Als er seinen nächsten Job plant, versucht ein langjähriger Dieb, seine Gefühle für einen Bankmanager auszugleichen, , der mit einem seiner früheren Raubüberfälle in Verbindung steht, ebenso... Alles lesenAls er seinen nächsten Job plant, versucht ein langjähriger Dieb, seine Gefühle für einen Bankmanager auszugleichen, , der mit einem seiner früheren Raubüberfälle in Verbindung steht, ebenso wie der F.B.I. Agent, der ihn und seine Crew zu Fall bringen will.Als er seinen nächsten Job plant, versucht ein langjähriger Dieb, seine Gefühle für einen Bankmanager auszugleichen, , der mit einem seiner früheren Raubüberfälle in Verbindung steht, ebenso wie der F.B.I. Agent, der ihn und seine Crew zu Fall bringen will.
- Für 1 Oscar nominiert
- 9 Gewinne & 46 Nominierungen insgesamt
- Albert 'Gloansy' Magloan
- (as Slaine)
- Vericom Crew Chief
- (as Tony V)
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Gone Baby Gone was his first directorial effort set in the city of Boston, The Town is his second. Ben obviously loves the city and if he keeps making films like these two, I'll be happy with some more Boston. I'm not going to preach about which film is better, their both different. Gone Baby Gone has more of an emotional punch with it's climax and tough decisions. The Town doesn't reach those heights, but it's a well made tense action thriller with a bit of a romance thrown in.
This time Affleck is in front of the camera as well. He seems to have left his pretty boy blockbuster image behind him. I'm thankful, I can only take so many Armageddons or Pearl Harbors. He's matured as an actor, this is evident by his roles as of late. State of Play and Hollywoodland are two examples. Of course he's had some fun films in between, but he's probably the best thing about those. Extract anyone?
For The Town he has assembled quite the cast. Jeremy Renner, who is hot off of The Hurt Locker plays his buddy with an attitude who won't think twice about pulling the trigger if you're in his way. Mad Men's Jon Hamm who is the FBI agent on their trail, his partner is Man in Black actor Titus Welliver, who was also in Gone Baby Gone. I wouldn't mind seeing more of him in films and if he's Affleck's good luck charm, all the better. Blake Lively has a small role and she does skanky a little too well. She has a thing for Affleck's character and she has a daughter, but he's obviously fallen for someone else. Rebecca Hall, who has the hard role of playing the woman who is dating her abductor. Things don't look too well for this relationship.
The Town shows Affleck's ability at directing action sequences. Gone Baby Gone wasn't full of gunfights and car chases, but The Town is. There are three separate heists in the film, the opening, the middle section and the climactic ending. All three are different from each other, one is in a bank, the other a truck and finally a baseball stadium. Each heist was exciting to watch and gave you those Heat moments. It's obviously the Heat was influential in the making of this film. It seems all movies that have robberies in them look to Heat.
Ben Affleck had a hand in writing the film, he of course won an Oscar with Matt Damon for writing Good Will Hunting. It appears he's found his footing once again and hopefully the allure of the blockbuster won't claim him once more. The Town is a successful film made for adults. It's slick, well acted and has enough thrilling moments to keep those who seek it entertained. The film centres mostly on Affleck and his new love and the heist bits are second fodder. Renner is the only one who gets some spotlight from the crew, the other two are simply background faces. The Town does it's job as a movie and Ben Affleck has found himself a new career.
It starts with the cast and the performances he gets from them. In 2007, he helped Amy Ryan to a supporting actress nomination, and that's ignoring the other talents in the film such as Casey Affleck, Michelle Monaghan and Ed Harris. In "The Town," he gets Oscar nominee Jeremy Renner in his first major film since his breakout in "The Hurt Locker" and Jon Hamm in his first major film since TV's "Mad Men" took off. He also gets a pair of up-and-comers in Rebecca Hall and "Gossip Girl" star Blake Lively. And that's not to mention Pete Postelthwaite and Chris Cooper. Next to "Inception," it's the best ensemble cast of the year.
Based on the Chuck Hogan novel "Prince of Thieves," the film follows a team of bank robbers from Charlestown, an area notorious for grooming the best at intercepting armored cars and taking down banks. As with "Gone Baby Gone," also based on a novel (by Dennis Lehane), the city of Boston and the people and culture are as important to Affleck as the plot. He's sure to let shots of the Charlestown bridge and Fenway Park soak in amidst the ever-building pinch the main characters are in.
