Eine Gruppe libanesischer Frauen versucht, die religiösen Spannungen zwischen Christen und Muslimen in ihrem Dorf abzubauen.Eine Gruppe libanesischer Frauen versucht, die religiösen Spannungen zwischen Christen und Muslimen in ihrem Dorf abzubauen.Eine Gruppe libanesischer Frauen versucht, die religiösen Spannungen zwischen Christen und Muslimen in ihrem Dorf abzubauen.
- Auszeichnungen
- 9 Gewinne & 5 Nominierungen insgesamt
- Abou Ahmad
- (as Mohammad Akil)
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I Read some reviews by people getting offended from the somewhat engaged references to religion, well, they are the main target of the movie... when the time comes, a little openness is whats needed and what might drive us to be more attentive to the better angels of our nature (just what Nadine's circle of women strive so desperately to tell us all through the movie)
The next category you'll find in Where Do We Go Now? Is comedy, which dominates a large part of the first act and is also sprinkled throughout the rest of the film. I was so charmed by the group of scheming wives who are trying to find ways to subtly control the men of the village. Then there are the Ukranian dancers who add another element of humor to the film which I found surprisingly delightful. But at the heart of the film is a dramatic story that echoes the actual political conflict that has plagued the Middle East for millennia. I was mesmerized by this entire story and how even in this remote village there is a constant threat of aggression taking hold and leading the people to violence. On the one hand you feel the general frustration with the fact that these two groups can't maintain peace, but on the other hand you can see how one small act confirms all their prejudices and snowballs into disaster. Where Do We Go Now? Is a marvelous movie that made me laugh and cry multiple times, which shows just how effective its emotional story is told.
The movie premiered at the Cannes Film Festival, and won the people's choice award at the Toronto International Film Festival. Nadine, who also acts in the film, may be accused by some quarters of trivializing the conflict between the Abrahamic faiths with her comic take on religion, complete with a climax reminiscent of a Cheech and Chong flick. However, the tone of the film remains somber throughout, and the viewer is often reminded of the toll of the conflict on both sides of the religious divide, with glimpses of intermittent sectarian strife.
The intelligent dialogue, interspersed with repartee between the female characters is refreshingly entertaining, offering a peek inside the (mostly) segregated Arab society and humanizing a population segment often portrayed as meek and subservient to the other sex.
Nadine's second directorial venture after Caramel continues to court controversy, with an ending which Labaki acknowledges might "raise a lot of polemics. It might upset people who are a bit fanatic or too conservative..." By the end of the film, Nadine is sure to rouse some thought-provoking questions in the viewers mind, fulfilling the obligation to her craft and pushing the envelope. Where Do We Go Now has been chosen as the Lebanon's 2011 entry in the best foreign language film category for the Academy Awards.
Wusstest du schon
- WissenswertesThe highest grossing Arabic speaking release in the territory of Lebanon.
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[first lines]
Amale: [narrating] The story I tell is for all who want to hear. A tale of those who fast, a tale of those who pray, a tale of a lonely town, mines scattered all around. Caught up in a war, split to its very core. To clans with broken hearts under a burning sun. Their hands stained with blood in the name of a cross or a crescent. From this lonely place, which has chosen peace, whose history is spun of barbed wire and guns.
- VerbindungenFeatured in Fokus på Film fra Sør (2011)
- SoundtracksDanse Funèbre
Written by Khaled Mouzanar
Performed by Khaled Mouzanar
Top-Auswahl
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Details
- Erscheinungsdatum
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- Where Do We Go Now?
- Drehorte
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Box Office
- Budget
- 6.700.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 531.997 $
- Eröffnungswochenende in den USA und in Kanada
- 15.382 $
- 13. Mai 2012
- Weltweiter Bruttoertrag
- 7.507.008 $
- Laufzeit
- 1 Std. 50 Min.(110 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1