Füge eine Handlung in deiner Sprache hinzuAn American soldier struggles with an ethical dilemma when he becomes involved with a widow of a fallen officer.An American soldier struggles with an ethical dilemma when he becomes involved with a widow of a fallen officer.An American soldier struggles with an ethical dilemma when he becomes involved with a widow of a fallen officer.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 17 Gewinne & 47 Nominierungen insgesamt
Brian Adam DeJesus
- Teenager #1
- (as Brian DeJesus)
Empfohlene Bewertungen
I was fortunate enough to see this at the recent NY Drama Critics showcase, where both the director (Mr. Moverman) and a co-star (Woody Harrelson) participated in after-show Q&A. First of all, the film is superb - but the summaries I've seen so far do not do justice to what the movie is really about. Sure there are ethical dilemmas, sure there are soldiers who have returned from Iraq. But the great strength of this film is its focus on individual human beings and their reaction to humans' most important concerns: life, death and love. Oren Moverman - accomplishing this so beautifully, accurately and subtly in a small-budget film - is to be congratulated. Woody Harrelson, Ben Foster and Samantha Morton are all magically on the same wavelength in their performances. And the writing (by Camon and Moverman) acknowledges the fact that reasonably intelligent people might be watching... people who don't need every little detail spelled out. Oh yes - I should mention that there's a lot of humor interspersed throughout. The result of all this? The people you meet in this film will stay with you for a very long time - and you'll be glad for that.
After countless inert and strangely uninvolving films that have been released over the last few years and have used the war on terror as a backdrop for their action ("Jarhead," "Rendition," "Stop-Loss," more I can't even recall at the moment), 2009 produced two films that finally feel plugged directly into the tone the war has taken in our culture -- one of wearying sadness.
One of those films was "The Hurt Locker," and the other is "The Messenger," Oren Moverman's somber and haunting story about a troubled soldier back from the front lines who's assigned the task of notifying people about the deaths of their loved ones in the conflict. I can't vouch for the accuracy of either film, but I can say that both communicate the same emotions I feel when I see or hear first-hand accounts about what's going on overseas. I'm not enraged or galvanized into either pro or con positions -- I'm simply depressed by the meandering, pointlessness of it all and the human waste.
The acting trio of Ben Foster, Woody Harrelson, as Foster's instructor in how to be a harbinger of death and especially Samantha Morton, as the widow of one of the dead with whom Foster strikes up a romance of sorts, are formidable, and the film feels authentic in its settings and in the people who populate them. If you had to label the film one way or another, you would definitely have to come down on the side of anti-war. But it's really too resigned and matter-of-fact for that label to fit, and that's what I like about it. It almost seems to be saying that being anti-war is beside the point. Wars are always going to exist, and to be opposed to them is a waste of time. What's most troubling to think about are the innumerable number of lives that are going to be snuffed out because of them.
In a film filled with terrific scenes, the one that haunts me most is the one set in Morton's kitchen where she tells Foster about the relationship she shared with her dead husband. Filmed as one long take, the scene is mesmerizing, and Morton is so good I can't imagine how she managed to go overlooked at end-of-year awards time.
Grade: A
One of those films was "The Hurt Locker," and the other is "The Messenger," Oren Moverman's somber and haunting story about a troubled soldier back from the front lines who's assigned the task of notifying people about the deaths of their loved ones in the conflict. I can't vouch for the accuracy of either film, but I can say that both communicate the same emotions I feel when I see or hear first-hand accounts about what's going on overseas. I'm not enraged or galvanized into either pro or con positions -- I'm simply depressed by the meandering, pointlessness of it all and the human waste.
The acting trio of Ben Foster, Woody Harrelson, as Foster's instructor in how to be a harbinger of death and especially Samantha Morton, as the widow of one of the dead with whom Foster strikes up a romance of sorts, are formidable, and the film feels authentic in its settings and in the people who populate them. If you had to label the film one way or another, you would definitely have to come down on the side of anti-war. But it's really too resigned and matter-of-fact for that label to fit, and that's what I like about it. It almost seems to be saying that being anti-war is beside the point. Wars are always going to exist, and to be opposed to them is a waste of time. What's most troubling to think about are the innumerable number of lives that are going to be snuffed out because of them.
In a film filled with terrific scenes, the one that haunts me most is the one set in Morton's kitchen where she tells Foster about the relationship she shared with her dead husband. Filmed as one long take, the scene is mesmerizing, and Morton is so good I can't imagine how she managed to go overlooked at end-of-year awards time.
