LAPD-Officer Dave Brown ist Teil der "Rampart"-Division. Im Jahr 1999, also acht Jahre nach dem Rodney-King-Skandal, wird Brown von einer Videokamera dabei aufgezeichnet, wie er einen Verdäc... Alles lesenLAPD-Officer Dave Brown ist Teil der "Rampart"-Division. Im Jahr 1999, also acht Jahre nach dem Rodney-King-Skandal, wird Brown von einer Videokamera dabei aufgezeichnet, wie er einen Verdächtigen unnötig brutal fast zu Tode prügelt.LAPD-Officer Dave Brown ist Teil der "Rampart"-Division. Im Jahr 1999, also acht Jahre nach dem Rodney-King-Skandal, wird Brown von einer Videokamera dabei aufgezeichnet, wie er einen Verdächtigen unnötig brutal fast zu Tode prügelt.
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David Douglas Brown (Woody Harrelson in a one man powerhouse of a performance) is a veteran Los Angeles police officer, one of the last of the renegade cops who works out of the Rampart Division. Dave is misogynistic, racist, brutally violent, egotistical womanizer, yet he defends himself against many of these accusations as he says that his hate is equal opportunity. Though unlawful, he uses intimidation and brutal force to defend his worldview. The most notorious of his actions is his purportedly murdering a suspected serial date rapist, which is why he has been given the nickname "Date Rape Dave". He lives with two of his ex- wives - sisters Barbara (Cynthia Nixon) and Catherine (Anne Heche) - in an effort to keep family together, namely his two daughters, Helen and Margaret, who each have a different sister as their mother. Dave still maintains a sexual relationship with both sisters - whenever the mood suits any of them - while he openly has other sexual relationships with the likes of Sarah (Audra McDonald) and Linda (Robin Wright). His informer is retired officer Hartshorn (Ned Beatty) and street person General Terry (Ben Foster). His boss is Joan Confrey (Sigourney Weaver) who attempts to cover Dave's past deeds but ultimately must face the true rascallion he is. When Dave is caught on video brutally beating a man who accidentally ran into his police car he is faced with decisions that uncover not only his misdeeds but those of his fellow workers.
The cast is filled with fine support (Jon Foster, Ice Cube, Steve Buscemi, et al) who have very little to do, but Harrelson is in every frame obnoxiously smoking cigarettes in a chain smoker fashion. There is not real storyline to follow; we just are forced to watch the wretched life of a disgustingly bad cop with just enough slightly good virtues to keep us with him. As Catherine states, 'You know what I think? I think you were a dirty cop from day one. You were a dirty cop with a dirty mind and you dirtied all of us up by default.' And that includes the audience.
Grady Harp
*** 1/2 (out of 4)
Woody Harrelson gives a tour de force performance playing David Brown, one of the last dirty cops still working for the LAPA in 1999. He's a dirty cop who doesn't seem to realize he is one. He was once married to two different women, sisters, and now he tries to keep them and their kids in the same house so that they can live the way a "family" is supposed to yet he doesn't realize that a good family life isn't by having kids with two sisters. Brown finally gets in over his head when he's filmed beating a man and this sets off a range of events that leave him spinning out of control. RAMPART, written by James Ellroy and director Oren Moverman, doesn't tell a straight crime story but instead it really looks at a bad man and tries to explain why he's bad. I think the bottom line is that the film is simply trying to say that there are bad people out there who are just bad all the way around and it doesn't have to be for lust, money or fame. While I do question some of the directorial choices and I think a little more focus would have helped, the main reason to check this film out is for the wonderful performances from the all-star cast. Sigourney Weaver plays a DA tired of a cop thinking he can get away with anything. Cynthia Nixon and Anne Heche are good as the ex-wives. You have Robin Wright turning in a very effective performance as a mysterious woman who enters the cops life. Ice Cube is effective in his few scenes as is Ben Foster playing a crippled vet. We even get Steve Buscemi and Ned Beatty in small but effective roles. Of course, the entire cast centers around the performance of Harrelson and this is certainly yet more proof that when given the right material he can be one of the most raw and effective actors out there. Harrelson is so effective no matter if he's just listening or speaking because you can just look at him and see all the rage and emotion built up. I really thought the actor did a remarkable job at letting the slime slip out of this character without making him a flat out creep or going so over-the-top where you feel like you're watching someone fake. I won't spoil the ending but it's certainly one that makes you think about the events you've just seen. RAMPART isn't a flawless movie but the performances are so strong that it's highly recommended.
The whole story focuses on Dave trying to beat a charge of victim abuse when a camera catches him beating the daylights out of a perpetrator that hit his car. All the while we watch Dave womanize, take drugs, smoke about two million cigarettes and try to get his two families to love him despite his disturbing life choices.
Despite the disgusting things his character does Harrelson actually makes you feel bad for him in a few fleeting moments. All the while you know he deserves everything he gets and more but it's hard to hate him when he is watching television with his youngest daughter and cannot stop smiling at the thought of her wanting to be near him. The film is also packed with small roles by big names like Steve Buscemi and Sigourney Weaver who spice up the film but don't really add anything memorable.
Harrelson makes the film watchable with an amazing performance and like a train wreck, is hard to take your eyes off. Unfortunately, Rampart is a gritty character study that is more repetition than self discovery. See Dave womanize, disgust his family, say shocking things, beat someone up, get wasted, freak out, rinse and repeat. He gets deeper into trouble with his family and career with each endeavor and never really learns anything from it. By the films end you realize Rampart suffers the same fate as Dave in that it's not going to change its ways and is ultimately headed nowhere. 5/10
WUSSTEST DU SCHON:
- WissenswertesTo achieve Dave's gaunt appearance, Woody Harrelson sought advice from Christian Bale. Bale told Harrelson to eat very little and run as fast as possible.
- PatzerAt the beginning of the film, the screen is black and a graphic states "Los Angeles 1999" As the film fades into a wide shot overview of the hamburger stand, a 2005 Cadillac CTS drives through the intersection.
- Zitate
Dave Brown: [to Kyle Timkins] Bear in mind that I am not a racist. Fact is, I hate all people equally. And if it helps, I've slept with some of your people. You wanna be mad at someone, try J. Edgar Hoover. He was a racist. Or the Founding Fathers, all slave-owners.
- VerbindungenEdited into Rampart - Behind the Scenes (2012)
- SoundtracksControl Machete
Written by Toy Selectah (as Antonio Hernandez), Fermin Caballero and Raul Chapa
Performed by Control Machete
Courtesy of Universal Music Mexico S.A. de C.V.
Under license from Universal Music Enterprises
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- Rampart
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Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 972.512 $
- Eröffnungswochenende in den USA und in Kanada
- 60.446 $
- 12. Feb. 2012
- Weltweiter Bruttoertrag
- 1.567.905 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1