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A bit slow (somehow like a Sofia Coppola movie) but still a very captivating film about the discovery of sexuality by three teenage girls. The magic of the movie lies in its capacity to bring back many memories to how it felt like to be their age. The confusion and the insecurities are portrayed in a very simple way but so true to life. The music is perfect and the acting is amazing. The camera works beautifully also. I highly recommend it for those who are not afraid to look back at this particular period of life when we discover our sexual impulses and our desires. I would also say that it is a fine film for young people going through that period. So many movies have been made about adolescence but this really captures the true essence of discovering the adult world of romance and its complexities.

Three teenage girls in an incomplete triangular relation. The base of the triangle is barely there. At the apex is Marie, a serious, short and lean tomboy with a Belmondo-like facial structure. Her best friend is the physical and psychological opposite: coquette, chubby -- I dare say fat -- and desirous for her first kiss with a boy but not quite ready for her first sexual encounter. Because of her chubbiness, boys don't seem interested and it pains her.

The other leg of the apex is a beautiful "fille fatale" blonde vamp. She is deeply involved in the sport of synchronized swimming performing at competitive level. Marie sees her during a competition at the local public swimming pool. Marie insinuates herself into the life of the vamp using the desire to become a synchronized swimmer as an argument. The vamp has a reputation of being a whore, making out with any young male that orbits around her. Marie is not phased out by that reputation. Put a stress on reputation.

The first half is set up. We get to see a lot of synchronized swimming as we become familiar with the three girls. Eventually the narrative leaves synchronized swimming behind and concentrates on the topsy-turvy relations among the three. That's when unexpected things start to happen.

It is a trademark of French films to drop nuggets of wisdom on the viewer. This one is no exception. Here it is about ceilings and the dying. See the film to learn more.

The director says that the use of synchronized swimming is purposeful. That women-only sport is a metaphor for a girl's life: pretty and feminine on the surface while hard working and competitive underneath. A number of scenes drive this point: elegant moves and smiles for the public, legs kicking ungainly underwater. The title in French is also suggestive: "prieuve", or octopus, suggest an individual having to juggle many pressures simultaneously.

The significance of French title of this film, "La Naissance des Pieuvres" which literally means "The Birth of the Octopuses", is rather obscure, so it is perhaps not surprising that it has been marketed in English-speaking countries as "Water Lilies". The "lilies" of the English title are three teenage girls, Marie, Anne and Floriane, who are members of a synchronised swimming team based in the Paris suburbs, and the film is a "coming-of-age" drama about the development of their first sexual feelings.

One feature of the film, perhaps unusual for a film of this type, is that it concentrates exclusively on relationships between the young people themselves. We see nothing of their parents or their teachers, and very little of the adult world at all. The three girls are very different in appearance, and are portrayed as being very different in character. The shy, retiring Marie is slim and petite and appears to be the youngest of the three. Anne is something of a plain Jane, Floriane a glamorous blonde who is very popular with the boys. The three, together with a handsome male swimmer named Francois, are involved in what might be described as a love-quadrilateral.

Anne has fallen in love with Francois, but he is smitten with Floriane, who seems to return his affections, although he is by no means her only male admirer. Indeed, not all of Floriane's admirers are male, because Marie has a crush on her attractive friend. The film charts the way in which their friendship develops; at first it seems that Floriane is simply using Marie as a convenient excuse when she is in fact going out to meet boys; her parents presumably object to her dating boys, but have no objection to her going out with female friends. Later, however, we realise that, despite Floriane's image as the sexy, popular girl who is always the centre of male attention, she actually reciprocates Marie's feelings. The film reverses some conventional stereotypes about sexuality. Anne, with her short hair and rather chunky figure, looks typically "butch", yet she is the only one of the three main characters who is unambiguously heterosexual, whereas the more conventionally feminine Marie and the glamorous Floriane are lesbian, or at least bisexual.

Coming-of-age films are common enough, although most of them tend to avoid the controversial topic of teenage lesbianism. "Water Lilies", however, deals with its subject-matter in a sensitive way, with three very good performances from its three leading actresses, Pauline Acquart, Adele Haenel and Louise Blachere. The relationships between the characters, especially that between Marie and Floriane, are complex, and capable of a number of interpretations. (Is Floriane, for example, simply using Marie for sex, or does she genuinely have romantic feelings for her? Could Floriane's sluttish behaviour with Francois and the other boys be just a device to hide her lesbian feelings from the outside world? Or even to hide them from herself?) This was the first film made by its young director Celine Sciamma (only 27 at the time); on this basis she must be regarded as a highly promising newcomer. 7/10

Water Lilies 1/30/2010

This is an amazingly fearless movie that tackles issues no Hollywood studio would touch. "Water Lilies" is a French film that deals with the lives of three distinct teen female characters and their very real struggles. Set in the world of synchronized swimming, director Celine Sciamma takes you on a disturbingly honest depiction of the lives of modern teenage girls.

