Pelé - Der Film

I want to state first that I do really like Pélé, he is one of the best athletes in history, not only in his athletic performance but also in his conduct outside the pitch.

His compelling personality is well displayed and I cannot speak with certainty about his background, but I suspect that while it was challenging it was perhaps not quite as bad as it is displayed at times.

My main problem with the movie is the display of the national teams aside from the brazilians. It was at this time and unlike the depiction of the movie well known that Brazil was a good team, perhaps not the favorites to win, but by no means a complete underdog. The favorites to win were West Germany, France and the Soviet Union. Sweden who is antagonisticly depicted was a nation with many players at the very end of their career and though the population was excited at their nations participation and that for the first time (for the swedes) professional players playing in clubs abroad would be permitted to play for the national team. So people were hopeful that with homefield advantage and the addition of a handful of worldclass professionals though perhaps past their prime(Niels Liedholm 36 at the time and Gunnar Gren 38) that maybe possibly Sweden could win.

So the primary factual error here is that Brazil was by no means colossal underdogs and the Swedes were not as massively favored as depicted and certainly not as arrogant and demeaning as they are shown. Though there is some truth in their strategy in the final game, the swedes did hope to try and score an early goal hoping the brazilians would be unable to recover.(According to Niels Liedholm).

I also find it unfortunate that while racism is horrible and was certainly present even amongst my own swedish ancestors. It is very unfortunate that this media never depicted some of the really inspiring moments of people in this tournament. Because in the end Pélé have stated that the swedish king at the time went down to meet the players on both sides and shook everybodys hand and chatted with them regardless of what they looked like. For many people just like the king football have no color and whilst Péle has had to deal with his fair share of racism he has seldom dwelt on the negative, but almost always uplifted the positive.

For my parents who vividly remember this tournament and who have always held Pélé in very high regard as both a footballer and a person. It was rather difficult to swallow the depiction of his opponents(our national team in particular) and that of the tournament as a whole which is perhaps one of the most memorable world cups in history with Pélé the 17-year old wunderkind and Just Fontaine who set a record of scoring goals that to this day stands.

Like the excellent Kevin Costner film: "McFarland USA" this movie sensitively shows how sport can significantly alter a people's identity (in this case the entire nation of Brazil was uplifted from a sense of inferiority within the world community, to a pride in their own uniqueness). The acting is good. The sports action scenes are remarkable (how did they get an actor with such great soccer skills?) and the music is by the great A.R. Raman. A lot of care was put into the making of this film, but a lot was lost, I feel, by having the actors speak mostly in English. And it wasn't dubbed English, it was the Brazilian actors trotting out their heavily accented English. That had the effect of taking away much of the authenticity the film had worked so hard to achieve. (That the real-life Pelé has a cameo appearance - and thus takes the viewer out of the scene's intended verisimilitude - is, perhaps, excusable - I can cut it that slack). One more grumble: the movie trailers announced: "With Rodrigo Santoro". I will see anything with him in it - he is a terrific actor. But he appears for LITERALLY FIVE SECONDS! Really! That is unacceptable marketing...'bait and switch', actually. But see the movie anyway. (BTW, I met Pelé in 1984. We talked for about ten minutes, and at one point, after we had been briefly interrupted, he put his arm around me and said: "So, my Brazilian-American friend, where were we?" He had a golden air about him, and yet was completely down-to-earth even though we talked about cosmic reality. To listen to my five minute audio recording about meeting Pelé, search for "Pelé And His Brazilian- American Friend".

PELE is probably the biggest name in the soccer history that has shaped & shifted the current playing style of modern day game. The extravagant career speaks for itself. The movie shows us the making & coming to be of PELE.

I see a lot pf people saying this movie is predictable, not so good & what not. to all of them & most importantly to all of u i say, this movie is more than just a football movie. Not every movie is supposed to be a thriller or an Avenger movie. simple things in life have a way of getting to us.

This movie is about small & humble beginnings, its about friendship , its about believing in one self, taking the risk. Movie shows us that is does not matter if u have all the resources or opportunities in the world. if u keep at it, if u find something that you are passionate about & stick to it, day by day, night after night, the results speak for itself.

Movie has amazing moments, really great camera work. one of the best for all the soccer movies out there. Even if one know nothing about the legend that PELE is, once you are into the movie, you cant resist to feel the journey he is going to make in life. I was finding myself constantly tears of joy rolling down my cheek coz i was hooked into the movie. had soo many of those watering your eyes moments that once the movie was over, i was filled with joy and happiness to have witness such a good work of art.

Acting & direction is simple & stunning. camera-work is amazing , specially in those moments you want to fell the greatness of the legend, the movie gives you that.

I'll keep going back to watching this movie , just to feel that joy of watching something beautiful in the making again & again.

