Back Soon

My partner first became smitten by Matthew Montgomery after watching him in the Internet "Star Trek" series/homage "Hidden Frontiers." Montgomery's appeal is easy to understand: he is an attractive guy with considerable screen presence, and he can act. My partner's growing Montgomery crush led him to watch "Back Soon," a movie he liked so much that he suggested we include it in our intermittent Matthew Montgomery "Film" Festival.

"Back Soon" is the story of a Logan (Windham Beacham, who really should trademark his name), a young actor mourning the death of his wife (Maggie McCollister), who becomes friends with – and the lover of — Gil (Matthew Montgomery), the ex-gang member who buys Logan's house. This is all promising, setting the stage for a thoughtful exploration of grief, love and the nature of attraction. But writer-director Rob Williams reneges on that promise with some bad writing, made worse with some "Touched by an Angel" supernaturalism coming into the story by act three. A more gifted writer could've pulled off this divergence into the spiritual, but Williams' script has a hard enough time making the physical world convincing without exploring ghostly realms. A more gifted writer—especially one doubling as the director—might have realized that Montgomery just wasn't gruff enough to pass as a former Latin gang member (not to mention the street gang back story just didn't work) and rewrite the part to better fit the actor. A more gifted writer might have been able to make Spencer, Logan's Mexican-hating brother-in-law, seem more like an actual racist instead of a parody of one. A more gifted director would have realized Artie O'Daly playing straight Spencer as if he's a bitchy queen telegraphs a story twist miles away.

Most of the cast are capable in their roles, even if they don't always fit them. Beacham is appealing as Logan, though it's interesting that in portraying an actor he is rather flat in the scenes featuring Logan auditioning. Even though I never bought Montgomery as a former gang member, he was another bright spot in this movie. I never believed Maggie McCollister (billed here as Maggie Foster) and Beacham as a couple, either, but McCollister's performance showed her as one of the more polished actors in the cast. Not polished but better than anyone would expect is gay porn star Bret Wolfe as Gil's flamboyant – and improbable – best friend. Wolfe's performance here suggests he could fill the roles that used to go to a pre-op Alexis Arquette.

I can't be totally dismissive of "Back Soon." Beacham and Montgomery have some nice moments together and it's clear that the people involved have their hearts in the right place. Plus, the movie earns points for featuring mystery novelist John Morgan Wilson in a cameo. I really wanted to like this movie as much as my partner did, but the story's potential is botched by an amateurish script, clunky directing and spotty production values. Still, I'm looking forward to continuing my explorations into the works of Matthew Montgomery and hope that eventually he appears in a movie that's actually shot on film.

Windham Beacham - interesting new actor for me with some potential I hope.

Matthew Montgomery - seen a handful of his movies and about the same skill level here (which isn't a bad thing necessarily) . Buzzed cut not a good look for him.

Wish the ending had gone beyond the hospital scene with at least a glimpse of where their relationship may have been headed.

This is a strange film and I can't give a vote, I can't really say if it's good or not. Better, this film isn't good, but it has some points that make me enjoy it.

The best part is the begging, when it describes the two main characters falling in love for each other. The acting was good enough and the atmosphere represented looks sweet and delicate (the is the best point of the movie in my opinion).

A part from that, the rest of the film is quite an insult to the viewers' intelligence and the mystic/supernatural tone neither is necessary to the development of the storyline nor makes any sense.

In the end, my suggestion is: the film isn't a masterpiece, still it might be worth seeing, if you don't have anything better to do and you aren't too disappointed by the unbelievable supernatural elements in the plot. Otherwise avoid it!

This is obviously a low-budget film -- quite possibly a micro-budget film, by studio standards. As such, I went in expecting poor production values. The writing might or might not be good, and the acting could vary from friends of the director who could barely read their lines to good non-A-list actors. Also, judging from the majority of low-budget GAY films I've seen in recent years, I didn't have my hopes up.

The beginning of the film was a bit weak. The acting was better than it could have been, but some of the dialog was trite. The production values weren't bad.

Then I was surprised to find myself getting caught up in the two main characters and their situation. The first time they end up in bed together had me hooked. It was very sweet, and their reaction to it the next morning was even better. The minor characters did silly things that the filmmaker tried to pass off as plot complications, and I could have done without most of it, but I really liked these two characters and was really engaged by them on screen.

I've read the other reviews that seemed to think the best part of the film was two straight guys falling in love, while the supernatural element ruined the story. I completely disagree. Two straight guys falling in love is a porn plot. I've seen it a hundred times. The reason for the love that developed between them, and the questions it raised about the nature of that love were what make the movie interesting.

I also strongly disagree with all of the comments about the lack of nudity being an issue. I'm not a teenager. If I want pornography, I'm perfectly capable of finding it. I don't object to nudity in films, and my own micro-budget films have a good bit. But I'm very tired of the expectation that a gay romance must be seventy-percent sex scenes.

This is a very sweet film. The ending is a bit unsatisfying, but I like the fact that it's open, at least.

Caught this on Youtube and since I am desperate for gay romance dramas, I clung to a hope that this wouldn't disappoint. Slow beginning and a few bad supporting actors, but the two main characters(actors) were enough to hold my attention. Even though the theme is serious, there were times I found myself cracking up - like when Logan, a straight widowed guy, sleep walks into the arms of his newly found male soulmate. Not the best movie in terms of script, direction, acting and dialogue, but the ending was OK and there was potential here for the two leads to develop a heartfelt LTR.