Krieg und Frieden

It is difficult for an Indian to write a laudable review for this grandiose series after so many ethnic Russians have written brutally critical ones. Still I will try. I have watched both Bondarchuk's Soviet production of 1960s and this particular one. Let me put it like this. The Soviets (who tried hard to reproduce the aristocratic milieu of the Russian Empire of early 19 century) did their best and failed. May be it can be explained that under Lenin and Stalin they managed to execute all real Russian aristocrats - so there were no nobles left to tell them how the high life folks really behaved. I hear the only expert from "old" Russia they could unearth was the widow of the executed tsarist admiral Kolchak (even she was condemned to some 18 years in various GULAG camps). In this series the motley crew of European star actors and gifted Russian extras surprisingly create a very sophisticated and warm world of Russian nobility which is quite believable for a fan of classic Russian culture like me. Two grades are off due to poorly staged battle scenes and outlandish Russian hussars's braids (unlike the Mongols their elite cavalry never wore braids, especially in the 19 century).

I really liked this mini series and was never bored with it.

Considering how long it was that was some feat. I see many on here have criticised the casting of certain characters and I can agree with much of what has been said, however for me it didn't detract from the over all enjoyment.

It contained all the right emotions and I thought(casting aside) most of the acting was of a very high standard. The mix of European stars some more stars than others lifted the acting standard and it all worked really well. The scenery and sets were also truly breathtaking.

So over all a good series that reflected the spirit of the book.

I have just seen the second part of the series. I read the book some time ago so I can compare it to this great story by Lew Tolstoy. What can I say is that the movie lacks the epic size of the story. Historical events were in Tolstoy "War and peace" as important as personal stories which seem to be in this movie the only important. This way the story has turned into a kind of melodrama - just another marital and love stories, without big depth. Most of the characters are not very expressive. I was very surprised of the look of Natasha as I remember her from the book description as very simple, joyful and black haired girl. Prince Bolkonsky is not very interesting and lacks any charisma. I like Pierre Bezuchow and can sympathize with princess Marie. And I can agree: lack of Russian language in any form is very painful. But what can we expect from television drama? Nothing more like the soap opera. And that's it. If I am wrong not having seen yet 3rd and 4th part - apologize.

Condensed classic of epic proportions and sensual sensory splendors! This Italian T.V. mini series is studded with an international cast of brilliant players and enough extras to fill the Cinecitta Rome set five times over. One of the fascinating things about this marvelously accessible version of the story is that it is in English. Don't let the Russian Box fool you. An extra added bonus it that the film was shot in Russia so you get the added pleasure of seeing some incredible architecture of the period and the stunning Russian countryside (And a little of Lithuania.) There is in the huge cast some real stand out performances. Brenda Blethyn is wonderful as always, and as Prince Andre's father Malcolm McDowell is chilling and arresting in his approach to the part.

In the lead female role we have the lovely Cemence Posey, who is near perfect in a role so associated in the West with Audrey Hepburn. There have been complaints that she is a blond in a traditionally dark haired part, but that seems trivial to me in comparison to her performance. In the romantic lead of Prince Andre is the wonderful Italian star, Alessio Boni. He brings to the role a deliciously tragic gravitas that is so important to the story. He is a brilliant actor who needs more exposure on this side of the world. Just check out his work in 'The Best Of Youth' and 'Don't Tell'.

Also the incredibly beautiful Violante Placido plays the wicked Helene with relish and great style. Not since Polly Walker in 'Rome' has there been such a delicious wicked woman on the screen. She was a delight to watch and I found myself missing her when she was not on screen.

Benjamin Sadler, who was so brilliant in Augustus is on had to lend his considerable slithery charm and great presence to the role of Dolokov. Why is this actor not a huge star yet? Yes there are many other worthy performances to see and savor in this lush and enthralling film, too many to go any further with here. Rather, take the chance and get this film and let the magic of Tolstoy's timeless story take you into a world that is gone with the wind.

Yes it is not as huge and epic as the 1968 Russian classic but it is none the less even at times more wonderful! The disk is splendid with clear beautiful image and great sound. As I said the film is in Enlish with an international cast. It is obvious they are all speaking in English and if any are dubbed that is Not obvious. Very well done in the sound department. And the score by Jan A.P. Kaczmarek is lush and soaring. Most particularly stunning at the end of act two as Natasha descends the grand staircase with the viper Anitole Kuragin,Ken Dunken on her heals.

Excellent all-around--the superb acting is the high point--Alexander Beyer and Hannelore Elsner particularly good, and of course Malcolm McDowell is good. The cinematography and production design are gorgeous, and the historical realism is dense and exciting (best Napoleon you'll ever see). Costumes are excellent and rich, and the direction is skillful (wonderful close-ups of the actors, the directors really gave them a chance to shine). Music is beautiful. A really outstanding, well-made piece, a great tale with a wonderful cast of villains and delightfully honorable, upstanding characters, with many exciting contests and backstabbing among them. Though admittedly the narrative has to move along at a brisk pace, and much is left out of the story, this is true of any long tale like this one brought to the screen. Much fun to watch over a few nights.