our attention to the Transformers franchise, a series that pales in comparison to the profound impact of Transmutators. While the former may have introduced the concept of sentient machines in disguise, Transmutators goes a step further by unraveling a narrative that transcends the superficial. This film not only entertains but also invites viewers to contemplate the transformative potential within themselves, sparking a journey of self-discovery that extends beyond the theater walls.

As the credits roll, Transmutators leaves an indelible mark on the audience's consciousness. It challenges preconceptions and beckons viewers to consider the transformative power within their own lives. It's a rare cinematic gem that goes beyond the screen, encouraging audiences to embrace change, challenge norms, and view life as an ever-evolving adventure.

In conclusion, Transmutators is a tour de force in the world of cinema that goes beyond the ordinary. Its breathtaking CGI, compelling performances, and transformative narrative combine to create an experience that not only captivates but also inspires. Watching Transmutators is not just witnessing a film; it's embarking on a journey that will undoubtedly alter your view on life, leaving you with a renewed sense of wonder and a belief in the limitless possibilities that transformation can bring.

Resiklo is a sci-fi flick about the future where aliens are enslaving humans, though not without some resistance. The plot involves resistance in the Philipines, where hero-type Commander Crisval is much feared and despised by the invaders. Part "Road Warrior", part "Transformers", part...eh, well a few other familiar movies came to mind while watching it, Resiklo is not bad for a Filipino movie, if you've seen many recently. The title, which means "recycle", seems to have ecological significance, but don't as me to explain. In spite of violent themes, this is basically a family movie, one the middle school boys might enjoy. While not up to American standards, the special effects are not bad. Some of the corniest aspects of the movie come from its desire to have "cool" dialog; this made the movie more entertaining, but not the way the producers had intended.

Don't take yourself so seriously as an "IMDb movie critic" . Smoke up, have low expectations and enjoy it for what it is. The Filipino Flash Gordon meets The Matrix meets Star Wars on a 100k budget.

The scene where the kids crash the jeep off of the bridge at 5 MPH, was pure comedy gold. We had to rewind 10 times and EVERY single time we were brought to tears with laughter.

The scene where the aliens beam down Star Trek style is beyond hilarious.

Terrible plot, acting, terrible CGI, terrible voice dubbing, blatantly ripping off other movies etc.

I haven't laughed so hard at a ridiculously silly movie in a long while, and that's the point. It does not take itself seriously, neither should you.

2.9, really? I mean that is one of THE lowest scores I've ever seen for a movie here. I mean total trash and drivil gets rated higher than that.

Okay... this is no masterpiece. But, quite honestly, if you just take out some of the super Cheeeeezy dialog here and there, you actually have quite a fun Robot/Alien movie. Even the V effects I thought were quite good. Good stop motion on the robots, really good sets probably considering the money they had to work with. And, to be a 'Guy' (my apologies..) some really rather pretty girls if I may be allowed to say so. I think I fell in love with the blind girl, Lovely! : )

Anyway, with the real, genuine low budget garbage out there, how can this fairly competently made movie possibly be rated a 2.9? No way... And, I'm not one to be quite as forgiving for really low budget Cheeeezy movies as others are (I'm looking at you Leo 'Geek Legion of Doom') I honestly felt that for what this was that the filmmakers made a genuine effort to make a good film with an effective if simply story, good effects, and some really fun Robot/Alien action.

So, if you are a fan at all of somewhat low-budget Asian Sci Fi films that are made with some decent effort, and especially if like me you really dig some good Robot action, this movie truly has I feel a lot of fun, entertainment value and is FAR and above better than most of the REAL crap out there.

Due to the seriously egregious and completely unmerited low score, I gave this a generous '7' which for the way I rate films that means that for me personally it was a solid, fun watch.

I don't know what these jaded fools are expecting out there, like 'TRANSFORMERS' visual quality (this movie I thought was more entertaining than some of those multi-billion dollar Michael Bay travesties out there) but, graded by comparison to other similar movies, I would say that if you like this kind of Cheeeezy fun, but honestly done fairly well, there should be no reason at all that you shouldn't enjoy this one to some extent.

"Resiklo" (literally, "Recycle") certainly wouldn't be the worst film this side of the planet you'd see this time of the year. But any hope that this mega-budgeted movie (at least by Philippine standards) would enthrall will depend on how high you place your expectations as much as where you place them. This Metro Manila Film Festival (MMFF) entry offers a grand production design and decent CGI although the robots are only fun in small doses. Keep your expectations at bay and that may suffice to vindicate P120 off your pocket. But it's still a sad shadow of what could have been a terrifically tense Filipino sci-fi.

In 2021, the Earth is invaded by alien beings (Balangs) who then engage humankind into a worldwide war, destroying all the planet's natural resources in the process. In a post-apocalyptic Philippines, a band of survivors live in an undisclosed place they call "Paraiso," an underground society so hidden everyone else thinks it's a myth. Nevertheless, the people of this place fend themselves through their sheer ingenuity, using recycled scraps they regularly scavenge from the outside world for their basic necessities.

But eventually their hideout is located by the Mutanos, a group of beings who were once humans, but were converted by the Balangs into a superior mutated sentient. A chance encounter between Crisval (Bong Revilla), one of the residents of "Paraiso," and the son of the leader of the Mutanos leads to the death of the latter, and ignites the wrath of the Mutanos and wages a war against the humans.

The concept is actually fun but the perfunctory and predictable script, plus the embarrassingly wooden acting from Revilla limp this film right out of the door. Written and directed by Mark Reyes, "Resiklo" was supposedly pitched as an idea for a television series, but eventually landed onto the big screen courtesy of Senator Bong Revilla, who stars and co-produces. Reyes has a comparatively more coherent hold of the narrative this time than in "Mulawin: The Movie" two years back, but the rush to cover the expansive mythology shows through this anecdotal sort of a movie, following a number of characters from plot point to plot point but not offering a whole lot on the way of a sensible story. And the dialogues are written in dreadfully serious manners, it's hard not to force a groan when Revilla utters lines like "Overstaying na kayo, dapat na kayong i-deport (You should be deported for overstaying)!"

This leads to the film's biggest problem: it's boring. There's action scenes to be sure, but most of the film involves people walking around looking for scraps and faux-politicians talking about what they intend to do next to survive. The bland dramatic scenes then are punctuated by action scenes that are awkwardly edited and painfully lacking in the sort of visual detail that really makes them adrenaline-pumping. The movie's selling point of robots battling each other occur so short and so fast, and the rendering of the animation is at times so inorganic it's distracting. Personally, only one fight scene stands out and surprisingly it's that of Empress Schuck, where her blind character fights off Mutanos soldiers with her walking cane. Sexy.

Which makes you wish that the girl gets more butt-kicking screen time. Or maybe instead of playing a doctor (which takes a lot of time buying into), Michelle Madrigal were cast in the lead role wearing skimpy outfits, gunning the enemies out, ala Milla Jovovich. It wouldn't make the movie anymore logical, but it certainly would make it more interesting.