Zwei stümperhafte Verkäufer löschen versehentlich das Filmmaterial von allen Bändern in ihrer Videothek. Um das Geschäft am Laufen zu halten, drehen sie mit ihrer eigenen Kamera und einem Bu... Alles lesenZwei stümperhafte Verkäufer löschen versehentlich das Filmmaterial von allen Bändern in ihrer Videothek. Um das Geschäft am Laufen zu halten, drehen sie mit ihrer eigenen Kamera und einem Budget von null Dollar jeden Film im Laden neu.Zwei stümperhafte Verkäufer löschen versehentlich das Filmmaterial von allen Bändern in ihrer Videothek. Um das Geschäft am Laufen zu halten, drehen sie mit ihrer eigenen Kamera und einem Budget von null Dollar jeden Film im Laden neu.
- Auszeichnungen
- 4 Nominierungen insgesamt
- Mike
- (as Mos Def)
- Randy
- (as Gio Perez)
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The last half hour of the movie relies less on humor and more on the good feeling the characters have engendered during the film. This last part is kind of nice, but it's not all that funny and I never felt strongly enough about the characters to really connect with the final part.
In the end, I feel the problem with Be Kind Rewind is (and this is not something one says often) that it is not a one-joke movie. Because the one joke is really funny, and the problem is all that stuff meant to make that one joke part of a genial movie that attempts to say something about community and making films for love and that sort of thing.
It's a very well-intentioned, sometimes very amusing movie, but I found it way too uneven.
But it takes a little more than visual trickery to make a film a success. Be Kind Rewind is a prime example. The film starts off well enough. Mos Def helps run a video store owned by Danny Glover's character. The store is probably one of the last remaining stores catering to VHS. Jack Black is Mos Def's left of center friend who works at an electrical plant. Through some plan to sabotage the plant, he becomes magnetic, erasing all the tapes.
Our heroes are forced to re-record the movies and do it through a process called "sweding," producing 10-15 minute versions of the film, using a wide array of do it yourself techniques that Gondry himself has utilized in his work. An example is a simple trick where filming through a fan makes the film look old. All of this is fun. The way the guys try to truncate the film's stories into a little time or their lack of knowledge regarding some films like Driving Miss Daisy. the crude effects are fun and are prime examples of why we love Michel Gondry.
The downside to the film is the script, penned by Gondry. Clearly, the film is built around the sweded films. But I was starting to think that watching the sweded films would've been more fun than watching Be Kind Rewind itself. Gondry never fully fleshes out his characters or resolves some of the subplots. The visuals are fun, but when Gondry's forced to wrap up the movie, it becomes a little sporadic and we start to realize the the film doesn't go much beyond its rich concept.
There is something great to take away from this film. And while I have some reservations about the film, my recommendation for the film is based on Gondry's filmaking vision. That is to say, there is clearly a joy of filmaking associated with Gondry that will have me continue to look forward to his work. If you're not sure what I mean, take a look at his promotional materials or at his other short films. The man loves filmaking and has fun with this movie. However, I'd recommend he build an alliance with some good screenwriters that would help his visions become fully realized, and not just good natured diversions, as this film is.
Gondry's writing is just as great as his direction. Everything fits together excellently. The comedy and drama blend smoothly. Michel Gondry's screenplay is impeccable. The dialogues are laugh out loud and never out of place. The characters are genuinely heartwarming, goofy and lovable.
The performances are heartfelt and fantastic. A wacky Jack Black, an endearing Mia Farrow (who's a science fiction fan), a very impressive Mos Def (I was very impressed by his comic timing), a humbly naive Danny Glover, a vivacious Melonie Diaz, Sigourney Weaver as an inspector in charge (with a touch of comedy) and many more talented actors make a terrific ensemble.
Gondry has tackled a lot of themes like a strong sense of community, people's love for movies, people being accustomed to old technology (as a result to which they sometimes have difficulty moving on to more updated sources), reviving loved artists who have vanished into oblivion and the overall sense of doing something great together (like the last movie on Fat Waller's life). He tells the story skillfully. I liked that it ended on a bittersweet note but somewhat ambiguously. I was having so much fun and laughing out loud so many times that I didn't even care if it bothered other people.
Many people seem to have trashed this movie because it wasn't like 'Eternal Sunshine Of The Spotless Mind'. I'd like to tell those people to get over it. How can people even begin to compare too totally different films and then call one of them trash for not being like the other? I love both movies and to me, with 'Be Kind Rewind' Gondry proves to be a versatile director and my appreciation for him as a filmmaker has only increased.
I really enjoyed this film.
Wusstest du schon
- WissenswertesIn keeping with the spirit of the film, writer and director Michel Gondry "Sweded" a version of this movie's trailer, featuring only himself on-screen.
- PatzerWhen Mr Fletcher sets off on his trip, the train leaves going back the way it came, even though Passaic does not appear to be a terminal.
- Zitate
[from trailer]
Jerry: [sung, poorly, to the tune of the Ghostbusters theme song] When you're walkin' down the street...
Jerry: [singing] ... and you see a little ghost...
Jerry: [singing] ... whatcha gonna do about -
[more out of tune]
Jerry: Ghostbusters?
Mike: What? What is that?
Jerry: That's the Ghostbusters theme song.
Mike: No.
Jerry: I'm pretty sure it is.
- Crazy CreditsWhen the Pathé film company distributed the film in the UK, a sweded version of their logo appears on the film.
- SoundtracksI Ain't Got Nobody
Written by Roger Graham and Spencer Williams
Published by Edwin H. Morris & Co., Inc. and Jerry Vogel Music Co. (ASCAP)
Performed by Jean-Michel Bernard
Top-Auswahl
Details
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 11.175.164 $
- Eröffnungswochenende in den USA und in Kanada
- 4.100.000 $
- 24. Feb. 2008
- Weltweiter Bruttoertrag
- 30.579.406 $
- Laufzeit1 Stunde 42 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1