Sommer in einem Neubaustadtteil außerhalb von Paris. Es gibt nichts weiter zu tun, als die Decke anzustarren. Marie, Anne und Floriane sind 15 Jahre alt. Ihre Wege kreuzen sich in den Gängen... Alles lesenSommer in einem Neubaustadtteil außerhalb von Paris. Es gibt nichts weiter zu tun, als die Decke anzustarren. Marie, Anne und Floriane sind 15 Jahre alt. Ihre Wege kreuzen sich in den Gängen des örtlichen Schwimmbades, wo Liebe und Verlangen schlagartig für einige Dramatik sorgen... Alles lesenSommer in einem Neubaustadtteil außerhalb von Paris. Es gibt nichts weiter zu tun, als die Decke anzustarren. Marie, Anne und Floriane sind 15 Jahre alt. Ihre Wege kreuzen sich in den Gängen des örtlichen Schwimmbades, wo Liebe und Verlangen schlagartig für einige Dramatik sorgen.
- Auszeichnungen
- 4 Gewinne & 7 Nominierungen insgesamt
- La caissière
- (as Marie Gili Pierre)
- Type boîte
- (as Chrisophe Vandevelde)
- McDonald's Cashier
- (Nicht genannt)
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Kind of reminded me of Black Swan though there is no movie quite like it; the hypnotic, even dreamlike visual style captures lyricism and moroseness that play off each other.
It's a secret world of the girl, removed from the prying eyes of parents or guardians who don't appear at all, on a warped personal journey in pursuit of beauty and mutual love but does it all in such a breezy way that cuts out all the stuff that makes Lifetime movies insufferable.
I suggest watching it alone.
All three girls in the movie try to find and express their personality in a very different way. It is a much less violent approach to the understanding of the teenage years compared to, say, "Thirteen", but a very worthwhile trip nonetheless.
A must see, and please leave all American cinematographic preconceptions at he door. The soundtrack is A+ by the way.
Bon cinéma !
The other leg of the apex is a beautiful "fille fatale" blonde vamp. She is deeply involved in the sport of synchronized swimming performing at competitive level. Marie sees her during a competition at the local public swimming pool. Marie insinuates herself into the life of the vamp using the desire to become a synchronized swimmer as an argument. The vamp has a reputation of being a whore, making out with any young male that orbits around her. Marie is not phased out by that reputation. Put a stress on reputation.
The first half is set up. We get to see a lot of synchronized swimming as we become familiar with the three girls. Eventually the narrative leaves synchronized swimming behind and concentrates on the topsy-turvy relations among the three. That's when unexpected things start to happen.
It is a trademark of French films to drop nuggets of wisdom on the viewer. This one is no exception. Here it is about ceilings and the dying. See the film to learn more.
The director says that the use of synchronized swimming is purposeful. That women-only sport is a metaphor for a girl's life: pretty and feminine on the surface while hard working and competitive underneath. A number of scenes drive this point: elegant moves and smiles for the public, legs kicking ungainly underwater. The title in French is also suggestive: "prieuve", or octopus, suggest an individual having to juggle many pressures simultaneously.
Also this movie received little publicity, aside from the usual little film festivals that featured this little French movie, as well as the big festivals that are always fond of these type of little movies about everyday subjects that aren't being handled too often in movies. The film premiered at Cannes in 2007 and actually won some awards there as well.
The movie doesn't really stand out from others, since it actually features little new once you've already seen some similar movies such as this one but this however really doesn't mean that "Naissance des pieuvres" is a bad one to watch. The movie is certainly a good watch, that handles its subject well and tells its story steadily and therefore also effectively, in a typical somewhat slow French cinematic pace.
It's a coming of age movie, that focus on the life of mainly 3 totally different mid-teenagers. Sexuality is a big theme within the movie, which gets handled delicately and subtle. It makes the movie and its story overall a pretty realistic one, though perhaps a bit predictable, since the movie doesn't quite offer anything original enough within its genre.
This type of French movie will probably scare off a lot of people because of the reason that they probably expect it to be very arty, with deep layers and meanings to it. "Naissance des pieuvres" however is a very accessible movie for everyone and you really don't have to be into Euro-teen movies to appreciate this movie. It's a sweet and somewhat sensual kind of movie, due to its subject and visual approach.
The movie is also being made realistic by its actors, who don't had and have a lot of experience within the movie business but are authentic looking and feeling within their roles. The strong individual characters provide the movie with some nice themes and good moments.
A good movie on its subject.
7/10
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Using a small cast puts some extra pressure on the people playing as they all have some more screen time than normal but the people playing in this film handle that well. Everyone is completely believable. Visual setting is great, especially the underwater shots in the swimming pool add a nice effect.
Many films have been made about the same subject though and this one does not really stand out above any of them. It pulls some "standard" pressure methods out of the high hat and works on them. It isn't bad, not at all, but it surely isn't great either and I do feel it could have done better if it had taken some what less explored angles.
7 out of 10 synchronous swimmers
Wusstest du schon
- WissenswertesActress Adèle Haenel came out at the French Academy Awards in 2013 by thanking her girlfriend, filmmaker Celine Sciamma, whom she met while making this movie.
- PatzerWhen Marie first gets into the water, invited by Floriane, Marie's hair is already wet.
- VerbindungenReferences Eselshaut (1970)
- SoundtracksNaissance des pieuvres
by Para One
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Unter Wasser, über Kopf
- Drehorte
- Ville nouvelle, Cergy, Val-d'Oise, Frankreich(most scenes and exteriors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 85.440 $
- Eröffnungswochenende in den USA und in Kanada
- 7.418 $
- 6. Apr. 2008
- Weltweiter Bruttoertrag
- 628.258 $