IMDb-BEWERTUNG
4,9/10
12.876
IHRE BEWERTUNG
Eine Reporterin wacht in einem Leichenschauhaus auf und stellt fest, dass sie ein Mitglied der Untoten ist, bevor sie Rache an der Sekte schwört, die sie dorthin gebracht hat.Eine Reporterin wacht in einem Leichenschauhaus auf und stellt fest, dass sie ein Mitglied der Untoten ist, bevor sie Rache an der Sekte schwört, die sie dorthin gebracht hat.Eine Reporterin wacht in einem Leichenschauhaus auf und stellt fest, dass sie ein Mitglied der Untoten ist, bevor sie Rache an der Sekte schwört, die sie dorthin gebracht hat.
- Regie
- Drehbuch
- Hauptbesetzung
Christina Ahn
- Beth
- (as Christina Stacey)
Empfohlene Bewertungen
Note: these comments refer to the "unrated" 122 min. cut of the film.
Went into this DVD expecting the worst--lame horror/porn. What a surprise! It's not only good, it's one of the better of the genre over the last 10 years or so.
The vampires are never referred to as vampires, it's simply called a "condition". Typical mythology like mirrors, immortality, drinking human blood, arrow through the heart, and "daylight problems" still exist. But these creatures are not super human, their only true gift is immortality.
The characters are well designed around the actors who play them. Lucy Liu plays a reporter looking into "goth" cults and finding more than she bargained for. Her performance shows some nice range, especially during the early part of the story during her discovering the truth about herself. Michael Chiklis plays a tough, vengeful, hard drinking cop--a role he's perfected. Carla Gugino has a small role as the femme fatale (surprise, surprise) but gives us a taste of the human being behind the monster. And long time character actor Mako, in his last role:(, portrays a disturbing and charming familiar-like character who's part butler, part mentor. Even Robert Forster shows up for a cameo, I really wanted more of him in this film. The rest of the cast works well, no real turkeys here.
The plot is really the weakest link, a typical revenge thriller. But the out-of-sequence editing (the director's unrated version) is spot-on. And the production values are quite strong. Writer/director Sebastian Gutierrez, the guy who wrote "Snakes on a Plane", gives us cliché-ridden, hokey dialog and we forgive him for it because it's often tongue-in-cheek funny. The nudity/sex is downplayed, much less of it here than in the Underworld films. I prefer these less romanticized versions of vampires, they're creatures who take what they want--love never factors into it. All in all a good "graphic novel" type movie--with average substance but great style.
What sucks is that theatrical release was apparently poorly cut, and it performed badly at the box-office. So the nice set-up for a sequel is probably wasted.
So final verdict--7 out of 10. Better than Underworld 2 and Blade 3. Underworld and Blade 1 and 2 still trump it, however. A good rental for genre/Lucy Liu fans.
Went into this DVD expecting the worst--lame horror/porn. What a surprise! It's not only good, it's one of the better of the genre over the last 10 years or so.
The vampires are never referred to as vampires, it's simply called a "condition". Typical mythology like mirrors, immortality, drinking human blood, arrow through the heart, and "daylight problems" still exist. But these creatures are not super human, their only true gift is immortality.
The characters are well designed around the actors who play them. Lucy Liu plays a reporter looking into "goth" cults and finding more than she bargained for. Her performance shows some nice range, especially during the early part of the story during her discovering the truth about herself. Michael Chiklis plays a tough, vengeful, hard drinking cop--a role he's perfected. Carla Gugino has a small role as the femme fatale (surprise, surprise) but gives us a taste of the human being behind the monster. And long time character actor Mako, in his last role:(, portrays a disturbing and charming familiar-like character who's part butler, part mentor. Even Robert Forster shows up for a cameo, I really wanted more of him in this film. The rest of the cast works well, no real turkeys here.
