Drive

Ryan Gosling brings down the hammer on that line where logic reason and self preservation become secondary to protecting what is important to you. There are a few moments where he doesn't just cross that line but obliterates it completely.

Beautifully crafted pounding action thriller with twisted humor and seriously hard core violence. Compelling tenderness from characters that are unsophisticated in the best sense of the word.

This film will go down as one of the best Action films in decades. Car chases that rival and extend beyond Bullitt and French Connection. Violence that bursts out of the screen like a horror film or a bad dream by David Cronenberg. Passing moments of tenderness that are drawn out until you are slowly pulled into the emotional world of the protagonists.

Something so powerful, especially when it works, is the use of sharp and dramatic Camera Angles in Drive that mirror the emotional moment of the story drawing you into the characters world.

View and angles often extremely low angled and tilted sharply upward, effective at expanding the feeling of voyeurism of being at the dinner table or in the adjacent seat, right in the room with the characters while safely looking up from some shadow or nook or cranny. Very emotionally transcendent cinematography.

Night footage was amazingly successful at capturing the range of light and shadows, on a technical level the audio and video were strong and assured. Not only the first robbery but all the way through the film right up to the final resolution of the plot, the night was a familiar environment for major turns in the story (pun intended).

I will return hopefully soon to expand on this review, but I had to write something tonight because this film is ten times more badass than any Transporter or Fast and Furious fare that is usually sold in their all too obvious packaging.

Drive leaves them all in the Dust.

This filmed was viewed on the Big Screen at the LAFILMFEST screening June 17th 2011

A haunting movie with a stilted atmosphere reminiscent of Mulholland Drive though in an altogether different genre. The pink credits beginning the movie and the music throughout are pure eighties and set an offbeat tone against the contemporary LA streets and skyline. Great character studies punctuated by violent action scenes keep the audience immersed in this blood bath of a movie. Some powerful performances, stylish direction and intricate plotting complete this strangely understated production. Drive may not deliver box office gold in the short term though will certainly be paying long term dividends as a reference point for future film noir writers, directors and fans.

It would be difficult to write about parts of the storyline in this film, because many expectations change when the consequences of one event folds upon another. A terrific original screenplay defies Hollywood conventions of over-the-top plot convolutions and unrealistic twists. Sure, there are a couple coincidences, but there are many rewards for keeping the story simplified and enhance the characters' arcs. The director borrows heavily from Michael Mann in painting a cool atmosphere with glistening city lights at night and a throbbing synthesiser soundtrack. The film elevates itself above any other similar film in it's drama, perhaps better than the character rich film "The Town" from 2010. The editing emphasises the main character's withdrawn persona, hiding his emotions (indirectly hinting at his criminal past) while romancing his neighbour. Moments in conversation where a 'normal' person would express their feelings or be more extroverted, are instead tension filled passages of silence that speak louder than words. With great use of subtlety, the film does wonders in terms of depicting the main character's withdrawn mental state, but still visualising his thoughts and intentions without direct exposition.

Another accolade must be given to actor Ryan Gosling in the lead role. We the audience must invest time into this character, which the film keeps in the first person narrative, most activities outside of his knowledge are outside of ours. He must show realistic reactions to danger, even though his past is never quite explained. The right emphasis is given to revealing moments of his capabilities, so when he is set in harm's way, we believe he can stand up to the test. The rest of the cast is well heeled in talent, allowing the sense of naturalism to provide the tone. As you may notice in critical reviews, when a film exposes no obvious weaknesses, the positive rating goes up. I myself am having a hard time exposing any weakness in this film, I felt I was in good hands, and was not annoyed by any plot contrivances. I happen to be a fan of Michael Mann, as must the director of this film, and the right homage elements work for me. I think of this perhaps of the antithesis of "Fast & Furious". One of the best films I have seen this year, could even get an Oscar nod with the screenplay or editing.

"Drive" is a mesmerizing film that perfectly blends stylish visuals, a haunting soundtrack, and a gripping narrative to create an experience unlike any other. From the moment the opening credits roll, the film immerses you in a world of neon lights and pulsating energy that evokes a sense of nostalgia while keeping you on the edge of your seat.

The story follows an unnamed protagonist, played brilliantly by Ryan Gosling, who works as a stunt driver by day and a getaway driver by night. His life takes a thrilling turn as he gets involved with his beautiful neighbor, Irene, played by Carey Mulligan, and her troubled husband. The film masterfully combines elements of romance, action, and noir, captivating audiences with its emotional depth and organic character development.

One of the standout features of "Drive" is its unique pacing. The film takes its time, allowing tension to simmer before erupting into moments of breathtaking action. The minimalist dialogue further enhances the mood, drawing attention to the protagonist's internal struggles and emotions. The carefully crafted scenes of silence, punctuated by bursts of violence, create a hauntingly beautiful balance that keeps viewers entranced.

"Drive" is a work of art. Refn's direction shines through in every frame, presenting a stylized aesthetic that is both gritty and glamorous. The use of color is particularly striking, with neon hues that echo the 1980s while feeling contemporary and fresh. The cinematography captures the allure of Los Angeles, transforming the city into a character of its own.

Complementing the visuals is the film's unforgettable soundtrack, featuring an eclectic mix of synth-pop and atmospheric scores that elevate the viewing experience. Tracks like "Nightcall" by Kavinsky set the tone, making unforgettable moments even more impactful and memorable.

"Drive" is a cinematic gem that transcends traditional genre boundaries. It's a film that lingers in your mind long after the credits roll, challenging viewers to reflect on the choices we make and the lives we lead. With its exceptional direction, captivating performances, and a perfect blend of style and substance, "Drive" is undoubtedly a must-see experience for any film lover. This film is not just a ride; it's a journey into the heart of darkness and a celebration of the art of cinema.

At the Theater- "Drive" -- This is not an Action film, this is not a "Car" movie- It's a character-driven, slow-burn thriller of the first order that features elements of some of the finer works from Directorial royalty like Martin Scorsese, Michael Mann, William Friedkin, Quentin Tarantino, Walter Hill and the late Sam Peckinpah.

The film is an electric mixture of beautiful, lingering cinematography, a pulsating soundtrack, lean dialogue and short bursts of graphic, bloody violence. It's tense and involving- almost impossible not to get immersed in. Nicolas Winding Refn is a Director to definitely keep a tab on.

Ryan Gosling is the embodiment of some kind of cold fire at the heart of the matter- his "Driver" character is a well-intentioned but unstoppable force that will surely end up as a cult favorite for decades to come. Carey Mulligan, Albert Brooks, Ron Perlman, Bryan Cranston, Christina Hendricks and Oscar Issac round out an excellent cast that's pretty much in support but extremely well-utilized.

Those wanting to check out a quick and disposable, mindlessly fun popcorn flick need to steer clear- this isn't what you're looking for. This is deadly-serious film-making that's damned-near perfect.

It's my favorite film of the year- Hell, it's one of my all-time top faves.

9.5 outta 10