IMDb-BEWERTUNG
6,7/10
2583
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTwo Cuban boys on the edge of marginality fall in love and fight to lead a life together.Two Cuban boys on the edge of marginality fall in love and fight to lead a life together.Two Cuban boys on the edge of marginality fall in love and fight to lead a life together.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Mirta Ibarra
- Teresa
- (as Mirtha Ibarra)
René de la Cruz Jr.
- Vendedor de equipos deportivos
- (as René de la Cruz)
Alberto Noel Pena
- Italiano 1
- (as Alberto Noel Peña)
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I am sure life was not easy in Cuba before the Castros, but in spite of their nice slogans and levelling activities (often compelling), living conditions have worsened, particularly after the collapse of the socialist camp since 1990ies. So many continue or have been forced to live in poverty, and those wealthier are often engaged in dubious trades.
All this we can see in Spanish-Cuban La Partida, where daily life is ruled by earning and adoring money, and even sexuality is subject to this, no matter what God or nature has determined. And deviations from this, including feelings and caring, do not end / work out as in fairy-tales... Performances are brave and distinct, at least 1 point from me for that, plus the viewers obtain images how living and infrastructure in present Havana look like, and probably would feel pity and sad.
In XXI century, Cuban people deserve much more than doddering revolutionaries are willing and able to offer.
All this we can see in Spanish-Cuban La Partida, where daily life is ruled by earning and adoring money, and even sexuality is subject to this, no matter what God or nature has determined. And deviations from this, including feelings and caring, do not end / work out as in fairy-tales... Performances are brave and distinct, at least 1 point from me for that, plus the viewers obtain images how living and infrastructure in present Havana look like, and probably would feel pity and sad.
In XXI century, Cuban people deserve much more than doddering revolutionaries are willing and able to offer.
"The Last Match," directed by Antonio Hems, delicately navigates the complexities of love, identity, and societal expectations in contemporary Cuba. The film chronicles the clandestine romance between Reinier and Yosvani, capturing the tender intimacy and passionate trysts amidst a backdrop of economic hardship and cultural norms.
Hems artfully portrays the evolving relationship between Reinier and Yosvani, highlighting their differing attitudes towards love and commitment. While Yosvani falls deeply in love, Reinier appears more reserved, perhaps influenced by societal pressures and his own uncertainties.
The film skillfully weaves in details about the characters' lives, such as Reinier's mother's approval of his relationship with Juan, adding depth to the narrative. Additionally, Hems explores themes of masculinity and sexuality, shedding light on the complexities of Cuban machismo culture and the challenges faced by individuals navigating their sexual identities.
The performances by the central male actors, García and Díaz, are captivating, conveying the emotional turmoil and vulnerability of their characters. Hems' casual portrayal of nudity underscores the raw emotions at play, adding authenticity to the film's portrayal of intimacy.
However, "The Last Match" falters in its melodramatic climax, which feels forced and detracts from the otherwise compelling narrative. Despite this misstep, the film remains a poignant exploration of love, desire, and the human experience in a challenging social context.
Overall, "The Last Match" is a thought-provoking and visually arresting drama that resonates long after the credits roll, offering a glimpse into the complexities of life and love in contemporary Cuba.
#TheLastMatchFilm #miltongarcia #reinierdiaz.
Hems artfully portrays the evolving relationship between Reinier and Yosvani, highlighting their differing attitudes towards love and commitment. While Yosvani falls deeply in love, Reinier appears more reserved, perhaps influenced by societal pressures and his own uncertainties.
The film skillfully weaves in details about the characters' lives, such as Reinier's mother's approval of his relationship with Juan, adding depth to the narrative. Additionally, Hems explores themes of masculinity and sexuality, shedding light on the complexities of Cuban machismo culture and the challenges faced by individuals navigating their sexual identities.
The performances by the central male actors, García and Díaz, are captivating, conveying the emotional turmoil and vulnerability of their characters. Hems' casual portrayal of nudity underscores the raw emotions at play, adding authenticity to the film's portrayal of intimacy.
However, "The Last Match" falters in its melodramatic climax, which feels forced and detracts from the otherwise compelling narrative. Despite this misstep, the film remains a poignant exploration of love, desire, and the human experience in a challenging social context.
Overall, "The Last Match" is a thought-provoking and visually arresting drama that resonates long after the credits roll, offering a glimpse into the complexities of life and love in contemporary Cuba.
#TheLastMatchFilm #miltongarcia #reinierdiaz.
The background, the carachters, the acting, the script, the photography and the lighting are above the average of most gay films. It lacks in the fields of direction (the use of the camera in some dialogs), the sound (some words are missing due to the lack of vocalization of the actors and the level of sound) and a more elaborated and credible ending. Anyway, it is worth watching this Spanish film.
Being a teenager or young is difficult in all modern societies. And being gay adds some extra speculations and fears. I am gay and I am from Argentina, and in the mid nineties (when I was 25) I was fortunate to travel alone to Cuba on vacations. There, I met a Cuban young man of the same age as me, "by chance" in the streets of La Havana, and I had a little romance with him during my staying in this beautiful and romantic country. Due to this, I could live some of the situations portrayed in the film and I can say in that sense it is rather accurate. In Cuba there is not classical "poverty". They lack of desirable capitalist goods (like electronics or branded shoes, etc) but they are not hungry or without health care, education, etc. And the means to obtain these goods is through the tourists from Europe and Latin America. Well, the weather is hot all the year long, the same as the people doing things outside their houses until very late in the night. And Cubans are very romantic people in general. Well, my "Cuban boyfriend" lived with his family there. And he was openly gay. He (as the one in the film) presented me to his parents and brothers, the second day after we met. Well, the economic situation of the country (little communist island commercially blocked by its neighbor the superpower with the supportive superpower recently disappeared) took us to an uneven relationship (I had the dollars to spend), though not so much because my origin, age, job, etc.. But thanks to him, many things we did were done using "services and fares for Cubans" (not the ones for tourists). My country and specially my city is rather open to gay people, since those years. and I perceived a similar "air" in La Havanna. OK, There was not "gay dance clubs", but we went to dance to ordinary places and we danced together only taking care of not to kiss each other in public but we did it in familiar places. Well, this is my context to evaluate the film from there I feel it was well exposed by the script and director. In this case, both characters are young men, supposedly heterosexual, living and being maintained by their respective girlfriends' family, who fell in love of each other. The end of the film could be in the way it is or being more or less tragic. For me, the value of this movie is to have transporting me back to the Cuba I have known.
Decent story, good acting and well produced ...with no proper ending. Completely fizzles and just ends up being another average film with nothing memorable. Many unanswered questions and simply disappointing.
Wusstest du schon
- WissenswertesFilm debut of Reinier Díaz.
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- Budget
- 183.409 € (geschätzt)
- Weltweiter Bruttoertrag
- 17.647 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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