The Wind that Shakes the Barley

Revolutions are never neat and tidy. The British occupation of Ireland was nothing short of barbaric and brutal. Despite some claims of exaggeration, it is hard to deny the fact that Ireland faced centuries of oppression during the occupation. While Irish independence is still a contentious issue, it is unequivocally wrong that the British acted the way they did in the 1920s.

The Wind That Shakes the Barley is a film that doesn't shy away from the unrelenting terror and bloodshed of the revolution. The working-class accents and dialects are authentically preserved, with constant debate and war never ceasing. The film raises an important question about whether the Irish Revolution was a socialist or nationalist one. The IRA supporting landlords for arms highlights the fact that class warfare and nationalism do not always intersect. Removing the British is not the same as building a better society. If Ireland remains capitalist, then what do the poor actually gain?

This film presents rural Ireland as a character in its own right, a land of green beauty covered in the blood of a savage revolution. The Irish War of Independence turns into the Irish Civil War, with brothers turning on each other. This is a film of tough and awful choices. Ireland's path to independence has been complicated, and the original Republican goals have still not been fully achieved. The film also shows men fighting to remove the British, only to be killed by their fellow Irishmen. It is a stark reminder that just because someone is on your side, it doesn't mean they share your principles.

I am an Australian of Northern English background, no sectarian affiliations and just back from a glorious holiday in Ireland. I saw the movie last night and would like to raise 5 big issues.

i) As a movie it is first rate; brilliantly written, directed and acted.

ii) I appear to be one of few non-Irish people who has read up enough on the history who know it is historically accurate. In 1919-20 the British government repression in Ireland was a dead-set disgrace.

iii) Irish people seem to miss that the same people who were exploiting them in Ireland were also exploiting working people in England and Scotland. My great grandparents in England were not persecuting the Irish, they were too busy being worked to death for the same lousy pay as the Irish were getting.

iv) To English people the events in Ireland in 1920 pale into insignificance compared to (say) the Spanish Armada in 1588. As it said in the movie. to English people Ireland was a 'priest ridden backwater'

v) Ireland is now clearly a prosperous liberal democracy with a seat at the table of the 'rich man's club'. It is good to see the Irish getting on with driving BMWs rather than warring incessantly.

Incidentally, I survived two IRA bomb blasts in London. Gerry Adams never did explain why he tried to kill me. I'm darned if I can understand it either.

An exciting piece of Ken Loach drama based on events that sparked the Irish war of independence. Despite being labelled 'anti-British' by critics born 60 years after these events took place, the incidents depicted in this film have in fact all been documented by the British government and are a matter of historical fact. Events such as the treatment of the local population at the brutal hands of the infamous convict drafted Black and tans force have all been recorded assiduously by both sides in the conflict. And the civil war that followed a decision to allow the mostly protestant north to be a part of the new British welfare state. A clash of ideals, deftly handled by Loach, it's a real pity that so many will have their minds made up before they've even seen the film.

Saw it at private screening too.

Editorial from a Cork newspaper sums it up well:

This wind shakes more than barley

In Ireland we are in rare position internationally when it comes to our media. Most of what we read, listen to and watch is usually interpreted in two perspectives, through our own media and through that of our near neighbours across the Irish Sea. There are other instances of large and small neighbours with a common language (Germany and Austria; USA and Canada; Australia and New Zealand), but nowhere is the penetration of the larger nation's media into the neighbouring market as pronounced as it is in Ireland. Viewership of UK TV stations and readership of UK owned newspapers in Ireland is at a level that makes them as significant to our view of the world as our own media. This breeds a familiarity with our neighbours that can make us Irish assume the British know as much about us as we do about them. Nothing could be further from the truth however as has been graphically illustrated by the reception given in Britain to Ken Loach's Palme d'or winning movie The Wind that Shakes the Barley. There is no question that this film makes the British forces look bad, but of course the reality as all Irish people know is that they were. In the UK normally reasonable and intelligent reviewers and commentators cannot cope with this depiction of occupying British forces as violent repressors of a largely defenceless native population. It has been described as unbalanced and portraying the valiant British soldiers in an unfair and unflattering light. The truth is that the vast majority of British citizens couldn't tell you where Galway is and why should they? They're ignorance of their own colonial past so close to home and denial of it shouldn't surprise us; it is not something to be proud of. This is not to attack Britain, but to remind Irish readers of UK newspapers and viewers of UK television that Britain is indeed a foreign country. They view the world through an entirely different perspective than us, and in truth our views are inconsequential to them. That's why Loach's film, which tells essential truths, will not get a general release in the UK. Despite the fact that Anglo-Irish relations are probably better now than they have ever been the truth about Britain's history in Ireland is something that they just aren't ready for, and probably never will be.

For the past thirty years I have had a love affair with Ireland and over this time it has never failed to surprise, delight and humble me. This last weekend, much to my surprise, a small town cinema in deepest Hampshire, chose to screen 'The Wind that Shakes the Barley'. I am not sure of its motives for doing so but it brought to this small Saturday evening English audience a stark reminder about the brutality of its colonial past and its recent mistreatment of one of its nearest neighbours. For me the beauty of this film is in its honest portrayal of the momentous events that took place as seen through the eyes of a small Irish community. What is not lost is the knowledge that these same actions, tensions and emotions are taking place in every other community throughout Ireland at this time and it is this common purpose that in the end provides the momentum that forces change. The film does not shy away from the level of brutality that is required to force this change through. For me the uncompromising use of dialect reinforces the small community aspect and constantly acts as a reminder to us English that the Irish were, and still are, culturally different from us and are proud of it. So, if you want to see for yourself then look up your local sleepy cinema and you may be as surprised as I was.

For me the film had an added dimension in that the same catalogue of events are still being played out on the world stage today wherever you have dominance by a colonial power over its neighbour. The same resistance builds against suppression and the common purpose creates the conditions for change. Once the realisation is understood that change is achievable the common purpose takes second place to the aspirations of various factions and the momentum falters while it turns in on itself and the bitter struggle for dominance is played out. This struggle may end in civil war, partition or both. Meanwhile, the colonial power endeavours to try to influence the outcome. Such are the dynamics of the human condition.