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Aufwendige Verfilmung des Tolstoi-Klassikers - Der wichtigste Roman der russischen Literatur!Aufwendige Verfilmung des Tolstoi-Klassikers - Der wichtigste Roman der russischen Literatur!Aufwendige Verfilmung des Tolstoi-Klassikers - Der wichtigste Roman der russischen Literatur!
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I'm not saying it is easy to adapt and film a behemoth work like War and Peace. But they managed to get the production values fine, eg costumes, most of the architecture. Even battle scenes are not bad considering.,
But this production is ruined by awful acting and direction. And I don't mean a few or most of the actors -- but all of them.
I am a bit surprised at how hard everyone is on this little mini-series. I have viewed a number of the previous efforts of putting War and Peace on the screen, and actually think that these folks did not do a bad job! While Russians may be justifiably distressed at the international, non-Russian cast, as an American viewer who has seen some of these actors in British, Italian, and American films, I found the cast completely engaging in this production. The cast may not have the right hair color, as previous posts have noted, but in many ways they are true to the spirit of Tolstoy's work, and even manage to breathe their own life into the roles as well. I actually think Clemence Poesy is stunning and believable as Natasha, for example. This very young, granted inexperienced actress, caught some of the freshness, innocence, joie de vivre etc., required for the role, and then summoned the passion and emotion later on to make her "transgression" believable. And what about the location shooting?-- and the beautiful lighting and camera work at those locations? I thought it was head and shoulders above the cinematography of the Hepburn/Fonda version, etc. I was astonished at some of the previous comments about the bad dancing, too: the Natasha/Andrei dance at the ball was one of the loveliest and most atmospheric period dance scenes I've seen on film in recent years. (All the recent Jane Austen films should take note!) My only complaint is that as an American it was very hard to track down a copy that would play on my Region 1 DVD.
It is difficult for an Indian to write a laudable review for this grandiose series after so many ethnic Russians have written brutally critical ones. Still I will try. I have watched both Bondarchuk's Soviet production of 1960s and this particular one. Let me put it like this. The Soviets (who tried hard to reproduce the aristocratic milieu of the Russian Empire of early 19 century) did their best and failed. May be it can be explained that under Lenin and Stalin they managed to execute all real Russian aristocrats - so there were no nobles left to tell them how the high life folks really behaved. I hear the only expert from "old" Russia they could unearth was the widow of the executed tsarist admiral Kolchak (even she was condemned to some 18 years in various GULAG camps). In this series the motley crew of European star actors and gifted Russian extras surprisingly create a very sophisticated and warm world of Russian nobility which is quite believable for a fan of classic Russian culture like me. Two grades are off due to poorly staged battle scenes and outlandish Russian hussars's braids (unlike the Mongols their elite cavalry never wore braids, especially in the 19 century).
Countries of the Europe tried very much to make this movie. Movie is outstanding, but not without remarks. Firstly, Clémence Poésy does not approach for Natasha Rostova at all. There is no that charm which was described by the Leo Tolstoi in the novel. Secondly, in the end of first part of movie was used music by... modern composer Aram Khachaturyan for the Lermontov's drama "Masquerade". Italian actor Alessio Boni is ingenious! I think, that his role the best in this film! Hi is one of the best actors, ever played role of Andrey Bolkonsky. Alexander Beyer's work (Pierre Bezukhov) is very convincing. Noticeably, that this actor really very well knows "War and peace". It has allowed it to represent Pierre Bezukhov very authentically. The image of old prince Bolkonsky (M. McDowell) has turned out very expressive and truthful. Such old Russian prince - the petty tyrant. In common, movie is remarkable!
I really liked this mini series and was never bored with it.
Considering how long it was that was some feat. I see many on here have criticised the casting of certain characters and I can agree with much of what has been said, however for me it didn't detract from the over all enjoyment.
It contained all the right emotions and I thought(casting aside) most of the acting was of a very high standard. The mix of European stars some more stars than others lifted the acting standard and it all worked really well. The scenery and sets were also truly breathtaking.
So over all a good series that reflected the spirit of the book.
Considering how long it was that was some feat. I see many on here have criticised the casting of certain characters and I can agree with much of what has been said, however for me it didn't detract from the over all enjoyment.
It contained all the right emotions and I thought(casting aside) most of the acting was of a very high standard. The mix of European stars some more stars than others lifted the acting standard and it all worked really well. The scenery and sets were also truly breathtaking.
So over all a good series that reflected the spirit of the book.
Wusstest du schon
- PatzerNear the end of the series (set in 1813), Pierre plays the first bars of Chopin's Nocturne in C sharp minor - which was composed in 1830.
- VerbindungenVersion of Natasha Rostova (1915)
- SoundtracksThe Duke of Kent's Waltz
(uncredited)
Traditional
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