My Soul to Take

Whew.....everyone's a critic. If you like scary movies....strange, scary movies.....strange, scary movies with a plot.....strange, scary movies with a plot and fairly good ending.....then get the popcorn and have a good time with this one.

Look.....if I took every movie I have ever seen so seriously I had to dump on it more than enjoy it. Well.....there would be a lot of movies I would never watch. My Soul To Take is a good movie. It keeps you wondering, guessing and a little annoyed you didn't see it coming.

Admittedly, I do scroll through the reviews to get an idea of how people viewed the movie and how they rated it.

I have my own 5 Star system which got this film a 4.5.

If you are new to IMDb.....never, ever take the scoring system to heart. Even a really BAD film based on reviews will perk my interest to watch it and see for myself. For those of you who use IMDb regularly.....this movie didn't earn the 4.7 it got.

I would have said 8 out of 10 personally......but then that is me.

Please don't throw this one away based on critics who "know the price of everything and the value of nothing"....Zonker from his guru days.

......enjoy......Cookie Q(:-}

To fans of Western horror, the name Wes Craven is something of a legend. This is the guy who created one of the most iconic characters in horror- Freddy Krueger- in the "Nightmare in Elm Street" series. This is the guy who had the smarts to turn the genre on its head and give it a new breath of fresh air in the "Scream" trilogy, and come next year, quadrology. This is the guy whose horror movies- "The Hills Have Eyes", "The Last House on the Left" and of course the "Nightmare" series- are being remade by a new breed of filmmakers eager to be the next him.

Naturally then, the fact that "My Soul to Take" is Wes Craven's first film in five years (since 2005's "Red Eye") and first that the horror- meister has written and directed in fifteen years comes with certain expectations. Indeed, all the usual elements of a classic Wes Craven horror are present- a small town with hidden secrets from the past; a legend that is the stuff of campfire stories; and hipper-than-thou teen- speak- but unfortunately this is far from any classic. In fact, it probably qualifies as one of Wes Craven's career worst, if not the worst.

The opening in itself is baffling. A tightly condensed prologue is meant to set up the legend of the Riverton Ripper, a family man with multiple personality disorder including a particularly murderous one that has turned him into the town serial killer. He tries to kill his pregnant wife, the police rush in and shoot him a couple of times, he wakes rather miraculously to return the favour, the police fire some more, then the ambulance crashes on the way to the hospital and he disappears. Meanwhile on that very night, seven babies are born at the hospital.

The catch here is this- each one of his seven souls has taken over one of the babies, so one of them will eventually turn into a murderer. It's best you remember this, since the frenzied and convoluted manner Wes Craven tells the story makes it unnecessarily confusing. Fast-forward sixteen years later, when the Ripper has become the stuff of local legend, and a traditional prank played on one of them, Bug (Max Thierot), goes awry and apparently brings back the Ripper.

Unfolding entirely over the course of one day, Craven spends the first half of the film setting up his seven characters- the hot jock (Nick Lashaway), the sweet hottie (Paulina Olszynski), the religious chick (Zena Grey), the token Asian (Jeremy Chu), the African American blind boy (Denzel Whitaker), and Max's best friend Alex (John Magaro)- before the start of the blodletting. Sadly, none of the characters are any more than cinematic stereotypes, so whichever order they eventually meet their death doesn't really matter to the audience. The same goes for Craven's clumsy writing, his attempts at witty exchanges falling awfully flat.

By the time the Ripper comes calling, it's pretty much a case of 'too little too late'. Aside from not shying away from the gore, Craven botches any buildup to the climax by piling on the deaths too swiftly. Before any of the characters understand what is going on, they have already been off-ed or are in the process of getting off-ed. Even the extended climax done the Craven way (i.e. several characters trapped in the house with a killer in their midst a la "Scream") feels derivative and unconvincing.

The only consolation therefore is that by the end of the movie, you won't get a headache from watching the movie in 3D, as folks in the US would have (the movie is only available in 2D here). But the real horror is that Wes Craven may have finally, after an illustrious career stretching almost 40 years, lost his horror mojo. "My Soul to Take" is a major disappointment from Craven- let's just hope he still remembers how to make an audience "Scream" next year.

I feel like this film might be describing the possible challenges Wes Craven might have been facing in his own childhood growing up finding his own identity in the repressed Christian environment. And this is also why I find this film so endearing to me, perhaps my most favorite film from Craven, it really is so much deeper than just the main plot, it is about retaining the sense of who we are, that we are not mere product of our parents and genetics, but at the same time, many times our friends and loved one we surround ourselves with represent a part of us too, notice how our friends seem to mirror us so much, and complement us in some way as well. I love the deleted scene of this film how all his friends are walking with him on the road, and then they disappear, as if they were just ghosts. This film works emotionally on so many levels and dimensions, saying so much in an indirect way.

There's been classic films released around the same time with a theme of discovering or retaining our own soul or identity.

This is a pretty great movie. It keeps you guessing the entire time, and Wes always keeps things nicely suspenseful. Characters are well built, and the urban legend aspect is fun, and it does keep you wondering what exactly is going on. The cast is young and cute, and they all do a good job, although there are some seemingly unmovitaved moments that are a little disappointing. The script gets a touch weak at times but nothing that pulls you out of the viewing experience. Consider this a fantastic rainy day/date movie- perfect for snuggling up with someone, but something you can easily walk away from without breaking your heart either. Don't expect an earth shattering film, but expect to have a good time!

Wes Craven has had a really spotty career, full of ups and downs. I was a bit surprised by MSTT, because it seemed to be far more derivative and unimaginative than I was expecting. This certainly isn't a bad movie, but it was disappointing, especially for Wes Craven. If it had been some unknown director's debut, I'd probably be more forgiving. However, I expect better from Wes Craven, even after sitting through Deadly Friend and Shocker. Like Deadly Friend and Shocker, there were aspects of this movie that I did like, but not enough that I'd give it a good rating. I think that this movie was made for a younger, less jaded demographic (ie, teenagers). For adults, it's just going to seem a bit tired, clichéd, and a retread of several of his older movies (most especially Scream). I was never a huge fan of Scream in the first place, but it was better than this. I'd say that MSTT is worth a 5/10 for adults, while teenagers may enjoy it more (6/10).