The plot is really the weakest link, a typical revenge thriller. But the out-of-sequence editing (the director's unrated version) is spot-on. And the production values are quite strong. Writer/director Sebastian Gutierrez, the guy who wrote "Snakes on a Plane", gives us cliché-ridden, hokey dialog and we forgive him for it because it's often tongue-in-cheek funny. The nudity/sex is downplayed, much less of it here than in the Underworld films. I prefer these less romanticized versions of vampires, they're creatures who take what they want--love never factors into it. All in all a good "graphic novel" type movie--with average substance but great style.
What sucks is that theatrical release was apparently poorly cut, and it performed badly at the box-office. So the nice set-up for a sequel is probably wasted.
So final verdict--7 out of 10. Better than Underworld 2 and Blade 3. Underworld and Blade 1 and 2 still trump it, however. A good rental for genre/Lucy Liu fans.
Just got home from the Tribeca Film Festival premiere of Rise, and it exceeded by expectations a bit. Gutierez was there to introduce the film, and he said something along the lines of 'This movie was shot in 30 days with very little budget, John Toll did a great job with the cinematography, and I give you permission to laugh at cheesy lines even if they're not meant to be funny.' The main reason I went to see the film was that I'm a huge Michael Chiklis fan, and if you enjoy his role in 'The Shield,' you'll love him here. Lucy Liu carries out her role well...I wouldn't normally picture her in this kind of movie, but she actually was convincing even when lines were a bit cheesy (this is a vampire movie!). Gutierrez did a very good job with music selection to help build suspense, there's some scenes in pretty industrial settings that had a lot of the audience hiding behind their fingers.
The movie is a bit bloody and gory, though it certainly could have been more intense, it is not for the faint of heart. Editing and cinematography were great - John Toll, who was cinematographer for Vanilla Sky, The Thin Red Line, and Braveheart - obviously knows what he's doing, and he really contributes to the mood of the film.
All in all, if you're looking for a good scare with some funny lines, this will certainly do the trick.
The movie is a bit bloody and gory, though it certainly could have been more intense, it is not for the faint of heart. Editing and cinematography were great - John Toll, who was cinematographer for Vanilla Sky, The Thin Red Line, and Braveheart - obviously knows what he's doing, and he really contributes to the mood of the film.
All in all, if you're looking for a good scare with some funny lines, this will certainly do the trick.
Despite its unwieldy, off-putting title, Rise: Blood Hunter (aka simply Rise) isn't as terribly cheesy and disgusting as I imagined it would be. A reporter (Lucy Liu) wakes up in a morgue's body drawer and discovers she's been changed into a blood-seeking, human-chomping immortal, or something, and rather than gleefully embrace her new self she decides to track down the evil bastards who put her in that condition, making her a sort of avenging angel for all those who have been similarly wronged.
Sadie Blake (Liu) is a sexy, classy young lady who's just written a front-page story about teen goth clubs. One of her coworkers, the nerdy computer stereotype, tracks down a phone number that one of the teens handed to Sadie - turns out it's not a phone number but the first in a series of clues that leads to a website devoted to some weird bloodsucking cult. Sadie, of course, thinks the story's over and goes on a quickie vacation to Mexico with her sister, but when she returns, you guessed it, her coworker's dead. Sadie follows clues like a good little Nancy Drew and winds up getting kidnapped (several times) and killed (several times), all to figure out who or what's behind everything.
The story jumps around a lot, flouting the conventions of time as we know them; things simply don't happen in the exact order we'd expect them to, which clouds Sadie's motives and intentions quite a bit. Is she good? Is she even human? After all, once she's been attacked by the vampire people, she's not exactly the picture of health, and she's gotta eat to survive. Is her ultimate goal of revenge enough to offset the unpleasant facts? It helps that there's a typically hissable bad guy, Bishop (James D'Arcy). He's eternal, of course, and he kills and mutilates and rapes for the sheer joy of it. There are no moral or ethical quandaries with this guy. Plus he has an effete, brandy-swilling British accent, making all the more unctuous and slimy. (Well, he's slimy also because he's often covered in someone's blood.) Now, granted, this isn't a pleasant, sedate movie to watch. It's full of gore and guts, although not so much as, say, a movie like Saw or Hostel. It's still not for the weak of stomach. You might remember how, in Kill Bill, The Bride traveled all over to wipe out those who'd wronged her - but the film didn't show us this in the order in which each avenging occurred, did it? So you'd see Uma Thurman wander over to Viveca Fox's house not knowing if she'd already visited Lucy Liu. Well, you would know, of course, if you picked up on the subtle hints, and that's exactly how it is here. At one point, Sadie runs into alcoholic, world-weary cop-with-a-conscience-and-a-cause Clyde Rawlins (a fantastic Michael Chiklis) and mutters something about having seen him before. And if you watch the movie closely, you see exactly where. It's as if there are no coincidences in the movie, and I think that works in its favor.
