Five Dollars a Day

Flynn Parker (Alessandro Nivola) thought he had broken free from his past. You see, his conman father, Nat (Christopher Walken) was always hustling and stretching the truth, causing a chaotic childhood. It finally resulted in Flynn taking the fall on one particular scheme and going to prison. For the past few years, Flynn has been living in the Los Angeles area and working as a health inspector. Unfortunately, the boss has just now gotten word of Flynn's criminal past and he is fired. To add insult to injury, Flynn's girlfriend, Maggie (Amanda Peet) has also moved out of their apartment, because of her boyfriend's failure to open up about his past to her. So, into this fine kettle comes word that Nat wants to see Flynn and asks him to fly to Atlantic City. Having no other job prospects at the moment, Flynn makes the journey. But, when he arrives, his dad tells him that he is dying from cancer. Not only that, he wants Flynn to drive him to Mexico for some experimental treatment and promises that it won't cost more than $5 a day in traveling expenses. This is because he has been given the use of a car, a pink beetle, with a sign for "Sweet and Low" sugar substitute. He also has a deal with Ihop for free meals and friends to stay with, like Dolores (Sharon Stone), along the way. If there aren't any pals, they can bunk in empty houses with "for sale" signs in the yard! Ha! Very reluctantly, Flynn agrees to go. At first, a reconciliation between the two men seems possible. But, can Flynn really trust that his father is telling the truth? As they journey, Flynn calls Maggie's answering machine and leaves messages that reveal more and more of the person he really is. Will they stay a couple, too? This truly enjoyable and sometimes tender film is just great for film fans looking for a change of pace. Nivola, so handsome, does a great job as the conflicted Flynn while Walken delivers another fine turn as the aging huckster. Stone's role is small but lively while Peet displays a fine sensitivity with a minimum of lines. Other cast members are good, too. As one might expect, the changing scenery across the United States is very lovely while costumes, photography, script and direction are quite up to snuff. In short, even if you must pay five bucks for a movie rental, this one has hidden treasures.

The lame pun in my title is a reference to the menu at IHOP where you get a free meal on your birthday, or, as we learn in the movie, where you get a free meal if you show them a convincing fake ID that says it's your birthday.

"$5 a Day" is a cute road movie about a father & son pair of small time con artists who live on $5 a day by committing various harmless scams on their way from Atlantic City, NJ to New Mexico. Their goal is get the father (Walken) to an alternative treatment center because he says he's dying.

It's a standard road movie but with some interesting twists. The big gimmick, of course, is the fun way they scam their way across the USA, much to the straight-laced son's irritation. But his pop is Christopher Walken, and hey who can argue with that. It's definitely Walken's characteristic charm that carries this flick, but there's also a certain sensitivity that gives it a unique flavor which you might not expect from a bro road movie. In the DVD bonus interviews, director Nigel Cole says he really wanted to explore the unspoken emotional side in men, especially an estranged father-son pair who have a barrier of resentment between them. It's the gradual breaking of that barrier that becomes the focus of the story.

Sharon Stone, though featured prominently on the posters and DVD cover, only has a few scenes. But her time on screen is fantastic as she plays a very memorable character, a con artist herself.

Like any good road movie, the story is episodic, with characters entering and exiting never to be seen again. At the same time, secrets from the past reveal themselves and what had initially seemed like a random adventure starts to take shape as an interesting goal-oriented plan.

"$5 a Day" is an entertaining film with a lot of fun moments and of course great acting all around. My only criticism is that it mostly plays it safe (perhaps deliberately) so it's not as edgy as it could be, given the subject matter. But maybe that's what you're looking for: a charming little flick about penny-ante criminals making their way across the country.

I would compare the feel of this movie to "The Open Road" (with Jeff Bridges & Justin Timberlake playing the reluctant father-son travel buddies) or mabye "About Schmidt" (with Jack Nicholson as the retiree going cross country to find his estranged daughter). These are all well-made, sentimental stories that focus on reconnecting with our past and putting demons to rest.

If the late 2000s are the new 1930s then this is the perfect movie. In a time of recession we need Christopher Walken's optimistic, unrealistic, opportunistic grifter...

This was a real surprise - and a very pleasant one. I was expecting deep and sorrowful, but got hilarious, thoughtful, and even belly laughs - and enough grifts to make me wonder how or why we pay for anything anymore.

By turns honest, hilarious, outrageous, and moving this is all wrapped up in a lowball low-fi package that smacks of good indie roots.

Definitely one of my favorite movies of the year. Walken's gives a masterclass in comic timing, and Alessandro Nivola is a great straight man as the son who never could. And some great cameos. This is at times snort your milk through your nose funny, at others tragic: but it is not buffoonish in your face slapstick and even better for it.

All in all a really great little road movie that constantly sparkles with fresh ideas and little touches of originality that puts most movies to shame - I hope the Dobrofkys have got another 20 scripts like this - they deserve awards for the writing - a wonderful mix and they deserve lots of work on the basis of this.

And if I'm raving it's because it deserves it - it stands out from the crowd by a mile: fresh, witty, sincere, slightly surreal and oddball, and by the end, exemplary.

Get to see, you'll be glad you did.

there isn't really much to say about this movie. the other reviewers have said about all that can be said. BUT i do not understand nor agree with the more negative reviews.

this story is nicely told and at times very funny and thoughtful. there are implausible and plausible situations these two cross country travelers find themselves or rather 'get' themselves into. the dialog and character development are adequate and easy to follow. in other words it's an easy light hearted story that is strictly for entertaining you. not deep thinking or symbolism.

this is an excellent choice for easy entertainment and having a few laffs along the way! give it a look - you'll like it.

"$5 a Day" is a father-son road trip movie. You may think you've seen that done way too many times before, but it plays out as if it's completely original. This is, quite simply, one of the best indie films ever. It may not be completely independent as it does have an all-star cast behind it.

The handsome and completely endearing Alessandro Nivola is Flynn, the son, who is just trying to live a normal life. Christopher Walken, still on top of his game, is Nat, the father, who schemes and lies his way into living and travelling on just 5 dollars a day. After Flynn loses his job and Nat insists he's dying, Flynn agrees to drive his father across the country for treatment. There are plenty of hilarious cons and schemes, but also some touching honesty, along the way.

"$5 a Day" is a fantastic dramedy. It is billed as a comedy and it does have some low-key humour and many laughs. But by just calling it a comedy, that doesn't seem to give the film full credit for the brilliant character writing. There is a lot of intelligent undertones in the actions of the characters as they each mature in the journey. And the writer did that with subtlety and humour, no melodrama here.

This film was done better than I ever thought a relationship road trip movie could be done. I laughed all of the way, just enjoying the characters, and I didn't find all of the subtle lessons on relationships until after it was over. Walken and Nivola had great chemistry and completely won me over. I now expect them to play father and son in all of their future movies.