The sport of synchronized swimming is very similar to the internal struggles of each of the girls, with all of the furious action and kicking occurring just under the surface. Marie is a fifteen year old tom boyish girl that tends to keep to herself. She is short and is envious of the older more developed girls. She is best friends with the second main girl Anna. She is overweight and often resorts to childish behavior. She fears growing up and being alone. Then there is Floriane the hottest girl in school and captain of the swim team. All of these characters share many of the same problems and deal with them in very different ways. When Marie sees Floriane perform at a school swim meet she quickly becomes enamored with her. Her grace, beauty and popularity make most all the girls in school envious. Marie makes a deal with her so she can watch the team practice. In return Marie has to be the reason for Floriane to leave the house at night to hook up with random boys. Floriane seems to have everything under control and lives a perfect life, but we find out that can't be further from the truth. Her beauty makes her feel like an outsider, as she sticks out in a crowed. Other girls are jealous and mean to her, as she is looked upon as the school slut.

No matter who we are or how we look everybody has body image issues and this is further compounded by the popular media. Television, movies, and magazine mold young minds into thinking what is normal and what is acceptable. Anna and Floriane like the same guy, François. There a few scenes between Marie and Floriane that will make certain audiences extremely uncomfortable. That has developed a sort of controversy between groups of people. Some think that the film is nothing but a cheap exploitation of teen sex. Maybe there would be more of a basis for an argument if the film was made by a man, but it wasn't. Director Celine Sciamma looks to takes great care and sensitivity to the actors and the story. This film is not for everyone but you will get hooked by the likable true to life characters.

These type of movies about young teenagers struggling with their own sexuality were something unique and daring and daring a couple of years ago but more and more movies like this got made over the past few years, making it hard for the movies to still stand out really.

Also this movie received little publicity, aside from the usual little film festivals that featured this little French movie, as well as the big festivals that are always fond of these type of little movies about everyday subjects that aren't being handled too often in movies. The film premiered at Cannes in 2007 and actually won some awards there as well.

The movie doesn't really stand out from others, since it actually features little new once you've already seen some similar movies such as this one but this however really doesn't mean that "Naissance des pieuvres" is a bad one to watch. The movie is certainly a good watch, that handles its subject well and tells its story steadily and therefore also effectively, in a typical somewhat slow French cinematic pace.

It's a coming of age movie, that focus on the life of mainly 3 totally different mid-teenagers. Sexuality is a big theme within the movie, which gets handled delicately and subtle. It makes the movie and its story overall a pretty realistic one, though perhaps a bit predictable, since the movie doesn't quite offer anything original enough within its genre.

This type of French movie will probably scare off a lot of people because of the reason that they probably expect it to be very arty, with deep layers and meanings to it. "Naissance des pieuvres" however is a very accessible movie for everyone and you really don't have to be into Euro-teen movies to appreciate this movie. It's a sweet and somewhat sensual kind of movie, due to its subject and visual approach.

The movie is also being made realistic by its actors, who don't had and have a lot of experience within the movie business but are authentic looking and feeling within their roles. The strong individual characters provide the movie with some nice themes and good moments.

A good movie on its subject.

7/10

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Also known as "Water Lilies" this film tells the story of two girls as they struggle their way into the world of love and sex. This story is told at a slow pace and that works very well. It gives plenty of time and space to get to know the different characters and to grow somewhat attached to them.

Using a small cast puts some extra pressure on the people playing as they all have some more screen time than normal but the people playing in this film handle that well. Everyone is completely believable. Visual setting is great, especially the underwater shots in the swimming pool add a nice effect.

Many films have been made about the same subject though and this one does not really stand out above any of them. It pulls some "standard" pressure methods out of the high hat and works on them. It isn't bad, not at all, but it surely isn't great either and I do feel it could have done better if it had taken some what less explored angles.

