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Evangelion: 3.0+1.0

Originaltitel: Shin Evangerion Gekijô-ban
  • 2021
  • 16
  • 2 Std. 35 Min.
IMDb-BEWERTUNG
8,0/10
16.573
IHRE BEWERTUNG
Evangelion: 3.0+1.0 (2021)
Watch Aug. 13 on Prime Video ansehen
trailer wiedergeben1:01
2 Videos
99+ Fotos
Aktion EpischAnimation für ErwachseneDrama für JugendlicheEpischErwachsenwerdenKaijuMechaPsychologisches DramaScience-Fiction-EposAktion

Misato und ihre Anti-Nerv-Gruppe Wille kommen in Paris an, einer Stadt, die durch die Core-ization rot geworden ist. Die Besatzung des Flaggschiffs Wunder landet auf einem Eindämmungsturm.Misato und ihre Anti-Nerv-Gruppe Wille kommen in Paris an, einer Stadt, die durch die Core-ization rot geworden ist. Die Besatzung des Flaggschiffs Wunder landet auf einem Eindämmungsturm.Misato und ihre Anti-Nerv-Gruppe Wille kommen in Paris an, einer Stadt, die durch die Core-ization rot geworden ist. Die Besatzung des Flaggschiffs Wunder landet auf einem Eindämmungsturm.

  • Regie
    • Mahiro Maeda
    • Katsuichi Nakayama
    • Kazuya Tsurumaki
  • Drehbuch
    • Hideaki Anno
  • Hauptbesetzung
    • Megumi Ogata
    • Megumi Hayashibara
    • Yûko Miyamura
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,0/10
    16.573
    IHRE BEWERTUNG
    • Regie
      • Mahiro Maeda
      • Katsuichi Nakayama
      • Kazuya Tsurumaki
    • Drehbuch
      • Hideaki Anno
    • Hauptbesetzung
      • Megumi Ogata
      • Megumi Hayashibara
      • Yûko Miyamura
    • 144Benutzerrezensionen
    • 30Kritische Rezensionen
    • 85Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 4 Nominierungen insgesamt

    Videos2

    Watch Aug. 13 on Prime Video
    Trailer 1:01
    Watch Aug. 13 on Prime Video
    Trailer [OV]
    Trailer 0:31
    Trailer [OV]
    Trailer [OV]
    Trailer 0:31
    Trailer [OV]

    Fotos159

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    Topbesetzung48

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    Megumi Ogata
    Megumi Ogata
    • Shinji Ikari
    • (Synchronisation)
    Megumi Hayashibara
    Megumi Hayashibara
    • Rei Ayanami
    • (Synchronisation)
    • …
    Yûko Miyamura
    • Asuka Langley Shikinami
    • (Synchronisation)
    Akira Ishida
    Akira Ishida
    • Kaworu Nagisa
    • (Synchronisation)
    Fumihiko Tachiki
    Fumihiko Tachiki
    • Gendo Ikari
    • (Synchronisation)
    Kotono Mitsuishi
    Kotono Mitsuishi
    • Misato Katsuragi
    • (Synchronisation)
    Maaya Sakamoto
    Maaya Sakamoto
    • Makinami Mari Illustrious
    • (Synchronisation)
    Motomu Kiyokawa
    • Kozo Fuyutsuki
    • (Synchronisation)
    Yuriko Yamaguchi
    Yuriko Yamaguchi
    • Ritsuko Akagi
    • (Synchronisation)
    Anri Katsu
    • Hideki Tama
    • (Synchronisation)
    Hiro Yûki
    • Makoto Hyuga
    • (Synchronisation)
    Mugihito
    • Kiel Lorentz
    • (Synchronisation)
    Kôichi Yamadera
    Kôichi Yamadera
    • Ryoji Kaji
    • (Synchronisation)
    Kôki Uchiyama
    Kôki Uchiyama
    • Ryoji Kaji Jr.
    • (as Koki Uchiyama)
    Mariya Ise
    • Midori Kitakami
    • (Synchronisation)
    Miki Nagasawa
    • Maya Ibuki
    • (Synchronisation)
    Miyuki Sawashiro
    Miyuki Sawashiro
    • Sakura Suzuhara
    • (Synchronisation)
    Ryûnosuke Kamiki
    Ryûnosuke Kamiki
    • Shinji Ikari (adult)
    • (Synchronisation)
    • Regie
      • Mahiro Maeda
      • Katsuichi Nakayama
      • Kazuya Tsurumaki
    • Drehbuch
      • Hideaki Anno
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen144

    8,016.5K
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    Empfohlene Bewertungen

    7ericag_ph

    Still almost incomprehensible

    I'm a fan of the series, I watched the TV series decades ago, and now the Rebuild movies, but they are still inherently flawed in that it has always been almost incomprehensible.

    So what is wrong with it? Here's what I find myself saying many times:

    1. What does that even mean?!?!

    It uses unknown terms in a sentence then again several minutes later as if that would help understand what it meant in the first place. Then when it does use a term that is vaguely familiar, it is used in a completely different manner and context.

    2. What is that?!?!

    It tries to wow us with imagery and animation that is incomprehensible. I don't even know what I am looking at!