Doug MacRay (Affleck) and his buddy Jim (Renner) and a couple others pull off a bank job in the opening scene, but when it doesn't go exactly as planned, they're forced to kidnap the bank manager (Hall). To make sure she didn't see anything and can hand them on a platter to the feds (led by Jon Hamm's Special Agent Frawley), Doug trails her, only to find himself falling for her.
"The Town" is one of those crime dramas/bank-job action films that while not revelatory for the genre, executes everything well and sticks to a character-driven story in order to stay meaningful. Perhaps the reason it works so well is because it floats in between the drama, never becoming too much of a guns 'n robbers flick, but also not slipping into crime melodrama for too long. Affleck's performance as MacRay acts in accordance; it's tastefully understated and he lets go of the machismo that has marred a few of his previous roles.
The film also has an unexpected but much appreciated sense of humor. In a mile-a-minute crime drama/thriller, you don't expect to laugh the way you will in "The Town," which speaks even more to the writing and Affleck's versatility. Even if there are some plot conventions and no-surprise characters (as good as Hamm is, he's playing every other quick-witted FBI guy in films), the dialogue is sharp, the story is exciting and the way we are so easily able to see things from MacRay's perspective as the bank robber who wants out makes up for any use of convention as a crutch.
There's no doubt that if "The Town" becomes a success that studios will seek out Affleck for some more high-profile projects and it will certainly be interesting to see how he handles material not rooted in Boston sub-culture. As long as he continues to get such memorable performances out of his actors, he'll be doing things on the other end of the camera for a long time to come.
~Steven C
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Story: It's just easy to follow. The story was simple and easy to follow, and Ben Affleck knows this. So he DOES this. Movies nowadays think the key to making and film (and winning over the critics) is to create all these absurd quick edits and complex back flashes to what, when, and where something happened, then quickly cut to a twist, back again. It's confusing. No one really wants that. So instead of doing this, he creates a story that's easy and simple to follow. That's exactly what I wanted.
Acting: Ben Affleck directs and stars. He did a great job on both parts, and he sets up the cast perfectly. First off, there's no cringe-worthy scenes. We are following the characters throughout, and there isn't no crazy stuff the characters do or say that we question. A lot of movies do that, The Town knows exactly what not to do. It was real too, leading me too...
Realism: Yup. The Town knows how to create this effect? How does it create this effect? Well I'll tell you! The Town knows not to put in cheesy CGI effects. Everything lots realistic and gritty. You feel like your sucked into the situation of the characters. That's what films are SUPPOSED to do, and the objection is not to make us entertained. Movies are supposed to be an experience, and The Town knew what to do.
Romance: I cannot believe I am putting this on here, but it counts. The Town isn't confused with just being a crime-thriller. It knows it's strengths and it's weaknesses. It's a genre-binder. It binds together what we want to watch, too. Action, drama, romance, and more drama. What more could you exactly want? The movie has it all.
If you can get past that the movie is a bit contrived, it knows how to push this thing out of the way. It's simplistic, gritty, and highly realistic. Yup, this is a Ben Affleck movie and I'm proud to say it. The movie was fantastic though, and if wasn't so clichéd in some parts, maybe it would become a masterpiece. But it did what it did, as pushed boundaries no movie has dared to do. So that sets it, go see it. Recommended for all. 8/10.
Affleck's first foray into directing with the Dennis Lehane adaptation Gone Baby Gone shocked viewers and the critical community in kind, showing that a fading acting career does not mean one is down-and-out in Hollywood. Affleck marries his two passions in The Town, directing, producing and writing the film as well as starring in the lead role, his first since 2003's Paycheck. He owns this comeback performance, successfully wiping any lingering distaste from duds like Daredevil or Gigli. This is by no means a one-man show, but The Town has nothing close to a weak link, in fact, this may be one of the finest pieces of ensemble acting in years.
