Evangelion: 1.0 - You Are (Not) Alone

I was a large fan of both the original series, the half-release 'Death and Rebirth' and the replacement ending 'The End of Evangelion', so I'm not giving this praise as some guy who's just walked in on this.

I am extremely pleased with this new iteration of Evangelion. I don't even know where to begin ... Gainax threw out everything they had, completely redrawing all the animation and backgrounds in painstakingly high detail. It is the most apparent revision to the series at first glance ... all the visuals are top-notch, even the computer-generated graphics which I would typically find unforgivable in a film - but everything is drawn and animated so smooth, and the rare use of CG is so well-integrated into the film that it feels like you haven't been taken out of the organic animation at all.

The storyline is quite similar to the original, though first on the side I want to say they've taken much thought deciding how to develop the characters better; and the result is that the cast is much more believable and their chemistry is quite fantastic. The characters just feel deeper, their emotions are more genuine; it's hard to describe in a review but if you're a fan of the original series you'll find their personalities and interactions much more developed and satisfying.

The plot, as I've said; has not changed too much at this point.. there are exceptions here and there, with the introductions of pivotal locations and characters earlier on; no doubt to lay down continuity for the later installments. (The original Evangelion had a slight problem with eclectic character and plot point introductions.) They have taken care to set the stage more carefully for the first scene this time around; and as shown with the early introduction of an important character Gainax intends to make full use of some fantastic characters that didn't get enough time in the spotlight to really add anything especially deep.

I recommend this film to anybody who is a fan of serious animation; and I would say that it's an absolute must-see for fans of the original series.

It's comforting to know that in a world of poor remakes and extensions of popular titles, that Gainax has their wits about them and shows true dedication in their efforts to make Evangelion into everything that it could possibly be.

Evangelion 1.11 is basically a retelling of the Neon Genesis Evangelion TV series ep1-6 with very few deviations from the original. Of course, this is a decade newer with a much larger budget, so the animation quality itself is vastly superior, spectacular by every sense of the word. If I have any complaints they are that this new version simplifies the characters and their faults (in my opinion, the crowning achievement of the original show) and instead focuses more on action and intense battle scenes. However, this directorial decision also makes the whole thing more streamlined and accessible for the average anime fan. Finally, the English dub of this film is fantastic, practically as good as the original Japanese audio and that's saying something!

Suggested rating: PG-13 for violence and brief nudity

It's hard to imagine that fans of Evangelion won't be pleased with this leaner, gorgeous rebuild of the original anime series. And if you're new to Evangelion, this is a great place to start. 

You Are (Not) Alone is a pretty straightforward adaptation of the first six episodes of Evangelion. It's somewhat condensed but still containing all the major moments and plot points. While the next three movies promise new story additions and characters, this movie contents itself with mostly cosmetic changes, along with tightening up the story, a few extra scenes, and eliminating some filler. There wasn't a lot in the first six episodes that needed to be altered. 

That means slightly less whining from Shinji. SLIGHTLY.

The animation and visuals are outright beautiful, especially on blu-ray. I could recommend this on that aspect, alone. The re-designed Angels and action scenes are improvements over the original's (especially the sixth Angel), in my opinion and the voice work is great.

Does You Are (Not) Alone make the original series redundant and unnecessary (or vice-versa)? No, I don't think so. Both of them have merit, and both are worth watching. But, I'm very interested in seeing if the next three Rebuild of Evangelion movies rectify some of the mistakes that the latter portion of the series fell prey to.

This film is more like an abridged version of the first few episodes of the original Neon Genesis Evangelion series. It doesn't contain much that's new or interesting but has a much more polished level of animation and sound. I would have preferred more points of difference from the original series but only if there was a purpose to it. Some of the additions seemed a bit tacked-on.

Evangelion 1.0 You Are (Not) Alone permeates limitless possibilities and pathways in a story so connective and universal yet shakes the foundations of the genres on which it stands on so much a new and profound experience emerges from its daring. Young Shinji Ikari arrives in Tokyo-3, a city rebuilt after a cataclysmic event called Second Impact that shed the world of half the human population, to meet and work for his estranged father. It turns out he only wants his son now to pilot a giant humanoid machine named Evangelion Unit 01 made to stop unknown beings referred to as Angels from eradicating the rest of humanity. Shinji is shocked and broken hearted but nonetheless agrees to pilot it. The question he now asks is why?

Evangelion 1.0 wants to know the answer. Besides saving humanity from eminent destruction, what does Shinji want, desire, need or even get from piloting such a contraption? Praise from the world? Respect? Purpose? His father's love? As Shinji begs for the answer to these questions the city befalls attacks by Angels that serve more than just an excuse for action scenes. When the Angels attack Shinji sees the sides of people around him he never saw before. It forces him and the others around him to understand their relationship to one another.

One of these is Shinji's follow pilot Rei Ayanami, a cool and collected girl who spends better part of the movie giving a ponderous stare into space more or less oblivious to those around her. When she does react she hardly seems to understand her own feelings. Shinji asks her why she pilots an Evangelion and her answer is as simple and contemplative as the movie.

The film is the first in a planned production of four films that re-imagine the 90s series Neon Genesis Evangelion. One of the most remarkable things about this movie is how easily the episodes translate into the arch of a feature length film. Despite that the movie is as much if not more so for viewers who have never seen the series. The movie itself refines certain points left unclear in the original show, making this version more clear and understandable for old and new viewers alike.

Though the final film in the set of four promises a completely new end to the story, old fans will find the first movie very familiar. However old fans who pay close attention to certain scenes in this movie will learn that the film does more than retell the story and in the process may redefine two of the most overused formats ever in the history of cinema.