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A Serious Man

  • 2009
  • 12
  • 1 Std. 46 Min.
IMDb-BEWERTUNG
7,0/10
154.699
IHRE BEWERTUNG
BELIEBTHEIT
1.105
2.165
Michael Stuhlbarg in A Serious Man (2009)
A black comedy set in 1967 and centered on on Larry Gopnik (Stuhlbarg), a Midwestern professor who watches his life unravel when his wife prepares to leave him because his inept brother (Kind) won't move out of the house.
trailer wiedergeben1:41
8 Videos
99+ Fotos
Dark ComedyPeriod DramaPsychological DramaQuirky ComedyTragedyComedyDrama

Larry Gopnik, ein Physiklehrer aus dem Mittleren Westen, sieht zu, wie sein Leben aufgrund mehrerer plötzlicher Vorfälle aus den Fugen gerät. Obwohl er dem ganzen Chaos einen Sinn und Antwor... Alles lesenLarry Gopnik, ein Physiklehrer aus dem Mittleren Westen, sieht zu, wie sein Leben aufgrund mehrerer plötzlicher Vorfälle aus den Fugen gerät. Obwohl er dem ganzen Chaos einen Sinn und Antworten abzugewinnen versucht, sinkt er immer tiefer.Larry Gopnik, ein Physiklehrer aus dem Mittleren Westen, sieht zu, wie sein Leben aufgrund mehrerer plötzlicher Vorfälle aus den Fugen gerät. Obwohl er dem ganzen Chaos einen Sinn und Antworten abzugewinnen versucht, sinkt er immer tiefer.

  • Regie
    • Ethan Coen
    • Joel Coen
  • Drehbuch
    • Joel Coen
    • Ethan Coen
  • Hauptbesetzung
    • Michael Stuhlbarg
    • Richard Kind
    • Sari Lennick
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    154.699
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.105
    2.165
    • Regie
      • Ethan Coen
      • Joel Coen
    • Drehbuch
      • Joel Coen
      • Ethan Coen
    • Hauptbesetzung
      • Michael Stuhlbarg
      • Richard Kind
      • Sari Lennick
    • 438Benutzerrezensionen
    • 325Kritische Rezensionen
    • 88Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 2 Oscars nominiert
      • 17 Gewinne & 80 Nominierungen insgesamt

    Videos8

    A Serious Man -- Trailer #1
    Trailer 1:41
    A Serious Man -- Trailer #1
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers
    "Living Arrangements" from A Serious Man
    Clip 0:44
    "Living Arrangements" from A Serious Man
    "I Tried to Be a Serious Man" from A Serious Man
    Clip 0:58
    "I Tried to Be a Serious Man" from A Serious Man
    A Serious Man
    Interview 0:46
    A Serious Man
    A Serious Man
    Interview 0:27
    A Serious Man

    Fotos120

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 114
    Poster ansehen

    Topbesetzung76

    Ändern
    Michael Stuhlbarg
    Michael Stuhlbarg
    • Larry Gopnik
    Richard Kind
    Richard Kind
    • Uncle Arthur
    Sari Lennick
    Sari Lennick
    • Judith Gopnik
    Fred Melamed
    Fred Melamed
    • Sy Ableman
    Aaron Wolff
    Aaron Wolff
    • Danny Gopnik
    Jessica McManus
    • Sarah Gopnik
    Peter Breitmayer
    Peter Breitmayer
    • Mr. Brandt
    Brent Braunschweig
    • Mitch Brandt
    David Kang
    • Clive Park
    Benjamin Portnoe
    • Danny's Reefer Buddy
    Jack Swiler
    • Boy on Bus
    Andrew S. Lentz
    • Cursing Boy on Bus
    Jon Kaminski Jr.
    • Mike Fagle
    Ari Hoptman
    • Arlen Finkle
    Alan Mandell
    • Rabbi Marshak
    Amy Landecker
    Amy Landecker
    • Mrs. Samsky
    George Wyner
    George Wyner
    • Rabbi Nachtner
    Michael Tezla
    • Dr. Sussman
    • Regie
      • Ethan Coen
      • Joel Coen
    • Drehbuch
      • Joel Coen
      • Ethan Coen
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen438

    7,0154.6K
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    Empfohlene Bewertungen

    6Koma-Mo

    Parts are interesting, but definitely one of the Coen's best.

