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Water Lilies - Der Liebe auf der Spur

Originaltitel: Naissance des pieuvres
  • 2007
  • 12
  • 1 Std. 25 Min.
IMDb-BEWERTUNG
6,7/10
14.757
IHRE BEWERTUNG
Adèle Haenel and Pauline Acquart in Water Lilies - Der Liebe auf der Spur (2007)
Bande-annonce [OV] ansehen
trailer wiedergeben1:36
1 Video
44 Fotos
Teen RomanceDramaRomance

Sommer in einem Neubaustadtteil außerhalb von Paris. Es gibt nichts weiter zu tun, als die Decke anzustarren. Marie, Anne und Floriane sind 15 Jahre alt. Ihre Wege kreuzen sich in den Gängen... Alles lesenSommer in einem Neubaustadtteil außerhalb von Paris. Es gibt nichts weiter zu tun, als die Decke anzustarren. Marie, Anne und Floriane sind 15 Jahre alt. Ihre Wege kreuzen sich in den Gängen des örtlichen Schwimmbades, wo Liebe und Verlangen schlagartig für einige Dramatik sorgen... Alles lesenSommer in einem Neubaustadtteil außerhalb von Paris. Es gibt nichts weiter zu tun, als die Decke anzustarren. Marie, Anne und Floriane sind 15 Jahre alt. Ihre Wege kreuzen sich in den Gängen des örtlichen Schwimmbades, wo Liebe und Verlangen schlagartig für einige Dramatik sorgen.

  • Regie
    • Céline Sciamma
  • Drehbuch
    • Céline Sciamma
  • Hauptbesetzung
    • Pauline Acquart
    • Louise Blachère
    • Adèle Haenel
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    14.757
    IHRE BEWERTUNG
    • Regie
      • Céline Sciamma
    • Drehbuch
      • Céline Sciamma
    • Hauptbesetzung
      • Pauline Acquart
      • Louise Blachère
      • Adèle Haenel
    • 47Benutzerrezensionen
    • 84Kritische Rezensionen
    • 67Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 7 Nominierungen insgesamt

    Videos1

    Bande-annonce [OV]
    Trailer 1:36
    Bande-annonce [OV]

    Fotos44

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 36
    Poster ansehen

    Topbesetzung14

    Ändern
    Pauline Acquart
    Pauline Acquart
    • Marie
    Louise Blachère
    Louise Blachère
    • Anne
    Adèle Haenel
    Adèle Haenel
    • Floriane
    Warren Jacquin
    Warren Jacquin
    • François
    Christel Baras
    • L'inspectrice
    Marie Gili-Pierre
    Marie Gili-Pierre
    • La caissière
    • (as Marie Gili Pierre)
    Alice de Lencquesaing
    Alice de Lencquesaing
    • Fille vestiaire
    Claire Pierrat
    • Fille vestiaire 2
    Barbara Renard
    • Natacha
    Esther Sironneau
    Esther Sironneau
    • La vendeuse
    Jérémie Steib
    Jérémie Steib
    • Le masseur
    Yvonne Villemaire
    • La voisine
    Christophe Vandevelde
    Christophe Vandevelde
    • Type boîte
    • (as Chrisophe Vandevelde)
    Céline Sciamma
    Céline Sciamma
    • McDonald's Cashier
    • (Nicht genannt)
    • Regie
      • Céline Sciamma
    • Drehbuch
      • Céline Sciamma
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen47

    6,714.7K
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    10

    Empfohlene Bewertungen

    9GiraffeDoor

    I find this movie hard to talk about.

    A mystical and intensely eerie take on the coming age movie.

    Kind of reminded me of Black Swan though there is no movie quite like it; the hypnotic, even dreamlike visual style captures lyricism and moroseness that play off each other.

    It's a secret world of the girl, removed from the prying eyes of parents or guardians who don't appear at all, on a warped personal journey in pursuit of beauty and mutual love but does it all in such a breezy way that cuts out all the stuff that makes Lifetime movies insufferable.

    I suggest watching it alone.
    8jpblondeau

    Subtle french film about adolescence

    Not everything is said in this excellent first feature from Céline Sciamma. The friendship, the "wanting to fit in", the first sexual feelings... All this and much more is sublimated through the underwater synchro swimming scenes.

    All three girls in the movie try to find and express their personality in a very different way. It is a much less violent approach to the understanding of the teenage years compared to, say, "Thirteen", but a very worthwhile trip nonetheless.

    A must see, and please leave all American cinematographic preconceptions at he door. The soundtrack is A+ by the way.

    Bon cinéma !
    8rasecz

    Topsy-turvy relations among three adolescent girls

    Three teenage girls in an incomplete triangular relation. The base of the triangle is barely there. At the apex is Marie, a serious, short and lean tomboy with a Belmondo-like facial structure. Her best friend is the physical and psychological opposite: coquette, chubby -- I dare say fat -- and desirous for her first kiss with a boy but not quite ready for her first sexual encounter. Because of her chubbiness, boys don't seem interested and it pains her.

