Eine Sozialarbeiterin kämpft darum, ein Mädchen vor ihren misshandelnden Eltern zu retten, nur um herauszufinden, dass die Situation gefährlicher ist, als sie je erwartet hätte.Eine Sozialarbeiterin kämpft darum, ein Mädchen vor ihren misshandelnden Eltern zu retten, nur um herauszufinden, dass die Situation gefährlicher ist, als sie je erwartet hätte.Eine Sozialarbeiterin kämpft darum, ein Mädchen vor ihren misshandelnden Eltern zu retten, nur um herauszufinden, dass die Situation gefährlicher ist, als sie je erwartet hätte.
- Auszeichnungen
- 3 Nominierungen insgesamt
- Judge
- (as John Carroll)
Empfohlene Bewertungen
Though Renee Zellweger is not particularly convincing as a social worker, she conveys her feeling of threat very well, making her stressed out character vivid. The plot is good, as at first it makes you feel so sympathetic and sorry for the girl, then it slowly prepares you for something entirely different. The story is so engaging and scary, that I wanted to see more of what's going to happen, yet I wanted to see less because it's scary. "Case 39" is successful in creating a suspenseful atmosphere, full of threat and uncertainty. I don't know why "Case 39" is having trouble getting distribution and and a release date, as I find it a very scary horror film.
The clever plot isn't quite clever enough to keep you going through the whole movie, but almost. And both Renee Zellwegger as the passionate and trapped social worker and Jodelle Ferland as the adorable but mysterious child are quite amazing. Both are actors at the best of their powers, Zellwegger limited only by the role and the writing, which is very good but not quite flexible enough to let her show as many of those perplexed and touching nuances she is so good at (seen equally in "Bridget Jones's Diary" and "Nurse Betty"). But it's possible Ferland has the role of her life here. She's not only playing a precocious child, but is clearly a precocious young actress, bright, expressive, surprising, and not merely cute. By the way she was fifteen when it was filmed, even though she looks and acts, in most ways, like she's ten.
You can't ignore the plot, of course, since this is a plot driven movie saved by two great actresses, not the other way around. And the story is a little bit of a formula with a twist. The twist is good, but it is singular. Eventually we are carried from a personal and social drama with some evil people to a supernatural drama. It's here where things get scariest, but also where things wobble slightly in terms of believability or logic, if logic has any place here. For example, once the antagonist is shown to have really limitless powers of some kind (possibly imaginary), why does this person not have the power to just kill someone out and out? There is dangled the idea that this bad force depends on fear to proceed, but this isn't developed clearly, or maybe you have to see it twice to get.
On the other hand, if you just go with the flow, it's really increasingly scary. There are some scenes, like the woman in the hospital room that turns into a kind of large oven, that are chilling and really well done. Certainly Zellwegger's character is able to find the outlines of logic as she tries to survive by outsmarting the situation, and we're on her side. Eventually it comes to a dramatic climax, and it's pretty exciting. A sleeper, for sure.
I'm not a Zellweger fan by any means, but she was decent in this movie. Stay tuned to the very end and you will be rewarded.
This is an entertaining terror movie where the intrigue,tension, suspense appear threatening and lurking in every room, corridors , elevator and interior and exterior. Remarkably well-acted, darkly paced , and effectively disturbing .This frightening movie is plenty of thrills, scary fun, chills, body-count and nice use of color with phenomenal results . It's brilliantly cast - Renee Zellwegger and Bradley Cooper- are top-notch as usual, but what really stood out where the natural performances director Christian Alvert (who subsequently would direct another good terror film with surprising style as ¨Pandorum) was able to get from the child actor-Ferland- .
Dark, edgy, twisted, effective, clever, intense, one of the best "evil child" films I've ever seen along with ¨The orphan¨(2008) by Jaume Collet Serra .It is a well-acted and slow-building suspense story with slick direction and cinematography. The creepy score also serves the film well, without becoming overpowering in signaling this is an " eerie" film. The actress who plays Lilith shows a skill in performance that makes one think we may actually have another Jodie Foster to keep an eye on. Compelling directed with startling visual content by Christian Alvart (Pandorum , Antibodies , Curiosity: the cat) . This genuinely mysterious story is well made and is one of the best ¨evil kid¨ movie with effective aesthetic and sense of style . Rating : 6,5 acceptable ; this unsettling picture will appeal to Renee Zelleweger fans and horror genre buffs .
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- WissenswertesThis movie was completed in 2007, and was initially scheduled for an American release in August 2008, but was delayed twice before its final release date on October 1, 2010, three years after completing production.
- Patzer(at around 31 mins) When the cop lets Emily into the house, he hands her the key and tells her to lock up when she leaves; but the door frame is still visibly broken from being kicked in earlier, leaving the door obviously impossible to lock.
- Zitate
Douglas J. Ames: Everybody has fears... now, what scares you?
Lillith Sullivan: Me.
Douglas J. Ames: You scare yourself?
Lillith Sullivan: Sometimes.
Douglas J. Ames: Why? What about yourself scares you?
Lillith Sullivan: I have bad thoughts.
Douglas J. Ames: About what?
Lillith Sullivan: People.
Douglas J. Ames: People in general or... certain people?
Lillith Sullivan: Certain people.
Douglas J. Ames: Like who?
Lillith Sullivan: You.
Douglas J. Ames: You have bad thoughts about me? Why?
Lillith Sullivan: I just do.
Douglas J. Ames: Did I do something or say something that upset you?
Lillith Sullivan: It's just... the way you are.
Douglas J. Ames: How am I?
Lillith Sullivan: Facile.
Douglas J. Ames: Facile? Pfff... do you even know what that means?
Lillith Sullivan: Easily comprehended, often lacking sincerity or depth. You're smug too... want me to tell you what that means?
Douglas J. Ames: Uhm, If I... seem smug or facile, I want...
Lillith Sullivan: Don't apologize.
Douglas J. Ames: Why not?
Lillith Sullivan: You're a grown-up... it's embarrassing.
- VerbindungenFeatured in Phelous & the Movies: Phelous Is on Case 39 (2010)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Caso 39
- Drehorte
- Portland, Oregon, USA(flyover shots)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 26.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 13.261.851 $
- Eröffnungswochenende in den USA und in Kanada
- 5.350.570 $
- 3. Okt. 2010
- Weltweiter Bruttoertrag
- 28.190.603 $
- Laufzeit
- 1 Std. 49 Min.(109 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1