    As much as I love the Coen Brothers, they do have movies that end up being a miss. Here is a movie that is heavily influenced by the Jewish culture, to the point that I know that the scene was intended to be funny, but I end up being confused and just didn't get it. This film felt like I was sitting in a bar talking to someone who is full of energy and charismatic, but only told in-jokes.

    The most entertainment that I got was watching Larry, played by Michael Stulbarg, go through a lot of mishaps and unfortunate events. I wondered what will happen to him and if things will work out for him in the end. At the same time though, I do have to admit that the overall plot is rather weak. There is literally something that happens at the beginning of the movie that has no meaning whatsoever. It was interesting to watch, but none of what was shown connected to the whole film. You have a very simple story, but how it was paced and how it went from one scene to another worked at times, but didn't with others.

    I know the theme revolving around this story, but the pacing was slow at times and there were moments where nothing happened, in which I couldn't help but find myself a little bored. The main character lacks any backbone to stand up, so when you see him get pushed around, it might annoy some people. However, I did like how it ended as it's an ending that only the Coen Brothers can think of.

    The main standout of the film was Michael Stulbarg as he provided the humor with great reactions and as some may find him annoying, he is able to make the character sympathetic enough to the point that you wish that the guy would catch a break. I did like the rest of the cast and thought they were just fine. They all did what was necessary and were able to provide the humor without any trouble. No matter if the film is bad, you can always expect the Coen Brothers to give a top quality looking film and this did exactly that. The cinematography is great, along with the way the scene was shot. It is a given and they put a lot of working constructing the shot. With that said, I cannot recommend people to watch this film immediately, unless you are a fan of the Coens.
    imdbbl

    Self-indulgent nonsense

    It is 1967, and Larry Gopnik (Michael Stuhlbarg), a physics professor at a quiet Midwestern university, has just been informed by his wife Judith (Sari Lennick) that she is leaving him. She has fallen in love with one of his more pompous acquaintances, Sy Ableman (Fred Melamed), who seems to her a more substantial person than the feckless Larry. Larry's unemployable brother Arthur (Richard Kind) is sleeping on the couch, his son Danny (Aaron Wolff) is a discipline problem and his daughter Sarah (Jessica McManus) is stealing money from his wallet in order to save up for a nose job. While his wife and Sy Ableman blithely make new domestic arrangements, and his brother becomes more and more of a burden, an anonymous hostile letter-writer is trying to sabotage Larry's chances for tenure at the university. Also, a graduate student seems to be trying to bribe him for a passing grade while at the same time threatening to sue him for defamation...

    "A Serious Man" is the the latest comedy by the Coens brothers's and it turned out to be one of the worst films I had the displeasure to watch this year. The film is essentially a dark comedy, which seems to be the Coens favorite genre, but with emphasis on the dark. Burn After Reading, the Coens previous film, was also very dark but at the same time, extremely funny. A Serious Man doesn't deliver any laughs whatsoever, and seems to be filled with inside/personal jokes. In Brudges is another good example of a well done black comedy, even thought tragedy ensues, we can't help but laugh. By now, I hope it's clear that I enjoy dark humor as much as the next guy but there's just no humor at all in A Serious Man. I could have still enjoyed the film, had the story been well written but it wasn't. It's a conglomerate of silly situations and awkward moments glued together with no resemblance to an actual story. A modern retelling of the Book of Job? Perhaps. A well written story? Absolutely not.

    The film didn't deliver on any level and ended up being painfully dull. The reviews for this film have been so positive, and it was so well received by the critics that those who hated the film will be, I'm sure, immediately accused of "not getting it". Maybe you do have to be fully aware of the Jewish culture, or a big fan of the Coens brothers to actually enjoy the film but, as I stand, A Serious Man is a terrible film, that apart from the great set and wardrobe, has no redeeming qualities.

    2/10
    8splodgeroonie

    I don't understand it so I will dismiss it as worthless and return to the familiar.