7 out of 10 synchronous swimmers

I saw it at Cinema MK2 Hautefeuille just one night after its first public projection in Paris. A very pretty film about three 15 years old teenagers, all of them just at about the same psychologically stages. Many of the scenes let us to come back to our adolescence age & our first feelings about sexual relations. it is possible to imagine that the director would like to reduce the first strong sensual feelings of the girls to lesbianism, but even in that case she doesn't corrupt the likelihood of the story. You can sometimes find the film a little slow but it is what creates this intimate atmosphere. I fund the young actresses of talent, special mention with Floriane and Marie, very convincing. There are many small details but this film also enabled me to discover what synchronized swimming is: impressing!

Scrawny Marie (Pauline Acquart) and awkward chubby friend Anne (Louise Blachère) are standard outsiders. It's summer and they hang out at the pool watching the synchronized swimmers. Marie befriends beautiful Floriane (Adèle Haenel) who leads the swim team. Floriane is the subject of much gossip. Marie starts hanging out with Floriane putting pressure on her friendship with Anne. Meanwhile Anne is obsessed with hunky François.

It's a story of sexual searching and an awkward coming-of-age. There are a few daring scenes. I love when Marie and Anne have a fight. However the plot feels a bit too slight. It's too quiet and the danger is all internal. I want more conflicts. In the end, some stuff happens but they all end up in the same place.

Not everything is said in this excellent first feature from Céline Sciamma. The friendship, the "wanting to fit in", the first sexual feelings... All this and much more is sublimated through the underwater synchro swimming scenes.

All three girls in the movie try to find and express their personality in a very different way. It is a much less violent approach to the understanding of the teenage years compared to, say, "Thirteen", but a very worthwhile trip nonetheless.

A must see, and please leave all American cinematographic preconceptions at he door. The soundtrack is A+ by the way.

Bon cinéma !

A superb film just as angedelamort ably describes it. I would add that it's in part a story of how the young women manipulate each other. Because the director is a master of minimalism, our attention is forcefully drawn to how the characters extend and withhold affection. This "power dynamic" exists in every relationship, to varying degree, and we get a tutorial on it here. With due respect to Coppola, whose Lost in Translation is a minor masterpiece, this film doesn't drag. There's something interesting in every shot, the pacing is just right, and you come away caring about these characters for a long time, wondering what's next for them.

Pros: 1. The synchronized swimming scenes are well-choreographed and captivating to watch, especially the underwater scene near the beginning. 2. Adèle Haenel (Floriane) gives a really good performance, but was let down by the script.

Cons: 1. The lighting is often really flat, thus making the film visually unappealing. 2. The score, is at times, generic and is often used for cheap emotional manipulation. 3. Marie (Pauline Acquart) has nothing to her character aside from her desperate desire to get with Floriane. This makes it difficult to care about the events taking place. 4. The sub-plot featuring Anne (Louise Blachère) lusting after François (Warren Jacquin) is poorly-developed, needless, and uninteresting. 5. The movie is far too slow-paced, especially considering the lack of content. 6. The social commentary on slut-shaming and body positivity is jarringly inserted, and way too blunt. 7. The conflict, particularly between Marie and Anne, is terribly set-up, boring, and forced. 8. The sensual, lesbian-esque, scenes between Pauline Acquart and Adèle Haenel are uncomfortable and slightly disturbing to watch, as Pauline Acquart was 14 years old whereas Adèle Haenel was 18.

A fascinating and indiscreet look into a summer for 3 teen girls synchronizing with the world, discovering their sexual drives and staying afloat while doing silly things. "A la Rohmer" someone might think: I partly agree but this first feature by Sciamma, proves to be much more modern, interesting and unwilling to indulge in exhausting blabla.

Yet a direction with some flaws - mainly in terms of pace and scene delivery - and a script with a lot of weak points - among which some weird behaviour by the characters and a general lack of realism (e.g. A. Haenel's character is too "old", experienced and pretty to be spending her time with P. Acquart's character). While the stylish choice of having adolescents apparently living without parents and doing the hell they like (surprisingly without the involvement of alcohol or drugs) might not be a problem, lots of other things don't really add up (and they don't seem all meant to show a fantasy world seen from the unexperienced eyes of our protagonists).

Hard to pinpoint exactly what is wrong with the execution of the storyline, but something is defintely off. Pity, because lots of scenes are quite suggestive despite their apparent simplicity. Wisely the writer/director decided that the lenght of 80mins was fine: going further might have turned the already mostly uneventful plot into a chore.

Great acting by all the young actors, with an especially good job by all the 3 main actresses.

Very good music by de Laubier at his first major work in cinema.

A mystical and intensely eerie take on the coming age movie.