    The other leg of the apex is a beautiful "fille fatale" blonde vamp. She is deeply involved in the sport of synchronized swimming performing at competitive level. Marie sees her during a competition at the local public swimming pool. Marie insinuates herself into the life of the vamp using the desire to become a synchronized swimmer as an argument. The vamp has a reputation of being a whore, making out with any young male that orbits around her. Marie is not phased out by that reputation. Put a stress on reputation.

    The first half is set up. We get to see a lot of synchronized swimming as we become familiar with the three girls. Eventually the narrative leaves synchronized swimming behind and concentrates on the topsy-turvy relations among the three. That's when unexpected things start to happen.

    It is a trademark of French films to drop nuggets of wisdom on the viewer. This one is no exception. Here it is about ceilings and the dying. See the film to learn more.

    The director says that the use of synchronized swimming is purposeful. That women-only sport is a metaphor for a girl's life: pretty and feminine on the surface while hard working and competitive underneath. A number of scenes drive this point: elegant moves and smiles for the public, legs kicking ungainly underwater. The title in French is also suggestive: "prieuve", or octopus, suggest an individual having to juggle many pressures simultaneously.
    7Boba_Fett1138

    Nothing new really but it's executed well all.

    These type of movies about young teenagers struggling with their own sexuality were something unique and daring and daring a couple of years ago but more and more movies like this got made over the past few years, making it hard for the movies to still stand out really.

    Also this movie received little publicity, aside from the usual little film festivals that featured this little French movie, as well as the big festivals that are always fond of these type of little movies about everyday subjects that aren't being handled too often in movies. The film premiered at Cannes in 2007 and actually won some awards there as well.

    The movie doesn't really stand out from others, since it actually features little new once you've already seen some similar movies such as this one but this however really doesn't mean that "Naissance des pieuvres" is a bad one to watch. The movie is certainly a good watch, that handles its subject well and tells its story steadily and therefore also effectively, in a typical somewhat slow French cinematic pace.

    It's a coming of age movie, that focus on the life of mainly 3 totally different mid-teenagers. Sexuality is a big theme within the movie, which gets handled delicately and subtle. It makes the movie and its story overall a pretty realistic one, though perhaps a bit predictable, since the movie doesn't quite offer anything original enough within its genre.

    This type of French movie will probably scare off a lot of people because of the reason that they probably expect it to be very arty, with deep layers and meanings to it. "Naissance des pieuvres" however is a very accessible movie for everyone and you really don't have to be into Euro-teen movies to appreciate this movie. It's a sweet and somewhat sensual kind of movie, due to its subject and visual approach.

    The movie is also being made realistic by its actors, who don't had and have a lot of experience within the movie business but are authentic looking and feeling within their roles. The strong individual characters provide the movie with some nice themes and good moments.

    A good movie on its subject.

    7/10

    http://bobafett1138.blogspot.com/
    7LazySod

    The slow voyage to adulthood

    Also known as "Water Lilies" this film tells the story of two girls as they struggle their way into the world of love and sex. This story is told at a slow pace and that works very well. It gives plenty of time and space to get to know the different characters and to grow somewhat attached to them.

    Using a small cast puts some extra pressure on the people playing as they all have some more screen time than normal but the people playing in this film handle that well. Everyone is completely believable. Visual setting is great, especially the underwater shots in the swimming pool add a nice effect.

    Many films have been made about the same subject though and this one does not really stand out above any of them. It pulls some "standard" pressure methods out of the high hat and works on them. It isn't bad, not at all, but it surely isn't great either and I do feel it could have done better if it had taken some what less explored angles.

    7 out of 10 synchronous swimmers

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Actress Adèle Haenel came out at the French Academy Awards in 2013 by thanking her girlfriend, filmmaker Celine Sciamma, whom she met while making this movie.
    • Patzer
      When Marie first gets into the water, invited by Floriane, Marie's hair is already wet.
    • Zitate

      Marie: The ceiling is probably the last thing most people see. For at least 90% of people that die. For sure. And when you die, the last thing you see is printed in your eye. Like a photo. Imagine the number of people with ceilings in their eyes.

      Floriane: Ceilings will never seem the same.

    • Verbindungen
      References Eselshaut (1970)
    • Soundtracks
      Naissance des pieuvres
      by Para One

    Top-Auswahl

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    FAQ18

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    Details

    Ändern
    • Erscheinungsdatum
      • 3. Juli 2008 (Deutschland)
    • Herkunftsland
      • Frankreich
    • Offizielle Standorte
      • Canal+
      • Official MySpace (France)
    • Sprache
      • Französisch
    • Auch bekannt als
      • Unter Wasser, über Kopf
    • Drehorte
      • Ville nouvelle, Cergy, Val-d'Oise, Frankreich(most scenes and exteriors)
    • Produktionsfirmen
      • Balthazar Productions
      • Lilies Films
      • Canal+
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 85.440 $
    • Eröffnungswochenende in den USA und in Kanada
      • 7.418 $
      • 6. Apr. 2008
    • Weltweiter Bruttoertrag
      • 628.258 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 25 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby
    • Seitenverhältnis
      • 1.85 : 1

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