La Zona

OK. So I just saw La Zona @ SFIFF, and I must say... BRAVO!! Another big success for Mexican cinema, and well earned indeed. Rodrigo Pla's first feature delivers a harsh social and political critique about Mexican social classes and fundamental morality within a gripping and thrilling narrative.

As another Mexican film about social contrasts, I must say, it proves originality. La Zona (or The Zone) delves further into character development and the consequences of moral judgment. Pla's film remains interesting because it touches upon a broader universal theme: the human struggle to choose between right and wrong. With an engaging narrative, inventive setting and well developed character arcs, La Zona gets its point across, and makes us think…

This film delivers recurring themes in Mexican cinema but with a much fresher and more creative perspective, not to mention exciting…

Much 'props' to Villanueva's enthralling cinematography and to Zaragoza's performance as the chief of police…

8 out of 10. I really liked it.

In Mexico City, a wealthy compound is surrounded by walls and surveillance system to protect the locals against the violence of the slums. During a stormy night, a billboard falls over the wall and three smalltime thieves cross the border through the breach to rob. They break into a house and kill an old lady; the residents organize militias to chase the delinquents. Two of them and one security guard are murdered by the vigilantes, but the sixteen year old Miguel (Alan Chávez) hides in the basement of the teenager Alejandro (Daniel Tovar). When Alejandro finds Miguel, he feeds and helps the boy, but it is impossible to escape from the Zone.

"La Zone" reflects the life in a Third World big city, where the afraid middle-class lives in houses, compounds and buildings surrounded and under siege of slums and protected by walls, fences and gates. Further, it shows the corruption in the police, where the work of an honest policeman is affected by the general corruption. This drama unravels how dangerous might be the principle of an eye for en eye and when common people becomes vigilantes. The performances are very realistic, giving a total credibility to the plot. The DVD released by the Brazilian distributor Dreamland Filmes has a problem and for accessing the last chapter, the viewer needs to go to "Scene Selection" in the Menu, otherwise the DVD stops. My vote is seven.

Title (Brazil): "Zona do Crime" ("Zone of the Crime")

In any large city of Latin America or the rest of the third world, wealth and poverty coexist side by side, not uncommonly separated by just a thin high wall. In typical fashion the rich appropriate the bulk of the country's wealth, a few of the poor reclaim a tiny portion back through robbery and muggings, and the rich react in turn by protecting themselves and even striking back. It's low intensity class warfare.

La Zona is an enclave, a walled-city with massive iron gates, widely scattered security cameras and around-the-clock monitoring. It's the modern equivalent of the medieval castle. Laying siege is a slum, where live the nemeses of the inhabitants of La Zona. They have come to this enclave out of fear, for protection against further assaults, to enjoy the good life in a secure haven. Many are angry. Some have been victims. Some are vengeful.

The story begins when, during a storm, the wall is breached and electrical power is lost. A threesome from the slum takes advantage to penetrate the enclave and steal a few things. The temporary invasion does not go well. Shots are exchanged. People die. That event sets the wheels of the thriller in motion.

The typical characters are present. The honest police investigator whose work is subverted by a corrupt police department. The good bad-guy, the bad bad-guy, the good good-guy and the bad good-guy. They are all there, some in multiple copies. It's formulaic, but effective.

I really like. It's really one of the most ambitious films I've seen this year. The final scenes were so beautiful. The characters had clichés, but the others were more prominent. It was a very different thriller. It was one of those rare films that even a criminal could be innocent of and could be on his side. The insides exposed a painful world. It's an impressive and beautiful film. I definitely recommend it.

Thrilling and thoughtful film dealing with a rich compound besieged by walls and security electric system to guard the inhabitants agains the violent exterior characterized by poorness , chaos and misery . Set in Mexico D.F. , when a billboard falls on the wall it creates a breach in which three tiny delinquents enter into the enclosed neighborhood .But it results to be a location that is impossible to getaway and they find caught-up in the wrong place and the wrong time ; then things go awry for the three unfortunate crooks . The residents turned Vigilantes to be aware the enemy invasion and relentlessly pursue the small time thieves .

A stirring and violent film that delves the real confrontation between social classes shocked by crimes and misdemeanors: The upper class and the lower class , as well as the police corruption and many other things . It shows the dark atmosphere of paranoia , tyranny , and mass hysteria of the wealthy people surrounded by strict surveillance system to protect against the poor slums and even organizing militias , acting as judges , juries and executioners . There are good acting by a decent cast , such as Daniel Gimenez Cacho as a council member who takes law on his own hands , Maribel Verdu as a mother who attempts help and guard his son , Carlos Bardem as a violen neighbour , as well as the veteran Blanca Guerra . Special mention for the newcomer duo teen : Chavez as the escaped boy hiding within the neighborhood's borders , at a basement , and Daniel Tovar as Alejandro , the good teen who brings him food and a pair of trainers and he tapes his story on his videocamara .

It contains an atmospheric and adequate cinematography by Emilio Villanueva . And an evocative and intriguing musical score by Fernando Velazquez who has composed a lot of successful soundtracks with such international hits as The impossible, A monster calls , The orphanage, Crimson Peak , Gernika and The invisible guardian .Compellingly produced by Mexican/Spanish prducers as Alvaro Longoria , Pilar Benito , Rafel Cuervo , Ricardo Fernandez and Rodrigo Pla himself .The motion picture was well written, produced and directed by Rodrigo Pla. He is a fine craftsman who has directed nice shorts and full feature films as Desierto Adentro , A monster with a thousand heads and La demora .