    3. What is going on?!?!

    The main flaw is the story telling. It only allows a portion of it, just barely enough, to understand what is really going on. Frankly, it could lose the audience.

    But hey, I am still a fan, love the characters, most especially Rei, distantly followed by Asuka, and I will watch whatever comes next.
    7roaches_97

    The third end to Evangelion

    I want to like this movie a lot more than I do. Unfortunately, it's pretty average until the last thirty minutes. The movie is bloated, the dialogue is not very good, and the 3D animated segments look bad. As mediocre as I thought 2.0 was, at least it had great action. I can't say the same for this movie, as most of the action is awkward 3D animation. The mythology of the rebuild movies also makes very little sense and resorts to long exposition dumps in random places. But when the movie lets go and becomes a finale to Evangelion, it's great. When it becomes the payoff to 25+ years of buildup from the original series and not the result of these past three movies, it's brilliant. It's hard to recommend the Evangelion rebuilds. The first one is a remake of the beginning of Neon Genesis Evangelion, 2.0 is mediocre with a really good ending, and 3.0 is a complete mess. This movie is definitely the best rebuild, but that isn't really a high bar. If you were left unsatisfied by End of Evangelion then I would recommend the rebuilds, but they're not really worth it otherwise.
    6crimsonjewl

    Wow, It unbelievably makes EOE look more understandable than the movies thereselves

    I don't know if I was the only one, but when these movies that forced the plot in numerous moments in order to arrive to a happy ending, feel quite incompetent, unearned, incongruent, and ridiculous.

    Plus, This utter of a mess films make me turn around to look at EOE, and it's quite rampage on its own, though, the film surprisingly makes more sense as well as feeling more satisfying than that universe/ sequel/ reboot/ loop/ or whatever you want to call since that plot is nonsense..
    9dopefishie

    "So it's Evangelion 4." "No, I'm calling it Evangelion 3 + 1."

    Everyone can relax. It was good.

    It took the stunning visuals to the next level.

    It stayed true to the characters.

    It continued its use of incomprehensible techno-biblical-psychobabble.

    The music was incredible.

    There's gratuitous fan service.

    And I left the experience feeling satisfied even thought I didn't completely understand what I just watched.

    Yes, this film will finally answer so many of your burning Eva questions: Will Asuka ever say anything nice?

    Will Rei ever learn to be a real person?

    Will Shinji ever stop being so depressed?

    In the end, it was not the game changer that End of Evangelion was. But it's still a great addition to the story.
    10SchoolDaysEnjoyer

    A fantastic conclusion to the franchise

    I was very skeptical before watching this film, I am a huge fan of the original show and film and I didn't think they had to be "rebuilt".

    It also didn't help that I thought the previous three films kind of sucked (though I did rewatch them before watching this one and I liked them way more the second time).

    But, here we are, 9 years after the last Eva film, 24 years after Evangelion's previous theatrical conclusion, we have this movie, a beautifully animated 155 minutes long love letter to the Evangelion franchise and its fans.

    This time the ending can satisfy all fans, those who look for great action, those who watch for the surrealist imagery and philosophy, those who love the characters, this movie ties every loose end beautifully.

    Only issues I had here were some unnecessary fan-service scenes (though there are fans who watch it for this kind of stuff, I guess) and the 3D CGI fight scenes look kind of jarring sometimes but other than that, this was yet another high quality film by Hideaki Anno and I would highly recommend it.

    Bye-bye, all of Evangelion.

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    Handlung

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    • Wissenswertes
      This movie was shelved until director Hideaki Anno finished Shin Godzilla (2016). After working on Evangelion: 3.0: You Can (Not) Redo (2012) Anno fell into another bout of depression and initially rejected the offer to direct Godzilla. However, his long time friend Shinji Higuchi convinced him to join the project and despite the difficulty working for Toho, Anno credited working on Godzilla as revitalizing him. After the film was finished, Anno apologized to the fans for the delay and recommenced production on this film.
    • Zitate

      Misato Katsuragi: The only thing a son can do for his father is pat him on his shoulder, or kill him.

    • Verbindungen
      Edited from Neon Genesis Evangelion (1995)
    • Soundtracks
      One Last Kiss
      Written and composed by Hikaru Utada

      Produced by A.G. Cook

      Performed by Hikaru Utada

    Top-Auswahl

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    FAQ

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    • Where can I watch it ?

    Details

    Ändern
    • Erscheinungsdatum
      • 13. August 2021 (Deutschland)
    • Herkunftsland
      • Japan
    • Offizieller Standort
      • Official site (Japan)
    • Sprachen
      • Koreanisch
      • Kantonesisch
      • Englisch
      • Japanisch
    • Auch bekannt als
      • Evangelion: 3.0+1.01 Thrice upon a Time
    • Produktionsfirmen
      • Khara Corporation
      • Studio Khara
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 810.744 $
    • Eröffnungswochenende in den USA und in Kanada
      • 320.631 $
      • 11. Dez. 2022
    • Weltweiter Bruttoertrag
      • 93.882.453 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 35 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • IMAX 6-Track
      • Dolby Atmos
    • Seitenverhältnis
      • 2.39 : 1

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