The best movie ever, because I feel very inspired by this amazing and one of a kind movie.

Brazilian teams play a style of soccer all their own. (Yeah, I called it soccer. Gimmie a break. I'm an American.) They call that style "ginga". It's a very fluid kind of play that emphasizes creative ball control. Some call this style of play "flamboyant". Others dismiss it as "trick plays". Brazilians simply think of it as… their heritage. The Urban Dictionary's definition of ginga states, in part, "Ginga is creativity... the opposite of mechanical soccer. It is having fun with the ball. It is grace. It is being fluid and coordinated. IT IS SOUL. IT IS DANCE." A June 15, 2014 "New York Times" article explains the development of ginga this way: "…an imaginative style of play that made competition and gratifying playfulness inseparable, with blacks and people of mixed race rising from exclusion and becoming its main protagonists." Ginga is a unique mixing of the skills of samba dancers with Brazilian martial arts fighters, all applied to the game of soccer, turning it into, as the Brazilians call it, "the beautiful game", while also celebrating Brazil's different races and cultures. The focus on ginga in the biopic "Pelé: Birth of a Legend" (PG, 1:47) educates its audience, celebrates that style of soccer and captivates Movie Fans with the true rags-to-riches story of the greatest soccer player ever, a man known all around the world simply as… Pelé.

As the film opens, the nearly 10-year-old Pelé (born Edson Arantes do Nascimento, and called "Dico" by his family and friends) is watching a television broadcast as his native Brazil loses the 1950 World Cup to Uruguay. Brazil's loss was a huge upset, a phrase which also describes the emotions of Brazil's soccer fans (which was basically everybody). The entire country was shocked, humiliated and demoralized. Dico (Leonardo Lima Carvalho) promises his father, a former soccer player known as Dondinho (played by Brazilian musician/actor Seu Jorge), that he, Dico, will one day bring Brazil a World Cup Championship.

Dico's family is so poor that Dico doesn't even own a soccer ball – or even a pair of shoes, but the kid manages to develop his natural talent anyway. Under his father's tutelage, he learns ball-handling by juggling and kicking grapefruits and he plays on a local team with his friends. Their team is literally called "The Shoeless Ones" and is mercilessly mocked by the town's rich kids, who single out Dico for a special measure of abuse and start calling him "Pelé". It's a made-up name which is meant to be an insult, and Dico hates the name, but as he works through his anger by helping his team play better than expected on the soccer field, the name sticks, and "Pelé" becomes synonymous with Dico and his amazing talent.

Continuing to hone his skills on his own time and play brilliantly on the field in spite of having to endure prejudice and personal tragedy, Pelé (played as a teenager by Kevin de Paula) is recruited and mentored by former player Waldemar De Brito (Milton Gonçalves). Pelé's talent gets him a spot on a professional soccer club, Santos FC, and then on Brazil's national team, all before he reached the age of 17. On the national team, Pelé's coach is Vicente Feola (Vincent D'Onofrio), the latest in a series of coaches who tries to beat Pelé's individuality out of him and force him to play a more traditional and "sophisticated" European style. Many Brazilians blamed the ginga style of play for the 1950 World Cup loss, but ginga is Pelé's strength. Pelé finds himself struggling with his coach's instruction, and an old adversary turned teammate, plus a significant knee injury, all while the national team prepares for the 1958 World Cup tournament and a possible championship matchup against the heavily-favored team representing the host country of Sweden, coached by the arrogant and condescending George Raynor (Colm Meaney).

"Pelé: Birth of a Legend" represents formulaic and unrefined filmmaking, but still manages to inspire on multiple levels. Co-written and co-directed by brothers Jeff and Michael Zimbalist (both working on their first feature film), the movie follows the tried-and-true pattern of most sports movies, but suffers from some minor issues of technique. The script sometimes stops short of completing its thoughts and the film is a bit over-edited, making the viewer feel like something is missing in a few of the scenes. Some characters are underdeveloped and some of the acting is shaky, but the main characters (especially D'Onofrio, Jorge and de Paula) all give strong performances. The film spends too much time on Pelé's childhood and not enough time on his rise through the ranks of Brazilian soccer, but does convey why Pelé was so good and wisely culminates with the '58 World Cup, at which point it's clear that all the pieces are finally in place for Pelé's eventual worldwide fame and unparalleled success. In spite of the film's lack of originality and other relatively minor problems, the Zimbalist brothers and their cast and crew give us plenty to shout about during the film's third act and leaves us with important lessons about determination, resilience and playing to our strengths, as well as the importance and strength of diversity. As much as I enjoyed "Pelé: Birth of a Legend" (especially its emotional ending), after fairly weighing all of its strengths and weaknesses, the most I can give it is a mild recommendation: "B"