IMDb-BEWERTUNG
7,1/10
4693
IHRE BEWERTUNG
Ein palästinensisch Chirurg, der in Tel Aviv lebt, entdeckt nach einem Selbstmordattentat ein dunkles Geheimnis über seine Frau.Ein palästinensisch Chirurg, der in Tel Aviv lebt, entdeckt nach einem Selbstmordattentat ein dunkles Geheimnis über seine Frau.Ein palästinensisch Chirurg, der in Tel Aviv lebt, entdeckt nach einem Selbstmordattentat ein dunkles Geheimnis über seine Frau.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 8 Nominierungen insgesamt
Reymonde Amsellem
- Siham jaafari
- (as Reymond Amsalem)
Evgenia Dodina
- Kim
- (as Evgenia Dodena)
Empfohlene Bewertungen
An Arabic Israeli surgeon has his life turned upside-down after learning that a loved one has committed a shocking act.
This film is a strong drama while it also takes on a current conflict that continues to be controversial. It is also praiseworthy for seeming not to take sides by the end. In the middle section, it seems to create a negative picture on one side of the conflict only to later expose understanding for that particular side.
While the overall effect can be a downer, this is likely appropriate as this conflict seems unending. There also seems to be a feeling of incompleteness in understanding the motive of a major character who commits a shocking act. But this film's greatest praise could be that it shows sympathy for those truly stuck in the middle: Arabic Israelis who want to integrate into Israeli society while still maintaining a link to their own heritage.
This film is a strong drama while it also takes on a current conflict that continues to be controversial. It is also praiseworthy for seeming not to take sides by the end. In the middle section, it seems to create a negative picture on one side of the conflict only to later expose understanding for that particular side.
While the overall effect can be a downer, this is likely appropriate as this conflict seems unending. There also seems to be a feeling of incompleteness in understanding the motive of a major character who commits a shocking act. But this film's greatest praise could be that it shows sympathy for those truly stuck in the middle: Arabic Israelis who want to integrate into Israeli society while still maintaining a link to their own heritage.
"According to the NY Times as of June 2013 the film has been banned or refused release in every Arab country for the crime of filming in Israel."---IMDb Trivia Aside in Morocco (which I don't think is an Arab nation, though it is a predominantly Muslim nation), this film was banned in many countries simply because it was filmed in Israel. It's a shame, as the message is important--one everyone should hear and discuss.
Amin is a very well respected doctor who not only works in the country, but he thrives. He's a Palestinian but not particularly religious and has no problem working with Jews. And, naturally, when there is a nearby suicide bombing, he works to save as many of the victims as he can. However, after going home from this exhaustive shift, he receives an emergency phone call--he needs to come to work immediately. There, he's told that they think the suicide bomber was his wife! Not surprisingly, he cannot accept this--especially since his wife is a Palestinian Christian and seems to have no interest in the Occupied Territories. But, eventually he realizes the truth--but it leaves him with so many questions--questions he might be able to have answered in Nablus on the West Bank. However, like the Jews had become once they learned his wife was the killer, the Palestinians are NOT welcoming and he's threatened repeatedly and told to leave. What's next? See the film.
This is a very interesting film. Seeing Amin dealing with the various stages of grief was interesting. What was even more interesting is that the film does not provide us with answers and so much of it would be great to see and discuss. A thought-provoking and very well made film.
Amin is a very well respected doctor who not only works in the country, but he thrives. He's a Palestinian but not particularly religious and has no problem working with Jews. And, naturally, when there is a nearby suicide bombing, he works to save as many of the victims as he can. However, after going home from this exhaustive shift, he receives an emergency phone call--he needs to come to work immediately. There, he's told that they think the suicide bomber was his wife! Not surprisingly, he cannot accept this--especially since his wife is a Palestinian Christian and seems to have no interest in the Occupied Territories. But, eventually he realizes the truth--but it leaves him with so many questions--questions he might be able to have answered in Nablus on the West Bank. However, like the Jews had become once they learned his wife was the killer, the Palestinians are NOT welcoming and he's threatened repeatedly and told to leave. What's next? See the film.
This is a very interesting film. Seeing Amin dealing with the various stages of grief was interesting. What was even more interesting is that the film does not provide us with answers and so much of it would be great to see and discuss. A thought-provoking and very well made film.
This film is highly recommended.
At times, our world seems littered with random acts of violence. Just a glimpse at any newspaper will sadly confirm that statement. A tragic event can befall anyone. Anytime. Anyplace. Suddenly, one's life can veer from happiness to despair within seconds. The senselessness of a violent act and the unending repercussions that follow will permanently change that life and send one reeling with questions in search of inexplicable answers. That is the premise of the Ziad's Doueiri's taut mystery thriller, The Attack.
Amin Jaafari (Ali Suliman), a successful Arab doctor living in Israeli, receives the tragic news that his wife, Kim (Reymond Amsalem), has died as a result of a suicide bombing in Tel Aviv, only to discover later that his wife may have been the actual bomber. As Amin searches for the truth, he begins to question their former relationship, the political and religious unrest between Israel and Saudi Arabia, and the evil act itself.
This Lebanese film looks at the on-going Arab-Israeli conflict in realistic terms and tries to show both sides without a judgmental knee-jerk reaction. The director sensitively handles this material with much directness and foresight. He rarely flinches from the brutality and blind-sighted extremism that permeates both factions. (Yet this film has been banned from Israeli and many Arab countries due to its controversial subject matter, a reprehensible act which I find troubling and disgraceful in that many will not see this powerful and thought- provoking film.)