Grade: A
The Messenger is being overshadowed by other war films like The Hurt Locker, yet it is different and a great film. It has a very slow pace, but it has some incredibly powerful scenes and some amazing acting. Woody Harrelson is getting Oscar buzz for his performance, and he does deserve it. He has had a great year, with this and Zombieland. As great as he was, though, Ben Foster is just as great. Samantha Morton is probably better than both because she possesses a subtle and powerful gesture that only she has. I have only seen her in one other film, Synecdoche, New York, and she plays completely different types of personalities in both. Here, she is very quiet, but she is able to portray the reason why Foster's character is intrigued by her. The job that Stone and Montgomery (Foster and Harrelson) have is very difficult to do, and this is the first film to portray a job like that that I have seen. The director and writer did a great job. One of the flaws is that by the ending the film has no real directional focus, and this is a flaw in the screenplay. However, still a great film that should be seen not just for Harrelson but for the entire cast. Don't let the subject matter turn you away
Brilliantly acted film depicting two soldiers whose job it is to inform families when loved ones are killed in battle. Harrelson has never been better and Foster more than matches him all the way. It's emotional and engaging and genuinely painful at times. I had always thought how hard it must be to carry out such a job but had never really considered just what psychologically damage it could do long term to the person doing it. Harrelson depicts a man who has been doing the job far too long brilliantly and Foster in turn shows just what it can do to you initially. It's a perfect blend and the chemistry is excellent from start to finish. Deserves a much wider release and is with out doubt one of the best films of last year.
I'm normally pretty hesitant about watching movies that have to do with war, but I'm glad that I chose to watch The Messenger. The movie took a completely different stance than what I'm used to when watching a movie about war. I never really thought about the people that had to deliver the message about a loved one that died in the military, and the way the story is told made me really care for the characters and feel for Harrelson's and Foster's characters and the important job that they have to perform. I would never want to have to do their job, but I truly respect the people that have to perform that job on a daily basis.
Harrelson, Foster and Samantha Morton put on really powerful performances that I honestly believed. And the rest of the cast did a fine job, as well. The emotion was so intense that I could feel it, and I easily got sucked into the story. It was a powerful movie that really made me think about the hardships in a sincere and thoughtful way. Overall, I enjoyed the film and I will continue recommending it to all my friends because I think everybody should watch it at least once. The story sticks with you long after you finish watching the movie.
Harrelson, Foster and Samantha Morton put on really powerful performances that I honestly believed. And the rest of the cast did a fine job, as well. The emotion was so intense that I could feel it, and I easily got sucked into the story. It was a powerful movie that really made me think about the hardships in a sincere and thoughtful way. Overall, I enjoyed the film and I will continue recommending it to all my friends because I think everybody should watch it at least once. The story sticks with you long after you finish watching the movie.
Wusstest du schon
- WissenswertesThe scene where Will (Ben Foster) and Olivia (Samantha Morton) speak to each other in her kitchen is eight minutes long and was shot in one take. Co-writer and director Oren Moverman allowed actors and actresses to improvise in certain scenes.
- PatzerSeveral times throughout the movie, Captain Stone notifies next of kin of deceased soldiers without first getting positive confirmation that they are, in fact, the soldier's next of kin. Casualty Notification Officers are required to make sure that the person they are addressing is actually the next of kin before making notification. This is not a mistake that a professional like Captain Stone would make.
- Zitate
Captain Tony Stone: [walking to deliver the news to a wife that her husband has died] It could be worse. It could be Christmas.
- Alternative VersionenThere are two versions available. Runtimes are "1h 53m (113 min)" and "1h 45m (105 min) (Berlin International) (Germany)".
- VerbindungenFeatured in The Rotten Tomatoes Show: Zombieland/A Serious Man/Whip It (2009)
- SoundtracksPut Your Hands Up
Performed by Plive (as P-Live)
Written by Christian Salyer, Isaiah Perkins
Published by Engine Co. 30/4tian Music/Engine Co. 35/4tian2 Music
Courtesy of 5 Alarm Music
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Budget
- 6.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.109.660 $
- Eröffnungswochenende in den USA und in Kanada
- 44.523 $
- 15. Nov. 2009
- Weltweiter Bruttoertrag
- 1.595.417 $
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen