IMDb-BEWERTUNG
7,0/10
5963
IHRE BEWERTUNG
Dieser Dokumentarfilm handelt von dem berühmten brasilianischen Fußballer Pelé, seinem Perfektionismus und dem mythischen Status, den er schließlich erlangte.Dieser Dokumentarfilm handelt von dem berühmten brasilianischen Fußballer Pelé, seinem Perfektionismus und dem mythischen Status, den er schließlich erlangte.Dieser Dokumentarfilm handelt von dem berühmten brasilianischen Fußballer Pelé, seinem Perfektionismus und dem mythischen Status, den er schließlich erlangte.
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This is a thorough and straightforward documentary about the most famous futball player of his time; Pelé. It started at highlighting his talent before he ever played professionally through how he became a national hero. It showed key games and plays as well as the three World Cups he helped his Brazilian team to win. It touched on him being used politically and how he was not outspoken about Brazil's time under dictatorship as he too had fears about speaking against the forceful governmental rule. But it did highlight how a winning futball team can unite a country better than any politician. This is competently done and you even get to hear from Pelé himself who now walks with a walker.
I wish it was a mini series like the Last Dance instead of a movie. It could say more about his personal life and also political life in his time. But still, it was very informative for me and I don't agree with other bad comments about telling politics. Football is never separated from politics in any country, so without telling about politics, it is impossible to understand Pele or any other players.
Pelé played a beautiful game of soccer and this documentary captured it well. I enjoy watching soccer so I appreciated the footage from previous world cups. The documentary was heavy on that though, and for that reason, did not portray Pelé's story with the richness and complexity it deserved.
This documentary also covers the historical and political context of Pelé's career. As a non-Brazilian, I appreciated getting to learn about this. I didn't not think that the coverage was biased or that this documentary was a left wing propaganda film.
I would have appreciated more discussion of the significance of Pelé being one of the first Black world sports stars. His first world cup appearance came only 11 years after Jackie Robinson integrated baseball in the US. I realize this is about Brazil but I know that county has it's own issues with anti-Blackness and racial inequality.
All in all, a film worth watching, but one that does not match the greatness of its subject.
This documentary also covers the historical and political context of Pelé's career. As a non-Brazilian, I appreciated getting to learn about this. I didn't not think that the coverage was biased or that this documentary was a left wing propaganda film.
I would have appreciated more discussion of the significance of Pelé being one of the first Black world sports stars. His first world cup appearance came only 11 years after Jackie Robinson integrated baseball in the US. I realize this is about Brazil but I know that county has it's own issues with anti-Blackness and racial inequality.
All in all, a film worth watching, but one that does not match the greatness of its subject.
Another documentary trying to manipulate the public , talking about politic. Journalists and even a former President talking all the time about dictatorship! How many times this word was repeatedly told. What was about the documentary? I give a 4
The 2022 Football World Cup has just finished with Argentina's talismanic striker Lionel Messi being hailed by many as the "G. O. A. T." or Greatest Of All Time for his performances throughout the competition. This documentary on a different generation's superstar, Brazil's Pelé, makes a different and I would say stronger case for the title with a player his countrymen called The King. This Netflix production, with Pelé an active participant, relates his remarkable story rising from poverty to becoming one of the most successful and wealthy sportsman of his time with Mohammad Ali his only comparable contemporary in terms of worldwide reach.
The film concentrates on his international career and particularly his exploits at the World Cups of 1958, 1962, 1966 and of course his climactic final appearance at the 1970 tournament held in Mexico. This is the first World Cup I personally remember watching as a boy. The matches were played in fantastic-looking stadia, there were great teams competing with great players - besides Brazil's all-stars, there were strong representatives from Europe, like England, the holders, Italy and Germany (or West Germany as they were then) and from South America Peru and Uruguay. My parents had just got our first ever colour television and the teams in their classic strips positively glowed out from the small screen into our living room. The football was fantastic too, with Pelé the undoubted star of the show.
Aged 29, at his professional peak and determined to wipe out the memories of the team's ignominious exit from the 1966 tournament in England at the group stages, Pelé in 1970 delivered so many iconic moments during the competition, two towering headers, one bringing about England goalkeeper Gordon Banks' fantastic reflex save, the other beating another goalkeeping great Dino Zoff at his near post in the actual final, his killer passes to Jairzinho and Carlos Alberto to score memorable goals in the same two games, the attempt from half-way against Czechoslovakia, the return volley and runaround-dummy both against Uruguay. All these done by the one player, in the top competition, in successive games.
Okay, so I'm satisfied that he was a truly great, if not the greatest ever player but the film goes a little deeper into the man's personal life and there I'd have to say the jury is still out. He candidly admits he never loved his wife before this narrative promptly disappears from view and then more pertinently and slightly more stringently, he's questioned about his passive some would say open-armed acceptance of the dictatorship which overturned democracy in Brazil from 1968 - 1985. We see him cosying up to the junta's president and retrospectively attempting rather unconvincingly to play the "sports and politics don't mix" card to absolve himself from any complicity with the harsh crackdowns perpetrated on his fellow countrymen and women by the military. It's quite an eye-opener to see one of his fellow-teammates of the time, Paulo Cesar lambast his footballing idol for his human failings. Pelé tries disingenuously to claim that he did more for his people as a sportsman than many politicians ever did, but of course he's side-stepping the issue. I accept he was in a tricky position but a bigger and braver man could and maybe should have said or done something rather than just kow-tow to the authorities in photo-ops with the pres. In the film he's thus compared unfavourably to Ali, who of course defied the American courts and risked his career in the process.
In the end, I left this film a greater admirer of Pelé the footballer but a somewhat lesser one of him as a man. As brave as a lion on the pitch, what a shame he was as meek as a mouse off it.
The film concentrates on his international career and particularly his exploits at the World Cups of 1958, 1962, 1966 and of course his climactic final appearance at the 1970 tournament held in Mexico. This is the first World Cup I personally remember watching as a boy. The matches were played in fantastic-looking stadia, there were great teams competing with great players - besides Brazil's all-stars, there were strong representatives from Europe, like England, the holders, Italy and Germany (or West Germany as they were then) and from South America Peru and Uruguay. My parents had just got our first ever colour television and the teams in their classic strips positively glowed out from the small screen into our living room. The football was fantastic too, with Pelé the undoubted star of the show.
Aged 29, at his professional peak and determined to wipe out the memories of the team's ignominious exit from the 1966 tournament in England at the group stages, Pelé in 1970 delivered so many iconic moments during the competition, two towering headers, one bringing about England goalkeeper Gordon Banks' fantastic reflex save, the other beating another goalkeeping great Dino Zoff at his near post in the actual final, his killer passes to Jairzinho and Carlos Alberto to score memorable goals in the same two games, the attempt from half-way against Czechoslovakia, the return volley and runaround-dummy both against Uruguay. All these done by the one player, in the top competition, in successive games.
Okay, so I'm satisfied that he was a truly great, if not the greatest ever player but the film goes a little deeper into the man's personal life and there I'd have to say the jury is still out. He candidly admits he never loved his wife before this narrative promptly disappears from view and then more pertinently and slightly more stringently, he's questioned about his passive some would say open-armed acceptance of the dictatorship which overturned democracy in Brazil from 1968 - 1985. We see him cosying up to the junta's president and retrospectively attempting rather unconvincingly to play the "sports and politics don't mix" card to absolve himself from any complicity with the harsh crackdowns perpetrated on his fellow countrymen and women by the military. It's quite an eye-opener to see one of his fellow-teammates of the time, Paulo Cesar lambast his footballing idol for his human failings. Pelé tries disingenuously to claim that he did more for his people as a sportsman than many politicians ever did, but of course he's side-stepping the issue. I accept he was in a tricky position but a bigger and braver man could and maybe should have said or done something rather than just kow-tow to the authorities in photo-ops with the pres. In the film he's thus compared unfavourably to Ali, who of course defied the American courts and risked his career in the process.
In the end, I left this film a greater admirer of Pelé the footballer but a somewhat lesser one of him as a man. As brave as a lion on the pitch, what a shame he was as meek as a mouse off it.
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Written and performed by Tim Maia
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