Ich, Daniel Blake

I left the cinema with a lot to think about after viewing this film. A gritty and realistic drama portraying the processes and outcomes of claimants caught up in today's benefit system, sometimes with dreadful outcomes.

Every public servant, politician and voluntary sector worker should be expected to watch this film. A lot of it is not easy viewing, and certainly not suitable for a fun night out, but the message it gives about today's society is compelling.

I think a message should be included on-screen but before the credits suggesting people contact the Citizens' Advice Bureau if they are experiencing any of the issues raised in the film.

This movie caught me by my heart, like every other piece by Laverty- Loach cooperation. It is not a thriller, there are no twists, no peaks of emotions. It shows the naked reality of our everyday lives with its great pains and humor at the same time. But, the "banality" of these great pains is the strength of the movie, it shows how every encounter with the system is the time we face the reality of the system and look for someone who will give a hand us to survive it. Of course, this is mostly valid for the working class. The film softly depicts that it is not a socialist propaganda, because when truly shown the reality itself unveils as a socialist propaganda.

But the film is not another documentaristic presentation of the everyday life of a worker, as it also shows how to cope with all these we experience. It is the formation of a solidarity with others like us, the woman in the queue, the Chinese in the factory, the black in the warehouse, the clerk at the office... We are already connected, even with those in other continents. Once we see someone shouting with his writing on the wall, we should shout with him with our voice. If one of them writes a letter, another should spread its word.

A shot in the head of the Britain's social security system, a great call for solidarity.

Ken Loach is a name I always recognise but then struggle to remember any of his work. I think, "ah good, it's by Ken Loach" and then "what's he done again? Oh Kes!" But Kes was 47 years ago and shamefully, I'm not familiar with any of his films since then. One conclusion from this realisation is that Loach has a strong reputation as a filmmaker and this was my long awaited reunion.

We follow Daniel Blake, a middle-aged carpenter who's taken a few recent knocks, one of which is suffering a heart-attack and deemed not able to return to work. It's a position no one would want to be in, forced to sacrifice your own health or lose everything you have worked so hard for.

We witness the hurdles that seem purposely put there to hinder payments, speaking from personal experience I can relate to this situation to a degree. How are people such as Daniel Blake suppose to survive, or better still, have a good life they are suppose to be able to live.

It's a harsh reality on how parts of the British system fails it's people and proof that there's no real incentive to do things by the book. Having been in a similar situation myself, skirting the unemployment line getting advise from people who have no ambitious or understanding of what I wanted to do.

Taking this on a more personal level, I quit a stressful position last year in the hopes of pursuing my own dream of being an artist and writer. Having to sign agreement that I would spend a number of hours trying to find work and having to provide evidence of doing so each fortnight would grant me the universal credit that I never actually received. I actually had a good case worker, as everyplace of work has good people, but equally there are those that can't see beyond, much like what is portrayed in this story. Though, instead of supporting me in trying to be something I both enjoy and apparently good at, they attempted to find me similar stressful jobs that I left for my own sanity, wanting to place me back amongst the wolves.

Dave Johns is exceptional as Daniel Blake, emitting the boiling frustrations of the soul- destroying turn of events, right to the very end. Hayley Squires' Katie is short of brilliant too, displaying the tremendous pressure when faced with these kind of tribulations. Though, the acting from the rest of the supporting cast is less desirable, it's forgivable.

It's a raw, honest and emotional look at the suffering and poor way of life some unfortunate people have to contend with in Great Britain. It's compelling, invoking and upsetting, showing the great lengths and risks people go through in order to maintain their self dignity. It's certainly a film that boasts Loach's credibility.

Running Time: 8 The Cast: 7 Performance: 7 Direction: 7 Story: 8 Script: 8 Creativity: 8 Soundtrack: 6 Job Description: 10 The Extra Bonus Points: 10 for the difficult subject matter and perfect portrayal. Would I buy the Bluray?: yes

79% 8/10

Ken Loach does it again.

If you know Ken Loach (and importantly his writing partner Paul Laverty) you'll know I, Daniel Blake.

It's a nightmare.

A total nightmare.

Life on poverty line Britain that is.

And Loach hammers this home with gusto.

He chooses Newcastle as his latest political landscape, partly because "it's grim up North" but also because, in my experience, Geordies are the salt of the earth; kind, lovable folks. And this is the main emotional driver of this nightmare.

Daniel Blake is caught in a trap.

A bureaucratic hell populated by "computer says no" mini Hitlers occupying mainly minor roles in the Jobseeker hell that is Tory Britain. In a bid to out 'scroungers' the system has eaten itself and is spitting out vulnerable pitiful fodder like Daniel (played deeply sympathetically by comedian Dave Johns. He'll never win an Oscar but this part was made for him) and the lovable but deeply vulnerable Katie (played equally well by Hayley Squires - Call the Midwife).

He's had a heart attack and his doctors say he can't work but the Benefits Police say he has to go on jobseeker allowance and look for work or lose all entitlement to any money AT ALL.

It's farcical.

She's moved from a women's hostel in London because she can't afford a flat in London with her two children (one slightly miscast as a rather posh daughter, Daisy). She's having the same problems, only hers start from a tinpot Hitler chucking her out of the Job Centre for being late for her appointment.

They bond. He helps her. She helps him. It's grim but deeply affecting. We then follow their shared struggle.

In many ways this movie is like a Ken Loach Primer. It has all his usual trademarks and the 'working class people are good' message is laid on way too thickly.

But.

And it's a big but they are in a profoundly believable real-life drama and I found myself in tears (of collective shame?) three times during it.

It certainly makes the reality of food banks in Britain very, very meaningful. I won't pass a collection point again if my conscience holds up.

Everything that is good about Loach is in this film. In parts it's laugh out loud funny (but it's laughs of derision at our State). In parts it's deeply moving, even though some of the plot is verging on the ridiculous.

But who cares. Ken Loach holds a mirror up to our frankly DISGUSTING society and mocks it.

But he mocks it with the most vicious of venom.

It feels real. Really real.

It's a must see.

This is an excellent movie. Brilliantly written and directed, this is a no holds barred look at the British benefits system and how it dehumanises people who need State funded help.

The two lead characters have gripping back stories. Daniel and Kate help each other come to terms with how the State sees them as nothing but a number and an unwanted burden.

The movie is gritty, heart breaking and funny in parts. It is a social commentary that Ken Loach is so good at, showing what a great filmmaker he is. This is not a feel good movie but it is a rewarding and thought provoking watch.