Ort der Wahrheit

i could count the other movies this flick ripped off as it went along, which was really interesting. but that was about all that was interesting. this didn't really keep my attention, perhaps because i really had seen it all before. keifer sutherland is pretty believable as a psychotic criminal, but the cliche of that character keeps me from really getting into it.

As the film starts out, you see a prison and its horrible conditions and you wonder why anyone decides this is a good place to serve time in for 20 or 50 long years and more! A convict is being released and you can see he is very happy to have served his time and a nice sexy girlfriend is waiting outside the prison walls in a nice car to pick him up and hopefully start a new and better way of life. This convict no sooner gets out jail and he meets up with Kiefer Sutherland, (Curtis Freley), who is a very wild and Soul lacking human being who will stop at nothing to put your Lights Out for GOOD ! The entire picture takes you from one car to another car and they also hold a guy and his girl hostage and take them all over the country and of course, they are heading for New Mexico. Great film, with good acting and entertaining from beginning to end.

Much-maligned Keifer Sutherland's career has taken a relative nose-dive since the heady days of his Brat-pack success in Lost Boys and Young Guns. But, here he proves to be a surprise hit behind the camera, co-starring in and directing this well paced and exciting outlaw drama. Brad Mirman's plot keeps the action moving, presents twists at every corner and establishes engaging characters. The real key is both Sutherland's own frenetic performance, his directing style and the chemistry between Kim Dickens and the superb Vincent Gallo. A rare treat, with characters you can root for from the very start. Has a great little soundtrack too!

Somewhat underrated, if derivative, this first time Directorial effort from the slightly off-center Actor, who will, for at least the foreseeable future be associated with the extremely popular TV Series 24, is a not that bad Crime/Road Movie.

There are some glaring ineffectiveness here and there, mostly coming from the badly written Pulpy Dialog. Some of the Pop Culture references and the extended talky Scenes come off as embarrassing rather than insightful. The "Stockholm Syndrome" element is also played out with some unbelievable and forced developments.

But there are some interesting Characters, the least of which is the DEA infiltrator overacted and annoying, that are engaging enough. The Violence is gritty if over stylized, and is attractive Action Movie stuff with guns blazing and squibs squibbing.

Another weakness is the God-Awful Music, from the sappy slow Ballads to the Road Music, it is badly selected and intrusive. Overall though, this delivers enough Gangster stuff to be Entertaining and should have a more accepting approval than it does from Critics and intolerable nit-pickers.

Bonnie and Clyde. Now there was a classic. That movie was as much a classic as a cult movie as a ground-breaker. Over the years, we have seen many different "versions" of this movie, the best one probably being Thelma & Louise (1991). But after seeing Truth Or Consequences, N.M., I'd say this is the movie that resembles the most this masterpiece.

Donald Sutherland. Now there is a great actor. Probably one of the best living actors in today's movie industry. His small roles in A Time To Kill (1996) and JFK (1991) are just as mesmerising as his big roles like in The Assignment (1997). If you were to ask me "Who do you think will be the next Donald Sutherland?", I would have to say "No one". But after seeing Truth Or Consequences, N.M., I'd say Kiefer Sutherland could become as great an actor as his father is.

As for a great director, well, that doesn't seem to be a problem in Hollywood right for many young directors are developing themselves into great ones and many of the older great directors are still around and while not necessarily becoming one of the greatest directors in the industry, Kiefer Sutherland seems to have as much of an acting talent as of a directing talent.

The movie's story seems very simple and in a way it is. A drug deal gone awry leaves about six dead people including five cops and four young people on the run from the law. But as the movie develops, so does the story. Hostages, undercover cop, drug lords, pregnancy, the Mob, and life on the road all mix together into this delightful mixture of love and guns.

In 1967's Bonnie & Clyde, Warren Beatty was a criminal at the beginning of the movie and always wanted to rob and unfortunately killed people. In 1991's Thelma & Louise, the two women had gone on a vacation with no intention to become criminals but unfortunately were dragged into that world by a murder involving a would-be rapist. In Truth Or Consequences, N.M., only Kiefer Sutherland's character starts off as a crazy maniac with the intention of killing people and this is why this movie differs from the two others. What lead these people to be criminals is an internal action, an action caused by Kiefer Sutehrland's character, an action that could have been avoided contrarily to those of Bonnie & Clyde and Thelma & Louise.

Equally good in the movie are Vincent Gallo and Mykelti Williamson. Gallo plays the head of the gang, a man with a conscience who has no desire in killing people and whose only goal is to go down to Mexico with his girlfriend (Kim Dickens)and get married. Williamson has the hardest role of the movie as an undercover drug enforcement agent and must change the way he acts and talks in presence of Vincent Gallo, Kiefer Sutherland, and Kim Dickens. The cast also includes two very small roles, one for Rod Steiger and the other for Martin Sheen who are both in top shape. But the movie belongs to the four young people on the run who act out the movie to perfection.