Definition Please

Adult movies about spelling bees - one had to arrive in a format that made it accessible and visible outside the current dominant demographic of the Scripps National Spelling Bee. Renaming it the "Scribbs" event didn't even fool this Caucasian Australian.

First of all, don't be fooled into thinking this is a kid's film just because it opens with our Scribbs National Champ on her victorious media tour, including a starring turn standing next to Levar Burton (Australian Trekkies have been denied regular access to Levar's reading & educational career post TNG). The adult orientation kicks in pretty quick.

The story of someone who had super-early super-success - essentially peaking before they turn 10 - is familiar to quite a few of us. Definition Please works through the strain this kind of prodigious early start places not only on the performer, but also in those close to them. Mixing in family crises with the ongoing search for self-acceptance makes this a film that is entirely relatable, even if you've never been past the local rounds of a school spelling/maths/writing/poetry/art/music (anything but sport, essentially) competition.

It's a film for us oddballs, use weirdos who ran for school council, went to those regional education seminars, had meetings with the school principal that didn't involve your parents *nor* discipline.

I often wonder how shows like this are funded and so many great concepts slip through the cracks. The answer is being connected btw.. This is actually about how an LA privileged writer wants the audience to feel bad for her.

This scapes the bottom of the barrel comedy and poor story telling. Somehow worse then "never have I ever" I guess this is what gen z wants? Forced diversity with no real depth.

As "Definition Please" (2020 release; 91 min.) opens, we are at the 2005 Scripps National Spelling Bee, where 8 yr old Monica wins it all. In a subsequent 'victory your', Monica appears on the "Learning with LeVar" TV show (that would be LeVar Burton of course). We then switch to today, and Monica, now a 20-something yr old, is caring for her ailing mother. Then out of the blue, her brother Sonny returns home for a one week stay in connection with an anniversary remembrance of some sort for their dad. Can the siblings overcome their strained relationship for their mom's sake?

Couple of comments: this film is a labor of love from Sujata Day, best known for her recurring role on the HBO series "Insecure". Day not only wrote, produced and stars in this, but for good measure she also makes her directing debut. The movie reflects on the underlying tensions between Monica and Sonny, while also assessing their status as second generation immigrants from India. The movie is billed as a comedy-drama, but alas I am sorry to report that there isn't much of either: not a lot of laughs, not a lot of drama either. On top of all that, the movie suffers in comparison to another recent release, "Donkeyhead", which delves into very similar (if not outright the same) issues but in a much stronger and compelling way. It's not that "Definition Please" isn't good. It's okay, but just okay, in my book. That aside, I do extend a hearty kudos to Sujata Day, who pours her heart and soul into this release, filmed on a microscopic budget.

"Definition Please" premiered on the film festivalcircuit in 2020 and then pretty much disappeared. The movie has been given new life when Netflix picked it up and started streaming it this past weekend (and where I caught it). If you are in the mood for a siblings relationship comedy-drama, I'd readily suggest you check out "Definition Please" as well as "Donkeyhead" (both now on Netflix), and draw your own conclusion.

This a low budget film that deals with the dynamics of a Desi family. It's slow moving and coupled with terrible acting, fails to engage. It will probably find a niche among its intended target Desi audience.

Was pleasantly surprised with this film. Although it was certainly made on a budget and no one is going to get a best actor award here, I enjoyed the story, characters, and the brief look into the second generation Indian family dynamic. It could have gone more into the aspects of abuse and depression, but the intent here is definitely more on the lighthearted side. Nevertheless I would call this a solid watch due to a good story, likeable characters, and a fun script.