Joining Affleck in a supporting role is Jeremy Renner, fresh off his best actor Oscar nomination for The Hurt Locker and he beyond a doubt proves he is no one-hit wonder. This is Oscar-worthy acting yet again for Renner, nailing his Boston accent along with his loose-cannon mentality. He is terrifying, but impossible to pry your eyes away from. The most shocking revelation comes from Blake Lively (TV's "Gossip Girl") as a doped-up mother with more than a few issues. She is not only unrecognizable, but owns her role, never calling attention to her drastic deviation from type. Substantial buzz was also placed in the way of John Hamm from the acclaimed television drama Mad Men. He is sufficiently pompous as a dedicated FBI agent also scoring a number of the films laughs.
Before I wander too much further into specifics, the characters in The Town populate a Boston suburb called Charlestown, which an introductory message informs us, is the world-center for bank robbers. Affleck's Doug MacRay heads a team of those in such a profession including Renner as James Coughlin and two others played by Slaine, and Owen Burke. During one of their routine bank heists, they are forced to take a hostage (Rebecca Hall) during their hasty escape. Afterwards, to make sure she does not know anything incriminating following her release from captivity, MacRay follows her and inadvertently falls for her in the process.
There is nothing particularly revelatory about The Town, there are few surprises or much that deviates from a standard crime drama. But Affleck directs with such skill and confidence while showcasing yet another peek into suburban Boston that it is never less than riveting. There is an overlying sense of impeding dread that perforates The Town and a handful of sensational action sequences do little to let up the firm grasp the film has on our windpipes. Propelled by faultless acting and a pitch- perfect script, this slice of the Boston criminal underworld is everything for which we could have hoped following such a bland summer. Affleck has always been a star, and if he continues to produce films of this pedigree, then there might be hope for the movies yet.
When watching the trailer it easy to draw comparisons to Heat and The Departed but this is different. Many films about crime make the audience side either the police or the criminals yet The Town allows the audience to see people from both sides of the law fairly. Jon Hamm plays an honest working FBI officer while Ben Affleck plays the criminal. The film is shot predominately from the criminals perspective, therefore the audience feel the same sense of urgency that they do but we don't want to see them gun down the FBI and police and let them get away with their crimes. It is a difficult challenge for the director to deal with but he does it well and the end result is very good.
The entire cast are all fantastic even when given smaller roles, for example Chris Cooper and the late Pete Postlethwaite steel the scenes that they are in. Jeremy Renner has earned a lot of attention from his role and he deserves it, giving an honest performance, which clearly took a lot of research to perfect. An almost unrecognisable Blake Lively and Rebecca Hall are both great. Ben Affleck and Jon Hamm as the opposing forces are also great but it is Renner's performance that stands out.
As a crime film, it is important that the action doesn't turn the whole film into an all guns blazing film. The action scenes are handed pretty well and the car chases through the minor roads of Boston are really exciting to watch.
The Town is not only only a solid action/ crime film but also marks Affleck as a great director. I strongly recommend this film if you are interested in the genre. While it is not perfect, it does so much well, that you would be missing out if you didn't see this.
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- WissenswertesBefore the movie was released, Ben Affleck praised Jeremy Renner's performance. He jokingly stated that if there was a bad shot or performance from someone else in a scene, editing could easily cut to Renner looking at a napkin to make the scene work. Jeremy Renner would go on to receive an Academy Award nomination for his performance.
- PatzerWhen the ambulance hits the FBI Mobile Command Center, cables are visible along the street to pull the truck back.
- Zitate
[last lines]
Doug MacRay: No matter how much you change, you still have to pay the price for the things you've done. So I got a long road. But I know I'll see you again - this side or the other.
- Crazy CreditsCharlestown's reputation as a breeding ground for armed robbers is authentic. However, this film all but ignores the great majority of the residents of Charlestown, past and present, who are the same good and true people found most anywhere. This film is dedicated to them.
- Alternative VersionenThere are three known versions to exist: the 125-minute theatrical cut; the 150-minute extended cut that follows closely to the novel and the 153-minute alternate cut that is the same as the extended version but uses the original novel's ending.
- Soundtracks99 Bottles
Written by George Carroll (as George Carroll) and Christopher McIntire
Performed by George Carroll
Courtesy of Suburban Noize Records
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Atracción peligrosa
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 37.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 92.186.262 $
- Eröffnungswochenende in den USA und in Kanada
- 23.808.032 $
- 19. Sept. 2010
- Weltweiter Bruttoertrag
- 154.026.136 $
- Laufzeit
- 2 Std. 5 Min.(125 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1