Doueiri and Joelle Touma co-scripted this drama based on Yasmina Khadra's novel and the results are literate and quite gripping. As Amin slowly unravels the clues to his wife's possible participation in this heinous crime, the audience is expertly drawn into this complicated ordeal with strong acting, especially by Suliman and Ansalem and Doueiri's solid direction. (Some of the clues do lack the element of surprise and seem a bit too obvious once revealed.)
But The Attack attacks its subject with an honesty and skillfulness that allows moviegoers to contemplate the actions of radicals and fanatics that continue to cause harm to so many innocent victims, shouting their political rants under the guise of religion. There are many powerful scenes containing violent images that show the carnage and destruction caused by years of hatred and revenge. The film elicits emotional debate with its well-developed characters and its straightforward confrontations that build to a stunning denouncement.
The Attack accomplishes its mission head-on and all those involved in this production should be commended for their courage and efforts. This solemn film is unafraid to deal with the complex issue of terrorism, even if fear and animosity have run amok in our changing world. The Attack needs to be seen. GRADE: B+
NOTE: The censorship of this important film only emphasizes the length that controlling government officials and religious zealots will go to to silence its people and promote their irrational agendas to perpetuate this endless cycle of violence. Hopefully, films like The Attack will, one day, bring about some peace and understanding that everyone deserves. Unfortunately, for now, the war rages on.
At times, our world seems littered with random acts of violence. Just a glimpse at any newspaper will sadly confirm that statement. A tragic event can befall anyone. Anytime. Anyplace. Suddenly, one's life can veer from happiness to despair within seconds. The senselessness of a violent act and the unending repercussions that follow will permanently change that life and send one reeling with questions in search of inexplicable answers. That is the premise of the Ziad's Doueiri's taut mystery thriller, The Attack.
Amin Jaafari (Ali Suliman), a successful Arab doctor living in Israeli, receives the tragic news that his wife, Kim (Reymond Amsalem), has died as a result of a suicide bombing in Tel Aviv, only to discover later that his wife may have been the actual bomber. As Amin searches for the truth, he begins to question their former relationship, the political and religious unrest between Israel and Saudi Arabia, and the evil act itself.
This Lebanese film looks at the on-going Arab-Israeli conflict in realistic terms and tries to show both sides without a judgmental knee-jerk reaction. The director sensitively handles this material with much directness and foresight. He rarely flinches from the brutality and blind-sighted extremism that permeates both factions. (Yet this film has been banned from Israeli and many Arab countries due to its controversial subject matter, a reprehensible act which I find troubling and disgraceful in that many will not see this powerful and thought- provoking film.)
Doueiri and Joelle Touma co-scripted this drama based on Yasmina Khadra's novel and the results are literate and quite gripping. As Amin slowly unravels the clues to his wife's possible participation in this heinous crime, the audience is expertly drawn into this complicated ordeal with strong acting, especially by Suliman and Ansalem and Doueiri's solid direction. (Some of the clues do lack the element of surprise and seem a bit too obvious once revealed.)
But The Attack attacks its subject with an honesty and skillfulness that allows moviegoers to contemplate the actions of radicals and fanatics that continue to cause harm to so many innocent victims, shouting their political rants under the guise of religion. There are many powerful scenes containing violent images that show the carnage and destruction caused by years of hatred and revenge. The film elicits emotional debate with its well-developed characters and its straightforward confrontations that build to a stunning denouncement.
The Attack accomplishes its mission head-on and all those involved in this production should be commended for their courage and efforts. This solemn film is unafraid to deal with the complex issue of terrorism, even if fear and animosity have run amok in our changing world. The Attack needs to be seen. GRADE: B+
NOTE: The censorship of this important film only emphasizes the length that controlling government officials and religious zealots will go to to silence its people and promote their irrational agendas to perpetuate this endless cycle of violence. Hopefully, films like The Attack will, one day, bring about some peace and understanding that everyone deserves. Unfortunately, for now, the war rages on.
A bit more background on the conflict and the couple's relationship would of been beneficial. Also, the Jenin massacre never happened; even left wing Wikipedia admits this 'Stories of hundreds of civilians being killed in their homes as they were demolished spread throughout international media. Subsequent investigations found no evidence to substantiate claims of a massacre, and official totals from Palestinian and Israeli sources confirmed between 52 and 54 Palestinians, mostly gunmen, and 23 IDF soldiers as having been killed in the fighting.'
Adaptation of the french novel 'The Assassination'. The movie was so good, but I had a hesitation over the contents. The movie tried to be a too smart by being a neutral, hence failed to convince on that issue. The problem was, it sets in the real world around real conflict, but the facts were excluded. So that led many countries to ban in their market. The good thing was, to I like the movie, the story concentrates on the human curiosity and emotion.
I thought it was an okay movie until the end twist. It was not that grand, but very- very simple and potent. Awesome filmmaking, could have been a top contender if it would have nominated for the Oscar. I wanted to rate it higher, but I feel something is not right as it was based on the real subject, but a fictional account. I definitely recommend it because the result could be different for you with your viewpoint.
7/10
I thought it was an okay movie until the end twist. It was not that grand, but very- very simple and potent. Awesome filmmaking, could have been a top contender if it would have nominated for the Oscar. I wanted to rate it higher, but I feel something is not right as it was based on the real subject, but a fictional account. I definitely recommend it because the result could be different for you with your viewpoint.
7/10
Wusstest du schon
- WissenswertesAccording to the NY Times as of June 2013 the film has been banned or refused release in every Arab country for the crime of filming in Israel.
- SoundtracksDeath Grip
(uncredited)
Written by William J. Bergman and Jeff Edwards
Top-Auswahl
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- Offizieller Standort
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.720.325 $
- Eröffnungswochenende in den USA und in Kanada
- 27.379 $
- 23. Juni 2013
- Weltweiter Bruttoertrag
- 2.139.516 $
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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