Water Lilies - Der Liebe auf der Spur

A mystical and intensely eerie take on the coming age movie.

Kind of reminded me of Black Swan though there is no movie quite like it; the hypnotic, even dreamlike visual style captures lyricism and moroseness that play off each other.

It's a secret world of the girl, removed from the prying eyes of parents or guardians who don't appear at all, on a warped personal journey in pursuit of beauty and mutual love but does it all in such a breezy way that cuts out all the stuff that makes Lifetime movies insufferable.

I suggest watching it alone.

Water Lilies 1/30/2010

This is an amazingly fearless movie that tackles issues no Hollywood studio would touch. "Water Lilies" is a French film that deals with the lives of three distinct teen female characters and their very real struggles. Set in the world of synchronized swimming, director Celine Sciamma takes you on a disturbingly honest depiction of the lives of modern teenage girls.

The sport of synchronized swimming is very similar to the internal struggles of each of the girls, with all of the furious action and kicking occurring just under the surface. Marie is a fifteen year old tom boyish girl that tends to keep to herself. She is short and is envious of the older more developed girls. She is best friends with the second main girl Anna. She is overweight and often resorts to childish behavior. She fears growing up and being alone. Then there is Floriane the hottest girl in school and captain of the swim team. All of these characters share many of the same problems and deal with them in very different ways. When Marie sees Floriane perform at a school swim meet she quickly becomes enamored with her. Her grace, beauty and popularity make most all the girls in school envious. Marie makes a deal with her so she can watch the team practice. In return Marie has to be the reason for Floriane to leave the house at night to hook up with random boys. Floriane seems to have everything under control and lives a perfect life, but we find out that can't be further from the truth. Her beauty makes her feel like an outsider, as she sticks out in a crowed. Other girls are jealous and mean to her, as she is looked upon as the school slut.

No matter who we are or how we look everybody has body image issues and this is further compounded by the popular media. Television, movies, and magazine mold young minds into thinking what is normal and what is acceptable. Anna and Floriane like the same guy, François. There a few scenes between Marie and Floriane that will make certain audiences extremely uncomfortable. That has developed a sort of controversy between groups of people. Some think that the film is nothing but a cheap exploitation of teen sex. Maybe there would be more of a basis for an argument if the film was made by a man, but it wasn't. Director Celine Sciamma looks to takes great care and sensitivity to the actors and the story. This film is not for everyone but you will get hooked by the likable true to life characters.

Three teenage girls in an incomplete triangular relation. The base of the triangle is barely there. At the apex is Marie, a serious, short and lean tomboy with a Belmondo-like facial structure. Her best friend is the physical and psychological opposite: coquette, chubby -- I dare say fat -- and desirous for her first kiss with a boy but not quite ready for her first sexual encounter. Because of her chubbiness, boys don't seem interested and it pains her.

The other leg of the apex is a beautiful "fille fatale" blonde vamp. She is deeply involved in the sport of synchronized swimming performing at competitive level. Marie sees her during a competition at the local public swimming pool. Marie insinuates herself into the life of the vamp using the desire to become a synchronized swimmer as an argument. The vamp has a reputation of being a whore, making out with any young male that orbits around her. Marie is not phased out by that reputation. Put a stress on reputation.

The first half is set up. We get to see a lot of synchronized swimming as we become familiar with the three girls. Eventually the narrative leaves synchronized swimming behind and concentrates on the topsy-turvy relations among the three. That's when unexpected things start to happen.

It is a trademark of French films to drop nuggets of wisdom on the viewer. This one is no exception. Here it is about ceilings and the dying. See the film to learn more.

The director says that the use of synchronized swimming is purposeful. That women-only sport is a metaphor for a girl's life: pretty and feminine on the surface while hard working and competitive underneath. A number of scenes drive this point: elegant moves and smiles for the public, legs kicking ungainly underwater. The title in French is also suggestive: "prieuve", or octopus, suggest an individual having to juggle many pressures simultaneously.

Scrawny Marie (Pauline Acquart) and awkward chubby friend Anne (Louise Blachère) are standard outsiders. It's summer and they hang out at the pool watching the synchronized swimmers. Marie befriends beautiful Floriane (Adèle Haenel) who leads the swim team. Floriane is the subject of much gossip. Marie starts hanging out with Floriane putting pressure on her friendship with Anne. Meanwhile Anne is obsessed with hunky François.

It's a story of sexual searching and an awkward coming-of-age. There are a few daring scenes. I love when Marie and Anne have a fight. However the plot feels a bit too slight. It's too quiet and the danger is all internal. I want more conflicts. In the end, some stuff happens but they all end up in the same place.

These type of movies about young teenagers struggling with their own sexuality were something unique and daring and daring a couple of years ago but more and more movies like this got made over the past few years, making it hard for the movies to still stand out really.

Also this movie received little publicity, aside from the usual little film festivals that featured this little French movie, as well as the big festivals that are always fond of these type of little movies about everyday subjects that aren't being handled too often in movies. The film premiered at Cannes in 2007 and actually won some awards there as well.

The movie doesn't really stand out from others, since it actually features little new once you've already seen some similar movies such as this one but this however really doesn't mean that "Naissance des pieuvres" is a bad one to watch. The movie is certainly a good watch, that handles its subject well and tells its story steadily and therefore also effectively, in a typical somewhat slow French cinematic pace.

It's a coming of age movie, that focus on the life of mainly 3 totally different mid-teenagers. Sexuality is a big theme within the movie, which gets handled delicately and subtle. It makes the movie and its story overall a pretty realistic one, though perhaps a bit predictable, since the movie doesn't quite offer anything original enough within its genre.

This type of French movie will probably scare off a lot of people because of the reason that they probably expect it to be very arty, with deep layers and meanings to it. "Naissance des pieuvres" however is a very accessible movie for everyone and you really don't have to be into Euro-teen movies to appreciate this movie. It's a sweet and somewhat sensual kind of movie, due to its subject and visual approach.

The movie is also being made realistic by its actors, who don't had and have a lot of experience within the movie business but are authentic looking and feeling within their roles. The strong individual characters provide the movie with some nice themes and good moments.

A good movie on its subject.

7/10

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