Still, it IS just a revenge flick, albeit one with vampires and a kick-ass crossbow. Liu is very, very good - she's not the screaming, hands-in-the-air type of heroine, but she's also not the balls-out gut-stomping Lara Croft type, either. Remember, Lucy Liu is petite; she doesn't automatically have this intimidating screen presence, so she uses what she has and makes the most of it. In her case, I'd have to say it's her eyes, flashing terror or courage in.... well, in the blink of an eye.
So despite some predictability, the movie does work, thanks to Liu and the novelty of the disjointed sequencing. There are quite a few chills, and the plot doesn't stray too far from its main revenge thread, thus simplifying matters.
Sadie Blake (Liu) is a sexy, classy young lady who's just written a front-page story about teen goth clubs. One of her coworkers, the nerdy computer stereotype, tracks down a phone number that one of the teens handed to Sadie - turns out it's not a phone number but the first in a series of clues that leads to a website devoted to some weird bloodsucking cult. Sadie, of course, thinks the story's over and goes on a quickie vacation to Mexico with her sister, but when she returns, you guessed it, her coworker's dead. Sadie follows clues like a good little Nancy Drew and winds up getting kidnapped (several times) and killed (several times), all to figure out who or what's behind everything.
The story jumps around a lot, flouting the conventions of time as we know them; things simply don't happen in the exact order we'd expect them to, which clouds Sadie's motives and intentions quite a bit. Is she good? Is she even human? After all, once she's been attacked by the vampire people, she's not exactly the picture of health, and she's gotta eat to survive. Is her ultimate goal of revenge enough to offset the unpleasant facts? It helps that there's a typically hissable bad guy, Bishop (James D'Arcy). He's eternal, of course, and he kills and mutilates and rapes for the sheer joy of it. There are no moral or ethical quandaries with this guy. Plus he has an effete, brandy-swilling British accent, making all the more unctuous and slimy. (Well, he's slimy also because he's often covered in someone's blood.) Now, granted, this isn't a pleasant, sedate movie to watch. It's full of gore and guts, although not so much as, say, a movie like Saw or Hostel. It's still not for the weak of stomach. You might remember how, in Kill Bill, The Bride traveled all over to wipe out those who'd wronged her - but the film didn't show us this in the order in which each avenging occurred, did it? So you'd see Uma Thurman wander over to Viveca Fox's house not knowing if she'd already visited Lucy Liu. Well, you would know, of course, if you picked up on the subtle hints, and that's exactly how it is here. At one point, Sadie runs into alcoholic, world-weary cop-with-a-conscience-and-a-cause Clyde Rawlins (a fantastic Michael Chiklis) and mutters something about having seen him before. And if you watch the movie closely, you see exactly where. It's as if there are no coincidences in the movie, and I think that works in its favor.
Still, it IS just a revenge flick, albeit one with vampires and a kick-ass crossbow. Liu is very, very good - she's not the screaming, hands-in-the-air type of heroine, but she's also not the balls-out gut-stomping Lara Croft type, either. Remember, Lucy Liu is petite; she doesn't automatically have this intimidating screen presence, so she uses what she has and makes the most of it. In her case, I'd have to say it's her eyes, flashing terror or courage in.... well, in the blink of an eye.
So despite some predictability, the movie does work, thanks to Liu and the novelty of the disjointed sequencing. There are quite a few chills, and the plot doesn't stray too far from its main revenge thread, thus simplifying matters.