    I can see why many people would dismiss this. Like the reviewer who watched "52 minutes" and turned it off because none of the characters were likable so it would be a waste of time to continue.

    Those who expect life to be a series of plausible outcomes, logically following some kind of cause and effect order are always disappointed by honest works of art, not to mention life itself. One of the very themes of this film are those kinds of people and their need to cling to some sort of tradition, structure, and belief in order to deny their fear.

    Another theme was perspective and perception. That what may seem mundane and meaningless may be filled with the most profound meaning and that which we place so much value in may be worth absolutely nothing.

    "Receive with simplicity everything that happens to you."

    If you can enjoy a movie that leaves you with questions as much as one that attempts to provide answers then I highly recommend a viewing.
    8Jisk

    Nobody Understands the Laws if the Universe

    From the shtetl to the suburbs, the forces that run our lives are a mystery to us. We think we understand some of these laws, and try to live our lives according to them, but we are just barking up the wrong tree. Because sometime at some point, as the "serious man "finds out, life is going to kick our ass. Religions don't understand anything anymore than our hero of the film does. We are all just guessing. That's what this movie is about. It's pretty brilliant, acerbic, and downright cynical. A dybbuk could appear at your door anyday of the week, or a car crash could end you, or you could get diagnosed with cancer, or a tornado could come and sweep you away. There are laws that determine these things, but they are beyond our comprehension. And the things we choose to worry about are inconsequential. Life is capricious and will end you when it feels like it. Don't even try to figure out and religions don't understand it anymore than anyone else.
    9aciessi

    Seriously Good.

    Only the Coen bros. could think of something as marvelous as taking the opening lyrics of "Somebody to Love" by Jefferson Airplane and turning them into a Jewish proverb. Somehow, after an hour and a half of pure mishegas from the perspective of a real schlemiel, those lyrics sounded just right coming from Rabbi Marshak. A Serious Man was most notably a surprise dark horse nomination for Best Picture in 2009. In most award-seasons, A Serious Man is the kind of film that you'd wish was nominated in every category.

    It's a humble project for the Coens, but don't ever underestimate what they can do. A Serious Man is a serious picture that makes you laugh and squirm at the misfortune of Larry Gopnik. An average mid-western Jewish man searching for reason in a time where there is none. Tested is he to make peace with HaShem when all around him is moral decay and temptation. The Coens strength is in their characters, which in this film are as rich as they've ever been. I was fascinated by Arthur Gopnik, a borderline autistic man who discovers a map of the universe while tending to his sebaceous cyst. Perhaps my favorite character was Sy Ableman, a self proclaimed "serious man" from the community who Larry's wife is cheating on him with. His purposely affected anglo-saxon accent nearly killed me. It's the littlest eccentricities of people that the Coens always explore and exploit and it's eternally delightful.

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    Handlung

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    • Wissenswertes
      The names of the characters who ride the school bus with Danny Gopnik are the names of children that the Coen brothers grew up with.
    • Patzer
      In the final scenes where Larry changes Clive's failing grade, you can clearly see the erasure marks of the new grade before he erases the old one. This could denote the film makers needing several takes to get the right shot. Yet, it could also have been chosen to be included on purpose to show that Larry struggled many times with the morality of passing Clive, going so far as to update his grade, but had changed his mind.
    • Zitate

      Rabbi Nachtner: You know Lee Sussman.

      Larry Gopnik: Doctor Sussman? I think I - yeah.

      Rabbi Nachtner: Did he ever tell you about the goy's teeth?

      Larry Gopnik: No... I- What goy?

