Freddy sort de la nuit

The seventh and last part of "A Nightmare on Elm Street" brings the most original plot twist in the franchise. While its prequels have a dream-like atmosphere, this one is much more realistic. On the tenth anniversary of the first film team responsible for its development begins to suffer from intense nightmares and freak accidents happen, and then they realize that Freddy, because he was terminated in the film franchise, has decided to switch to the real world. The credibility of the story is intensified by the fact that the original crew actually appears in the movie, so we have Heather Langenkamp in the role of Heather Langenkamp, Wes Craven in the role of Wes Craven, and so on. An interesting detail is that end credits list Freddy Krueger in the role of Freddy Krueger. I think the effect would be even stronger if the film was made in the form of a fake documentary, but this would prevent many of the things fans expect from a Freddy Krueger film. Although not the best movie in the franchise, it certainly is scariest, because it quite convincingly shifts its horrifying premise into "our" reality. If I saw it as a child I would probably be traumatized.

7,5/10

The original 'A Nightmare on Elm Street' is still to me one of the scariest and best horror films there is, as well as a truly great film in its own right and introduced us to one of the genre's most iconic villains in Freddy Krueger. It is always difficult to do a sequel that lives up to a film as good as 'A Nightmare on Elm Street' let alone one to be on the same level.

After the 'A Nightmare on Elm Street' series showed signs of severe fatigue, that it was suggestive of the series being completely dead, original director Wes Craven makes a welcome return and brings new, fresh life to the series. 'New Nightmare' may not be as good as the original, none of the follow-ups are (though two of the previous sequels, the third and fourth, were good), but it is the best of the follow-ups since the third and is one of the best in the series.

'New Nightmare' has its faults. Its biggest one is the ending, it is just ridiculous and jars tonally with the rest of the film, which took a darker and more serious direction (perhaps more so than the original). Count me in as another person who didn't care for Freddy's look here, it looks rather goofy and doesn't do Robert Englund's creepy performance and the way Freddy's written justice.

Heather Langenkamp also seemed a bit bland and seemed rather anaemic for a character written more dramatically than previously.

On the other hand, 'New Nightmare' looks very atmosphere and made with a good deal of style and slickness. The production design has a suitably nightmarish look and the special effects are great and perhaps superior to the original's. The music score is haunting.

The writing may lack the one-liners seen before, but the more serious direction the dialogue took was appreciated after the fifth and sixth films did such a poor job with the one-liners and comedy. The dialogue isn't mind-blowing but it flows decently and intrigues at least. The semi-documentary-style adopted for some of the film is very interesting, making for one of the most original ideas of the follow-ups and the series overall too, while still delivering on the shocks, suspense and creepiness.

Despite the goofy look for Freddy, Englund is very creepy and even with not much screen time he burns long in the memory.

In summary, one of the series' better entries and worth staying awake for. 7/10 Bethany Cox

New Nightmare, the seventh and final installment in the Nightmare on Elm Street series. I was lucky enough to get the Nightmare on Elm Street series in the box DVD set and I finished all the sequels. I would say that without a doubt that this was the best sequel in the series. I was amazed at how clever the story was and I think the reason why is because of the fact that Wes Craven is back with this story. I was a little depressed that at least Johnny Depp wasn't really in it, that would've been a cool experience, but that doesn't kill the story. Instead the film has taken on a new and hip twist onto the series. Wes has taken the story and turned it around on the characters, instead of having Heather as Nancy, she's playing herself, just as is the rest of the cast, only now they're in trouble with Freddy.

Heather Langenkamp is a huge star in the horror movie world, but she's now a happily married woman with her son, Dillain. But she's receiving death threats from a fan who strangely sounds a lot like Freddy. Soon strange things start happening, her husband is killed tragically in a car accident that seems like the act of Freddy, and her son is now not sleeping. She wonders if it's because of her movies or is it possible that Freddy is real and he wants her? She may have to go back to her roots to save her son.

New Nightmare is incredibly clever and was just all in all a great idea. I really enjoyed this sequel, it's a definite keeper and a watch for the Nightmare on Elm Street fans. Freddy is back and he's more mean than ever; it was so cool that the took Heather Langenkamp and put her in the same situation as her character, Nancy. It just shows that Wes hasn't lost his touch with the Nightmare on Elm Street series. If you love horror films in general, I highly recommend New Nightmare, this is an awesome film.

8/10

Wes Craven's New Nightmare (1994)

*** 1/2 (out of 4)

Intense, smart and still underrated seventh film in the series delivers exactly what the title says and that's something new. This time out the people involved with the making of the original A NIGHTMARE ON ELM STREET are starting to experience strange dreams. Wes Craven appears ready to join the series again and has started writing a script but star Heather Langenkamp begins to fear that some type of Freddy is actually after all of them. This isn't the first film to deal with a horror director being haunted by his creation as Lucio Fulci did this type of thing with CAT IN THE BRAIN but there's world of difference between the two films. This one here is an incredibly smart and extremely intense venture into ones fears and how like can sometimes imitate art. It's sad to think that this film will soon be twenty years old and yet it's still never gotten the credit that it deserves. As a behind-the-scenes look at Hollywood the film works extremely well but it also works as a straight horror film. I think Craven's screenplay is so well written that we never have trouble believing what's going on. It's a pretty interesting idea to have those making movies become haunting by the fake thing they created. Not only do we get Craven and Langenkamp but we also have New Line head-man Robert Shaye and Freddy himself Robert Englund being haunted by the fake monster. Everyone acts themselves very well with Langenkamp turning in her third venture in the series and without question her best performance. She handles everything extremely well and comes off very good as the concerned mother who must eventually take on Freddy to protect her son. Englund has a lot of fun in the parts of himself but he really goes all out when it's time to play Freddy. A few other cast members from the first film make brief appearances here but John Saxon gets a very good role and does a great job with it. It's always great seeing him in anything. I think the greatest thing the movie does is get Freddy away from the one-liners and jokes and returns him to the scares of the original film. The entire look of Freddy's face, glove and clothes were changed here and I think they were all done for the better. The bulked up creation is a lot creepier here and he's able to be that menace of terror once again. Craven's direction is top-notch from start to finish with some of his best work appearing in some very disturbing scenes. One involves a freeway sequence and another is a re-enactment of one of the death scenes from the original movie. The film depends a lot on "real life" emotions and these work extremely well and add to the drama of what the characters are going through. It's a real shame that this film isn't given more credit as it did come before SCREAM and really was the first of the decade to go for that "smart" horror film.

The First Nightmare on Elm Street was scary and original. It had the great idea of a killer killing people in their dreams. All of its sequels (except for part 2, which went in a horrible direction) just built on to that idea, and the idea wasn't scary anymore as the series progressed. Now with New Nightmare, Wes Craven came up with another original idea. It turns out that Freddy is in fact real, some kind of ancient evil that took the form of Freddy Krueger and could only be contained through storytelling, IE: the Nightmare On Elm Street movies. But since the series has ended, the genie is out of the bottle, and this ingenious film unravels.

I wouldn't say this movie is that scary, it's more creepy than it is scary, but I love its imagination. It plays mind little mind games and you wonder what is real and what is not. Freddy Krueger is even credited as "himself". It's a must-see for any Freddy fan and in many ways it stands on its own...but only if you've seen the other movies. If that makes any sense.

This is one of the best sequels in the Nightmare series and it's nothing short of brilliant. It's nice to see that Freddy is back in the bottle where he belongs, and hopefully will be for a long time...

My Rating: 9/10