It was a vampire flick with a lot of different views on vampires... Lucy Lui was obviously gorgeous in it. The acting was good. But what disappointed me so was the lack of story. Yeah there is a "back story" and a "revenge story" but no... "STORY". You know? They don't explain Sadie Blakes (Lucy Lui's character) job, they don't explain their new definition of vampire, the flash backs are randomly in and out so you don't know which side is up. Its a nice kick back film, but nothing to get excited about. I'm hoping there's a part two to explain all of that stuff... oh and the dude from the Shield, he did a very good job in his role. But again... no plot OR character development.
The snoopy reporter Sadie Blake (Lucy Liu) is called by her nerd colleague Ethan Mills (Kevin Wheatley) that has deciphered a code and found an address in Koreatown from information of the Goth Tricia Rawlins (Margo Harshman) about a bloody cult. Sadie does not give attention to Ethan, but when she sees on the front page of the news that Tricia has been found dead in a dumpster in Koreatown, she decides to visit the address. She finds an abandoned house with a gruesome basement full of blood and she immediately drives to Ethan's apartment. She finds the place in a complete mess and is abducted by a stranger and taken to Bishop (James D'Arcy), who wants to know what Tricia has told her. Then, Bishop and his mate Eve (Carla Gugino) kill Sadie and they have a necrophilic threesome with her body. Later, Sadie awakes in the freezer of the morgue and sooner she realizes that she is a vampire and promises revenge to her sire.
The low-paced "Rise" is a different vampire movie, with sex, blood and naked women. The screenplay discloses the plot in a non-linear chronology, but there is no unexpected twist or any part difficult to be understood. I expected some surprise regarding Sadie's savior Arturo, but this character has been completely forgotten after his short but important participation. The end gives a hint to a possible sequel and in this case and if Eve told the truth to Sadie, Arturo might have an important role replacing the evil Bishop as the leader of the cult that worships sex and blood as the greatest pleasures of mankind. I have never seen Lucy Liu undressing so many times like in "Rise", but the nudity situations are not free exploitation, being suitable to the context of the sexy story. My vote is seven.
Title (Brazil): "Rise"
The low-paced "Rise" is a different vampire movie, with sex, blood and naked women. The screenplay discloses the plot in a non-linear chronology, but there is no unexpected twist or any part difficult to be understood. I expected some surprise regarding Sadie's savior Arturo, but this character has been completely forgotten after his short but important participation. The end gives a hint to a possible sequel and in this case and if Eve told the truth to Sadie, Arturo might have an important role replacing the evil Bishop as the leader of the cult that worships sex and blood as the greatest pleasures of mankind. I have never seen Lucy Liu undressing so many times like in "Rise", but the nudity situations are not free exploitation, being suitable to the context of the sexy story. My vote is seven.
Title (Brazil): "Rise"
Wusstest du schon
- WissenswertesThis was Mako's last live action film. Teenage Mutant Ninja Turtles (2007) used recorded dialog Mako had performed making it a voiceover role.
- Patzer(at around 43 mins) When the detective is first shown placing photographs on his wall, there's already a picture of Harrison's bloody wheelchair wheel at the top. However, that crime scene is not discovered until several minutes later.
- Zitate
Sadie Blake: Death is different now
- Crazy CreditsThe persons portrayed in this motion picture are not intended to portray or represent any particular individual at LA Weekly.
- Alternative VersionenThe film was released in two versions: an R-rated version running 98 minutes and an unrated (completely reedited) version running 122 minutes.
- SoundtracksKeMo Thera-P
Written by Jonathan Hylander, Raymond Gurrola, Sean Johnson and Joseph Hylander
Performed by E>K>U>K
Published by JWCT Songs (BMI)
Courtesy of Pulse Recording
by arrangement with format
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Rise
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 114.306 $
- Eröffnungswochenende in den USA und in Kanada
- 59.371 $
- 3. Juni 2007
- Weltweiter Bruttoertrag
- 2.850.927 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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