      Rabbi Nachtner: So... Lee is at work one day; you know he has the orthodontic practice there at Great Bear. He's making a plaster mold - it's for corrective bridge work - in the mouth of one of his patients, Russell Kraus. The mold dries and Lee is examining it one day before fabricating an appliance. He notices something unusual. There appears to be something engraved on the inside of the patient's lower incisors. He vav shin yud ayin nun yud. "Hwshy 'ny". "Help me, save me". This in a goy's mouth, Larry. He calls the goy back on the pretense of needing additional measurements for the appliance. "How are you? Noticed any other problems with your teeth?" No. There it is. "Hwshy 'ny". "Help me". Son of a gun. Sussman goes home. Can Sussman eat? Sussman can't eat. Can Sussman sleep? Sussman can't sleep. Sussman looks at the molds of his other patients, goy and Jew alike, seeking other messages. He finds none. He looks in his own mouth. Nothing. He looks in his wife's mouth. Nothing. But Sussman is an educated man. Not the world's greatest sage, maybe, no Rabbi Marshak, but he knows a thing or two from the Zohar and the Caballah. He knows that every Hebrew letter has its numeric equivalent. 8-4-5-4-4-7-3. Seven digits... a phone number, maybe? "Hello? Do you know a goy named Kraus, Russell Kraus?" Who? "Where have I called? The Red Owl in Bloomington. Thanks so much." He goes. It's a Red Owl. Groceries; what have you. Sussman goes home. What does it mean? He has to find out if he is ever to sleep again. He goes to see... the Rabbi Nachtner. He comes in, he sits right where you're sitting right now. "What does it mean, Rabbi? Is it a sign from Hashem, 'Help me'? I, Sussman, should be doing something to help this goy? Doing what? The teeth don't say. Or maybe I'm supposed to help people generally, lead a more righteous life? Is the answer in Caballah? In Torah? Or is there even a question? Tell me, Rabbi, what can such a sign mean?"

      [pause as the Rabbi drinks his tea]

      Larry Gopnik: So what did you tell him?

      Rabbi Nachtner: Sussman?

      Larry Gopnik: Yes!

      Rabbi Nachtner: Is it... relevant?

      Larry Gopnik: Well, isn't that why you're telling me?

      Rabbi Nachtner: Okay. Nachtner says, look. The teeth, we don't know. A sign from Hashem? Don't know. Helping others... couldn't hurt.

      Larry Gopnik: No! No, but... who put it there? Was it for him, Sussman, or for whoever found it, or for just, for, for...

      Rabbi Nachtner: We can't know everything.

      Larry Gopnik: It sounds like you don't know anything! Why even tell me the story?

      Rabbi Nachtner: [chuckling] First I should tell you, then I shouldn't.

      Larry Gopnik: What happened to Sussman?

      Rabbi Nachtner: What would happen? Not much. He went back to work. For a while he checked every patient's teeth for new messages. He didn't find any. In time, he found he'd stopped checking. He returned to life. These questions that are bothering you, Larry - maybe they're like a toothache. We feel them for a while, then they go away.

      Larry Gopnik: I don't want it to just go away! I want an answer!

      Rabbi Nachtner: Sure! We all want the answer! But Hashem doesn't owe us the answer, Larry. Hashem doesn't owe us anything. The obligation runs the other way.

      Larry Gopnik: Why does he make us feel the questions if he's not gonna give us any answers?

      Rabbi Nachtner: He hasn't told me.

      [Larry puts his face in his hands in despair]

      Larry Gopnik: And... what happened to the goy?

      Rabbi Nachtner: The goy? Who cares?

    • Crazy Credits
      At the end of the credits is a line advising that "No Jews were harmed in the making of this motion picture."
    • Verbindungen
      Featured in The Rotten Tomatoes Show: Surrogates/Pandorum/Fame (2009)
    • Soundtracks
      Somebody to Love
      Written by Darby Slick

      Performed by Jefferson Airplane

      Courtesy of The RCA Records Label

      By arrangement with Sony BMG Music Entertainment

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    • Was Sy writing the derogative letters to the tenure board?

    Details

    Ändern
    • Erscheinungsdatum
      • 21. Januar 2010 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Frankreich
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Facebook
    • Sprachen
      • Englisch
      • Jiddisch
      • Hebräisch
    • Auch bekannt als
      • Un hombre serio
    • Drehorte
      • Tschechische Republik(scenes before opening credits)
    • Produktionsfirmen
      • Focus Features
      • StudioCanal
      • Relativity Media
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 7.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 9.228.768 $
    • Eröffnungswochenende in den USA und in Kanada
      • 251.337 $
      • 4. Okt. 2009
    • Weltweiter Bruttoertrag
      • 31.431.652 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 46 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
      • SDDS
    • Seitenverhältnis
      • 1.85 : 1

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