Kind of reminded me of Black Swan though there is no movie quite like it; the hypnotic, even dreamlike visual style captures lyricism and moroseness that play off each other.

It's a secret world of the girl, removed from the prying eyes of parents or guardians who don't appear at all, on a warped personal journey in pursuit of beauty and mutual love but does it all in such a breezy way that cuts out all the stuff that makes Lifetime movies insufferable.

I suggest watching it alone.

Teen dramas usually deal with the cruelty of boys; Water Lilies shows that girls can be equally vicious with each other. Fifteen year olds, Anne, the fat and lonely kid is always present, going back to the victim in Lord of the Flies, whose glasses are broken by the sadists he is trapped on an island with. Marie is the one searching for love, and seems to find it with Floriane, the blossoming beauty who looks like trouble from the start.

The three first meet at a swimming pool and become involved with a synchronized swim team; thus the title, Water Lilies. The typical adolescent angst follows, with laughter and tears and fights. It is also the story of sexual awakening and discovery, in the typical laid back European fashion. The film could not have been made here in America, with its' uptight views on human sexuality.

Nothing groundbreaking occurs, the three girls go through the routine troubles of high school students everywhere. The actresses are good and the script passable, for a rating of 6/10.

I've seen more than a dozen lesbian films. This is the worst one, probably. Or at least the most boring. I can see how it could interest someone who has puberty on their mind or wants perhaps to commiserate with some lameness that happened in their own life. But it's just a basically quiet film, not much is said, reminds me of how boring my teen years were... when I had nothing to say because I knew nothing. Don't waste your time on this if you are at all picky with your movies. I gave it a rating of 1 star, and I haven't given any other film that rating, not even When Night Is Falling, which in some ways is worse. The rating is based on how worth watching it is. If you are looking for fun entertainment, definitely avoid this.

When you love someone so hard it hurts, and flounder in the wake of mixed signals and confusing emotions. The backdrop might be synchronized swimming, but each of these three girls is trying to find her individuality amidst rising sexual desire, one of whom is secretly gay. I liked the female perspective of director Céline Sciamma (look for her cameo at McDonald's!), as above all she emphasizes emotions, and shows the boys doing things like wearing underwear on their heads at a party. There is a strong story of adolescent friendship here too, which veers from goofiness to saying some nasty, hurtful things (even after one of them has successfully argued for a Happy Meal), to simply being there for one another. There is a gentle feeling of humanity that runs throughout this film, and the performances are heartfelt. That final shot is glorious too.

I liked this. The camera work, acting and studies were very good.

The characters were distinct and true to form throughout, showing young love and the complications that brings. Actual nudity fairly minimal despite the erotic theme, but that eroticism is carried through quite skillfully, never overstepping the mark into porn and maintaining interest in what would otherwise be fairly dull scenes.

Motives are mostly feelings and expressed in the truly clumsy way of adolescents.

My only real criticism is only that it has no ending to speak of. The story is minimal and conveys more of a feeling of a time in peoples lives rather than a story by itself. A snapshot of feelings and in that it succeeds well.

I... So I kept seeing people edit this move on instagram and be like, "This movie is good." So I found it, and watched it with no subtitles because the version I used was on Youtube.

I think that this movie would have been better if it wasn't just a cycle, and if it moved faster. I was dissatisfied with the same cycle of Marie getting jealous, and then like TRYING to reveal her feelings. Plus, the "chubby" girls story line could've been MUCH for detailed and interesting, instead of disappointing, (SHE JUST SPIT ON HIM?) Marie's character was annoying to a point, but I think the film really nailed down that "Pubescent Tween" kinda thing!

Oh!-and the cinematography was mildly UNentertaining, all those side shots?

The things I did like about it... hmm, the color scheme was pretty cool, the character development was AMAZING (kinda), and the storyline was okay-ish.

I give a 5/10.

I put off watching 'Water Lilies' because its billing made me feel that this would be a film about (yawn) synchronised swimming: in fact, it's about three teenage girls exploring their sexuality, only one of whom is a swimmer, and that fact is of marginal importance in the story. I like the way it shows the girls as keen to experiment but inside, unaware of what it is they want: and it captures nicely the "hanging-roundness" quality of teenage existence, with nothing to do except pretend that you fit in. Yet even though it is well acted and observed, 'Water Lilies' didn't move me that deeply. Perhaps it's the tripartite viewpoint that reduces empathy with any one character; I would also have liked to see a little more of their lives, away from their journeys of sexual exploration. But it's still a nice film, although a slight one.